Earl Young (drummer)

Last updated
Earl Young
Earl Young 2017.jpg
Background information
Birth nameEarl Donald Young
Born (1940-06-02) June 2, 1940 (age 81)
Philadelphia, Pennsylvania, U.S.
Genres Soul, R&B
Occupation(s)Musician
Instruments Drums, vocals
Years active1960s–present

Earl Donald Young (born June 2, 1940) is a Philadelphia-based drummer who rose to prominence in the early 1970s as part of the Philly Soul sound. Young is best known as the founder and leader of The Trammps [1] who had a hit record with "Disco Inferno". Young, along with Ronnie Baker and Norman Harris (the trio best known as Baker-Harris-Young), was the owner of the Golden Fleece record label. [2]

Contents

Career

Young is seen as the inventor of the disco style of rock drumming [3] (in Harold Melvin & The Blue Notes's "The Love I Lost" from 1973), and is often credited with popularizing four-on-the-floor bass drum beats, and as being the first drummer to make extensive and distinctive use of the hi-hat cymbal throughout the playing time of an R&B song. This led to DJs favoring his recordings because they could hear the cymbal quite easily in their headphones as they "cued up" records to be mixed. [4]

In the mid-sixties Young played drums on many recordings for the Philadelphia-based record label "ARCTIC" (Records), on which his own band "The Volcanos" (later formed to The Trammps) was signed (e.g. The Ambassadors – "Ain't Got The Love Of One Girl (On My Mind)", Della Humphrey - "Let's Wait Until Dark", Kenny Gamble - "The Jokes on You", in 1969 the whole Ambassadors LP "Soul Summit"). He also played for the Philadelphia-based record label "Phil L.A. Of Soul" on Cliff Nobles & Co. - "Love Is All Right (The Horse)" in 1968 (a Jesse Martin production), a popular Northern Soul classic.

Young featured prominently on many Philadelphia International Records (PIR) recordings before moving on to Salsoul Records as part of the house band for the label. He recorded extensively at Philadelphia's Sigma Sound Studios as part of the group of musicians knows as MFSB. In a 2005 interview with Modern Drummer magazine, bassist Anthony Jackson was asked whether he recalled working with Young: "Yes, of course. That was back in the days when I was working with Gamble & Huff in Philadelphia. I didn't get to do too much with Earl because I was usually playing with Billy Paul's band, and Norman Farrington was on drums. But as I continued working for Gamble & Huff, I did a few sessions with Earl. My big Earl project was the O'Jays' "For The Love Of Money". I was astounded by his power. It may not come through on the records, but he is an ass-kicker. Listen to a classic Earl Young track like Harold Melvin & The Blue Notes' "If You Don't Know Me By Now". There's no click track. Earl had the drummer's equivalent of perfect pitch. I only saw the term referred to once, and it's called 'infallible rhythm.' Nobody has absolutely perfect time, but you find people like Buddy Rich and Tony Williams who can play without the time drifting. I've also seen studio drumming great James Gadson demonstrate infallible rhythm. I've seen him overdub drums on a track without a click track, and it's just perfect. I haven't spoken to Earl Young since we cut that record, but I've never forgotten those sessions. Earl stands as one of the great drummers. I'll never forget the impact that he made." [5]

In 1989, newcomers Ten City sought out Young to work on their first album for the house music scene, and even commissioned Young to remix of some of the material and as a session drummer.

In September 2008, Young joined some other ex-MFSB musicians on the Carl Dixon/Bobby Eli session at Eli's Studio E in Philadelphia where four new songs were recorded. The rhythm section included Young, Eli, Dennis Harris (the cousin of the Philadelphia guitarist Norman Harris) on guitar, Jimmy Williams (bass guitar), T Conway (keyboards) and Rikki Hicks (percussion). Vocalists on the session were the Philadelphia harmony group Double Exposure performing "Soul Recession", and Chiquita Green.

Awards and honors

In 1979, Young received a Grammy Award for Album of the Year for the Saturday Night Fever soundtrack. [6]

The Philadelphia Music Alliance (PMA) has honored Young with five bronze plaques on the Walk of Fame on Broad Street. He is recognized as a member of the Trammps, the peerless rhythm section Baker, Harris & Young, along with the Philadelphia International Records studio orchestra MFSB and the Salsoul Orchestra, as well as John Davis & the Monster Orchestra. [7]

In 2016, Young was inducted into the Musicians Hall of Fame and Museum.

Related Research Articles

Philadelphia soul, sometimes called Philly soul, the Philadelphia sound, Phillysound, or TSOP, is a genre of late 1960s–1970s soul music characterized by funk influences and lush instrumental arrangements, often featuring sweeping strings and piercing horns. The genre laid the groundwork for disco by fusing the R&B rhythm sections of the 1960s with the pop vocal tradition, and featuring a slightly more pronounced jazz influence in its melodic structures and arrangements. Fred Wesley, the trombonist of the James Brown band and Parliament-Funkadelic, described the signature deep but orchestrated sound as "putting the bow tie on funk."

The Trammps American disco and soul band

The Trammps are an American disco and soul band, who were based in Philadelphia and were one of the first disco bands.

MFSB, officially standing for "Mother Father Sister Brother", was a pool of more than 30 studio musicians based at Philadelphia’s Sigma Sound Studios. They worked closely with the production team of Gamble and Huff and producer/arranger Thom Bell, and backed up such groups as Harold Melvin & the Blue Notes, the O’Jays, the Stylistics, the Spinners, Wilson Pickett, and Billy Paul.

Instant Funk were an American 1970s and 1980s disco band, best known for their disco classic, "I Got My Mind Made Up ".

Philadelphia International Records (PIR) was an American record label based in Philadelphia, Pennsylvania. It was founded in 1971 by songwriting and production duo Kenneth Gamble and Leon Huff along with their longtime collaborator Thom Bell. It was known for showcasing the Philadelphia soul music genre that was founded on the gospel, doo-wop and soul music of the time. This sound later marked a prominent and distinct era within the R&B genre. During the 1970s, the label released a string of worldwide hits that emphasized lavish orchestral instrumentation, heavy bass and driving percussion.

<i>Trammps</i> (album) 1975 studio album by The Trammps

The Trammps is the debut album by American soul-disco group, The Trammps, released in April 1975 through Golden Fleece Records.

Thomas Jerome Moulton is an American record producer. He experimented with remix in disco music and this led to its wide adoption as a standard practice in the industry. He also invented the breakdown section, and the 12-inch single vinyl format in the process.

Salsoul Records US record label based in New York City

Salsoul Records is an American New York City based record label, founded by three brothers, Joseph Cayre, Kenneth Cayre, and Stanley Cayre. Salsoul issued about 300 singles, including many disco/post-disco 12-inch releases, and a string of albums in the 1970s and early 1980s.

Double Exposure is an American, Philadelphia-based disco group. They are best known for their 1976 hit, "Ten Percent".

Vincent Montana Jr., known as Vince Montana, was an American composer, arranger, vibraphonist, and percussionist. He is best known as a member of MFSB and as the founder of the Salsoul Orchestra. He has been called "the Godfather of disco". Montana was inducted into the Musicians Hall of Fame and Museum in 2016.

The Salsoul Orchestra was the backing band of session musicians for many acts on the New York City label Salsoul Records and, under its own name, recorded several hit singles and albums between 1975 and 1982.

Norman Ray Harris was an American guitarist, producer, music arranger and songwriter, closely associated with Philly soul. He was a founding member of MFSB, the Philadelphia studio band, and one of the Baker-Harris-Young record production trio.

Walter "Bunny" Sigler was an American R&B singer, songwriter, multi-instrumentalist and record producer who did extensive work with the team of Kenny Gamble and Leon Huff, and was instrumental in creating the "Philly Sound" in the early 1970s.

Tyrone Garfield Kersey, known as Ron "Have Mercy" Kersey, was an American keyboardist, songwriter, producer and arranger most known for writing the music to "Disco Inferno" by The Trammps.

"The Horse" is an American instrumental song by Cliff Nobles and Company. It was released as the B-side of the single "Love is All Right" and is simply an instrumental version of that song.

<i>Thirteen Blue Magic Lane</i> 1975 studio album by Blue Magic

Thirteen Blue Magic Lane is the third album by American soul group Blue Magic, produced by Norman Harris and Ron "Have Mercy" Kersey and released in 1975 on the Atco label.

Bobby Eli is an American musician, arranger, composer and record producer from Philadelphia. He is a founding member and lead guitarist of Philadelphia studio band MFSB.

<i>Love Is the Message</i> (MFSB album) 1973 studio album by MFSB

Love Is The Message is the second album by Philadelphia International Records houseband MFSB.

<i>When Love Is New</i> 1975 studio album by Billy Paul

When Love is New is an album by soul singer Billy Paul. It was produced by Kenny Gamble & Leon Huff; arranged by Bobby Martin, Dexter Wansel, Norman Harris, and Jack Faith; and engineered by Joe Tarsia. Released in December 1975, it reached #139 on the Billboard Pop Album chart and #17 on the Soul chart. It includes the singles "Let's Make a Baby" which hit #83 on the Pop singles chart, #18 on the Soul chart, and #30 in the UK and "People Power" which reached #82 on the Soul chart and #14 on the U.S. Dance chart. The album was reissued on CD in 2010 by the U.K.'s Edsel Records. This was the final album where Paul was backed by MFSB, the house band of Philadelphia International Records (PIR).

Thomas Joshua Tindall was an American guitarist. He was a member of MFSB and played on 38 gold and platinum funk and R&B records and more than 30 hits produced by Gamble and Huff in the 1970s and 1980s. Tindall is considered one of the architects of the Philadelphia Sound. He was inducted twice into the Philadelphia Music Alliance's Walk of Fame as a member of MFSB and the Salsoul Orchestra.

References

  1. ↑ "Music: Enter the Disco Band". Time . September 6, 1976. Archived from the original on May 29, 2008.
  2. ↑ "New group, old sound". The Afro American . August 10, 1974.
  3. ↑ Lawrence, Tim (2003). Love saves the day: a history of American dance music culture, 1970-1979 . Duke University Press. pp.  120–122. ISBN   0-8223-3198-5.
  4. ↑ NTR Disco, interview for Dutch Public broadcaster with Leo Blokhuis , retrieved March 22, 2015
  5. ↑ Amendola, Bill (October 2005). "A Different View - Anthony Jackson: Bassist Extraordinaire". 29 (10). Modern Drummer. pp. 132–137, 137.
  6. ↑ "Grammy Award Results for Earl Young". The Recording Academy . Retrieved April 24, 2018.
  7. ↑ Roberts, Kimberly C. (June 2, 2015). "Philadelphia Music Alliance announces Walk of Fame Class of 2015". Philadelphia Tribune .
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.