Roberta Flack | ||||
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Studio album by | ||||
Released | August 7, 1978 | |||
Recorded | April ("If Ever I See You Again", "Come Share My Love", "When It's Over") and May 1978 | |||
Studio |
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Genre | R&B, soul | |||
Label | Atlantic | |||
Producer | Joe Brooks, Joe Ferla, Rubina Flake | |||
Roberta Flack chronology | ||||
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Singles from Roberta Flack | ||||
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Roberta Flack is a 1978 album release by American vocalist Roberta Flack: her eighth album release - including her 1972 Donny Hathaway collaboration - Roberta Flack was the parent album of the #1 Adult Contemporary hit "If Ever I See You Again" which also ranked in the Top 40.
Since signing with Atlantic Records in 1968 Flack had overall abided by her original contract's terms of recording an album every two years: however her December 1977 album release Blue Lights in the Basement had been issued thirty-three months subsequent to Flack's precedent album Feel Like Makin' Love and in the spring of 1978 Atlantic Records president Jerry Greenberg insisted that Flack cut a new album to honor her contract, despite Flack's Blue Lights in the Basement album being a current release.
Footnote 1 |
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Flack has stated that she had been sent the demo for "You Light Up My Life" but had not had a chance to listen to it before the Debby Boone recording was made. [1] |
Footnote 2 |
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In January 1978 Brooks had helmed Debby Boone's recording of the If Ever I See You Again title song plus four other songs heard in the film, the track "California" being a 1978 single release. Boone's versions of these five songs from the film If Ever I See You Again, including "Come Share My Love" and "When It's Over" as well as the title track, would appear on Boone's July 1978 album release Midstream . |
Footnote 3 |
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Brooks had previously offered the If Ever I See You Again numbers to Arista Records president Clive Davis for Barry Manilow to record only to renege after hearing the existing tracks intended for Manilow's upcoming album, which Brooks felt were sub-par and would sink his own compositions (in fact Manilow's 1978 album release Even Now would be a triple platinum seller). [2] |
Greenberg was largely motivated by the prospect of having Flack record the theme song from the upcoming film If Ever I See You Again written by Joe Brooks and featured in the film which Brooks produced. Brooks' precedent film production You Light Up My Life had had its theme song via a recording by Debby Boone spend ten weeks at number 1 on the Billboard Hot 100. Although Greenberg had responded warily to Brooks' pitch that Flack record the song "If Ever I See You Again" - plus some other songs heard in the film - for a new album despite Flack's Blue Lights in the Basement album being a current release, Brooks convinced Greenberg that the If Ever I See You Again theme would be "bigger than 'You Light Up My Life'...It will be a monster [hit]". [2] Flack herself would eventually state that "If Ever I See You Again" was "a song I couldn't stand" which Greenberg insisted she record: (Roberta Flack quote:) "I had a very clever lawyer who made a huge money deal for [my recording] that song". [3]
In April 1978 Brooks produced Flack at A&R Recording Studios (NYC) recording session which yielded Flack's recording of the theme from If Ever I See You Again plus two other songs heard in the film: "Come Share My Love" and "When It's Over". Flack recorded six more tracks to complete the album with Greenberg overseeing production at Atlantic Studios. Flack's recording of its theme from If Ever I See You Again was released 21 April 1978, a month prior to the film's premiere.
With the film If Ever I See You Again quickly proving a massive flop, Flack's single was left to fare on its own merit and in July 1978 spent three weeks at #1 on the Easy Listening chart with an eventual ranking as the #8 Easy Listening hit for the year. "If Ever I See You Again" charted at #24 on the Billboard Hot 100, and #37 on the R&B chart. [4] [5]
The projected title of Flack's seventh solo album release had been If Ever I See You Again referencing its lead single:. [6] [7] the single's underperformance was reflected in the album being released with the title Roberta Flack on 7 August 1978. Following the album's October 1978 Billboard 200 peak of #74 - as opposed to the #8 peak of Blue Lights in the Basement - Atlantic issued the two other Joe Brooks tracks on Roberta Flack: "Come Share My Love" and "When It's Over", as a single with the latter as A-side and no mention of the tracks' cinematic provenance: after this single essentially flopped - "When It's Over" reaching #82 on the R&B chart - Atlantic attempted to spur further interest in the album by releasing Flack's remake of the Stylistics' hit "You Are Everything" as a single in April 1979 - a year after the release of the "If Ever I See You Again" single, and the first time a third single had been culled from a Roberta Flack album - without result, the track barely making the R&B chart at #98.
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The Gambler is the sixth studio album by American singer Kenny Rogers, released by United Artists in November 1978. One of his most popular, it has established Rogers' status as one of the most successful artists of the 1970s and 1980s. The album reached many markets around the world, such as the Far East and Jamaica, with Rogers later commenting "When I go to Korea or Hong Kong people say 'Ah, the gambler!'". The album has sold over 5 million copies.
Coming Around Again is the 13th studio album by American singer-songwriter Carly Simon, released by Arista Records, on April 13, 1987.
Love Lives Forever is the sixth and final studio album by the American soul singer Minnie Riperton. Released posthumously in 1980, it was co-produced by her husband Richard Rudolph and released on her then-label Capitol Records. It consists of tracks that she recorded in 1978 during vocal sessions before her death, and music recorded after her early death, occurred on July 12, 1979.
"Tonight, I Celebrate My Love" is a romantic ballad written by lyricist Gerry Goffin with Michael Masser and recorded by Peabo Bryson and Roberta Flack for their 1983 album of duets, Born to Love, issued as the lead single. The track—produced by Masser—became a million-selling international hit.
First Take is the debut album by the American soul singer Roberta Flack. It was released on June 20, 1969, by Atlantic Records. After a track from this album, "The First Time Ever I Saw Your Face", was included by Clint Eastwood in his 1971 film Play Misty for Me, and the song became a number-one hit in the United States, causing the album to reach number one on the Billboard album chart and Billboard R&B album chart; furthermore, the single topped the chart for the Billboard Year-End Hot 100 singles of 1972, possibly the only sleeper hit to accomplish this. In the 2020 edition of Rolling Stone's 500 Greatest Albums of All Time list, the album was ranked number 451.
Released in 1975, Feel Like Makin' Love is Roberta Flack's fifth solo album and sixth overall, when counting her duet album with Donny Hathaway, Roberta Flack & Donny Hathaway from 1972. It was the first album produced by Flack herself, under the pseudonym Rubina Flake.
Blue Lights in the Basement is the sixth studio album by American singer Roberta Flack, released by Atlantic on December 13, 1977. The album was a commercial success, peaking at number eight on the US Billboard 200, becoming her third top-ten album on the chart and reaching number five on the R&B albums chart. On February 27, 1978, the album received a Gold certification by the Recording Industry Association of America (RIAA) for shipments over 500,000 copies.
The 1972 Atlantic release Roberta Flack & Donny Hathaway is a million-selling duet album by Roberta Flack and Donny Hathaway produced by Joel Dorn and Arif Mardin.
Roberta Flack Featuring Donny Hathaway is the ninth studio album by American singer-songwriter Roberta Flack. Released via Atlantic in March 1980, the album features posthumous vocals by close friend and collaborator Donny Hathaway, who had died in 1979. At the 23rd Grammy Awards in 1981, the album was nominated for a Grammy Award for Best Female R&B Vocal Performance. The award, however, went to Stephanie Mills for "Never Knew Love Like This Before."
Live & More is a two-disc live album between Roberta Flack and Peabo Bryson.
Oasis is Roberta Flack's first solo album of newly recorded songs since 1982's I'm the One. Released 1 November 1988, Oasis features the number-one U.S. singles, "Oasis" (R&B), and "Uh-uh Ooh-ooh Look Out ".
Set the Night to Music is an album released by Roberta Flack in 1991 on Atlantic Records. The title track, written by Diane Warren and originally the 11th track of Starship's 1987 album No Protection, was remade as a duet with Maxi Priest and reached number 6 on the Billboard Hot 100 and number 2 on the Hot Adult Contemporary chart. In Canada, "Set the Night to Music" peaked at number nine on the pop singles chart and number one on the Adult Contemporary chart. It became the 17th biggest Canadian Adult Contemporary hit of 1991.
Born to Love is a 1983 studio album of duets by American singers Peabo Bryson and Roberta Flack. It was released by Bryson's label Capitol Records on July 22, 1983, in the United States. The album yielded the hit single "Tonight, I Celebrate My Love", written by Gerry Goffin and Michael Masser. The track "Maybe" was written and recorded for the film Romantic Comedy (1983).
Roberta is Roberta Flack's fourteenth album, released in 1994. It consists of cover versions of jazz and soul standards. It was also her final album for Atlantic Records after twenty five years with the label since her debut.
"If Ever I See You Again" is the title of a 1978 hit single by Roberta Flack. The song was composed by Joseph "Joe" Brooks and served as the title song for the 1978 film If Ever I See You Again, which Brooks directed and also starred in with Shelley Hack as his leading lady. Male vocalist Jamie Carr sang the theme song on the film's soundtrack.
Dollars is the soundtrack album to the 1971 movie of the same name, also known as $, Dollar$, $ (Dollars) or The Heist, written and directed by Richard Brooks and starring Warren Beatty and Goldie Hawn. The soundtrack, originally issued on Reprise Records, is composed and produced by Quincy Jones, and features performances by Little Richard, Roberta Flack and Doug Kershaw. Throughout the album, the Don Elliott Voices provide harmony vocal background to otherwise instrumental pieces.
Peculiar Situation is a smooth jazz studio album by Earl Klugh released in 1999. This release features Klugh on both guitar and keyboard, and contains Klugh's first ever vocal track, as he "takes the role of a sideman to a vocalist for the first time in his recording career, breezing in behind Roberta Flack on 'Now and Again'".
If Ever I See You Again is a 1978 American romantic drama film about a composer who rekindles his relationship with a former girlfriend. It stars Joe Brooks, who also co-wrote, produced, directed, and scored the film, and Shelley Hack. The film's theme song, "If Ever I See You Again", was a moderate hit for Roberta Flack, reaching #24 on the Billboard Hot 100 chart.
Gunslinger is the tenth studio album by American country music artist Garth Brooks, released on November 25, 2016 by Pearl Records. The album's lead single, "Baby, Let's Lay Down and Dance", was released on October 13, 2016.
"Set the Night to Music" is a song written by Diane Warren and recorded by Starship for their LP, No Protection (1987). It became a major hit for Roberta Flack in 1991. Starship's original version became a Top 10 hit on the U.S. Billboard Adult Contemporary chart, reaching number nine in the spring of 1988, and also charted minorly in Canada. The song appeared at the end credits of the 1988 fantasy-comedy film Vice Versa starring Judge Reinhold and Fred Savage.