A Secret Place | ||||
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Studio album by | ||||
Released | December 15, 1976 [1] | |||
Recorded | October 1976 | |||
Studio | Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz fusion, smooth jazz | |||
Length | 33:47 | |||
Label | Kudu | |||
Producer | Creed Taylor | |||
Grover Washington Jr. chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
The Rolling Stone Jazz & Blues Album Guide | [3] |
A Secret Place is the sixth album by jazz saxophonist Grover Washington Jr. and his last studio album for Kudu Records. The album topped the Billboard Jazz Albums chart and reached number seven on the Soul Albums chart in 1977.
"Tenor and soprano saxophonist Grover Washington Jr. was faced with an almost impossible task in 1976: following up his two 1975 critically acclaimed and wildly successful commercial recordings Mister Magic and Feels So Good . Both recordings crossed over to R&B on the radio and on the charts. A Secret Place was produced by Creed Taylor and issued on his Kudu imprint, while the versatile David Matthews arranged the horn section. The players include pianist Dave Grusin, drummer Harvey Mason, Ralph MacDonald on percussion, bassist Anthony Jackson, guitarist Eric Gale, trumpeter John Gatchell and alto saxophonist Gerry Niewood. Guests include bassist George Mraz and guitarist Steve Khan, who appear only on a reading of Herbie Hancock's "Dolphin Dance."
This lineup may not be surprising, but the scope of the recording is. Washington could have gone the easy route and followed up his R&B chart success with a series of uptempo, rousing tracks that leaned heavier on funk – in the style of the title tracks of both the previous albums. But he went in a different direction, at least partially. There are four cuts here, each between eight and nine minutes. The two which comprise side one of the LP, the title track and Hancock's tune, are a bit more laid-back and mysterious. Washington takes his time letting them unfold, utilizing dynamics. "A Secret Place" does have a slippery funky backbeat, and a killer guitar line by Gale, but the groove is nocturnal, spacy and soulful. His soprano sings over the backbeat as Grusin's Rhodes piano plays down a vamp for the rhythm section, and fills in the painted backdrop beautifully. The tempo picks up with Jackson's bassline becoming more prominent in the mix, but it never overpowers the easy groove established at the beginning. "Dolphin Dance" begins every bit as sparely and exotically spacious as Hancock's own version, with beautiful soprano and alto work, gorgeous floating Rhodes piano, and lots of warmth. When it begins to swing near the middle, it does so in such a relaxed and languid manner that the shift from soul-jazz on the preceding tune to the straight up fingerpopping nightclub swing on this one is seamless. "Not Yet" opens the second half of the set. It's a funky groove, but the easy, laid-back feel and chord changes in this Washington original make it irresistibly sexy. Once more, Gale's guitar pleases as it leads the horn section vamps that fill his sophisticated, soulful, bluesed-out solo. The lilt in Grusin's Rhodes piano is the perfect tastemaker, since Washington's tenor is so throaty and on the low-end growl. Harvey Mason's straight up funky soul number "Love Makes It Better," takes the set out on a high note, with gorgeous guitar vamps by Gale, the three-horn line playing a sparse but pronounced melody line, and Grusin filling the middle with enough sweetness and light to offer the drums and percussion room to really pop. Washington's tenor solo is sophisticated and tasteful; its emotion ratchets up the dynamic in the entire tune. The bottom line on A Secret Place is that while the set did well commercially, it got nowhere near the critical praise of its predecessors. That's a shame, because it is a truly fine album whose grooves and pleasures stand the test of time easily. It's ripe for reappraisal." [4]
Thom Jurek of AllMusic commented "Washington's tenor solo is sophisticated and utterly tasteful; its emotion ratchets up the dynamic in the entire tune. The bottom line on A Secret Place is that while the set did well commercially, it got nowhere near the critical praise of its predecessors. That's a shame, because it is a truly fine album whose grooves and pleasures stand the test of time easily. It's ripe for reappraisal". [2] A reviewer of Dusty Groove noted 'Nothing too secret about this record – given that it was one of Grover Washington's biggest hits of the 70s, and for good reason too! The album features four long tracks – all stretched out and layered together with washes of funky, yet subtle sounds – in a perfect blend that let Washington really stretch out on his solos, blowing with a great deal of soul over some hip instrumentation that includes Dave Grusin on electric piano, Anthony Jackson on bass, Harvey Mason on drums, and Ralph McDonald on percussion. There's a lean quality to the record that's completely sublime (why can't they make sets like this anymore?) – and although smooth, things are never slick – wonderfully soulful throughout, in that magic mode that Grover hit on a handful of key 70s albums!" [5]
Chart (1977) | Peak position |
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Billboard Pop Albums [6] | 31 |
Billboard Top Soul Albums [6] | 7 |
Billboard Top Jazz Albums [6] | 1 |
Head Hunters is the twelfth studio album by American pianist, keyboardist and composer Herbie Hancock, released October 26, 1973, on Columbia Records. Recording sessions for the album took place in the evening at Wally Heider Studios and Different Fur Trading Co. in San Francisco, California. The album was a commercial and artistic breakthrough for Hancock, crossing over to funk and rock audiences and bringing jazz-funk fusion to mainstream attention, peaking at number 13 on the Billboard 200. Hancock is featured with woodwind player Bennie Maupin from his previous sextet and new collaborators – bassist Paul Jackson, percussionist Bill Summers and drummer Harvey Mason. The latter group of collaborators, which would go on to be known as The Headhunters, also played on Hancock's subsequent studio album Thrust (1974). All of the musicians play multiple instruments on the album.
Secrets is a jazz-funk fusion album by keyboard player Herbie Hancock. It is also Hancock's seventeenth album overall. Participating musicians include saxophonist Bennie Maupin and guitarist Wah Wah Watson.
Mister Magic is the fourth album by jazz saxophonist Grover Washington Jr., released in February 1975. The album topped both the soul and jazz albums chart and peaked at number ten on the pop chart.
Man-Child is the fifteenth studio album by jazz pianist Herbie Hancock. The record was released on August 22, 1975 by Columbia Records. It was the final studio album to feature The Headhunters, and a number of guest musicians including saxophonist Wayne Shorter, a full brass section, three different guitarists, and Stevie Wonder on harmonica.
Grand Piano Canyon is the 22nd solo album by Bob James. It was released on June 28, 1990. The cover art is reproduced from an original painting by David Grath entitled "Grand Piano Canyon." The title for the seventh track, "Xraxse" is the planet inhabited by Blue People in a story written by James' daughter, Hilary, at age 6.
Gentle Thoughts is the second solo album by Lee Ritenour, and was released as a Direct-to-disc recording. It features Ernie Watts, Dave Grusin, Patrice Rushen, Anthony Jackson, Harvey Mason and Steve Forman.
Breath of Heaven: A Holiday Collection is a Christmas compilation album by Grover Washington Jr., mostly on soprano saxophone, released in 1997 and nominated for a Grammy in 1998. Dawn Andrews contributes vocals and cello. Billy Childs contributes piano. It was also the last album released during his lifetime as he died less than three months later on December 17, 1999. His next album, Aria, was released posthumously on March 7, 2000.
Hello Tomorrow is the ninth studio album by saxophone player Dave Koz. It was his first album released by Concord Records on October 19, 2010. Koz himself provided vocals on "This Guy's in Love with You". The album peaked at number 1 on Billboard Jazz Albums chart. On November 30, 2011, the album received a Nomination in the 54th Grammy Awards for Best Pop Instrumental Album.
Three is the third album by jazz musician Bob James.
Heads is the fifth album by the jazz musician Bob James, released in October 1977. It was his first album released on his newly formed Tappan Zee label, which was distributed by Columbia Records. All of his Tappan Zee albums are distributed by E1 Music. The album reached number one on the Billboard Jazz Albums chart.
Feels So Good is the fifth album by jazz saxophonist Grover Washington Jr., recorded and released in 1975. The album topped both the soul and jazz albums charts and peaked at number ten on the pop album charts in the U.S.
Anything Goes is an album by bassist Ron Carter recorded at Rudy Van Gelder's Studio in New Jersey in 1975 and released on the Kudu label.
Havana Candy is the second album by American vocalist and songwriter Patti Austin recorded in 1977 and released on the CTI label.
Power of Soul is an album by Idris Muhammad.
Cinemagic is an album by American pianist Dave Grusin released in 1987, recorded for the GRP label. The album features Grusin's work as a film composer.
Collection is an album by American pianist Dave Grusin released in 1989, recorded for the GRP label. Collection is a retrospective of Grusin's work from 1976–1989. The album reached No. 3 on Billboard's Contemporary Jazz chart.
The Orchestral Album is an album by American pianist Dave Grusin released in 1994, recorded for GRP Records. It contains both original recordings and new arrangements of previously released material. The arrangement of Three Cowboy Songs won the 1995 Grammy Award for Best Instrumental Arrangement.
Dave Grusin and the NY-LA Dream Band is an album by American pianist Dave Grusin released in 1984, recorded for the GRP label. The album was released in Japan by JVC as Dave Grusin and Dream Orchestra Live at Budokan. The album was recorded live in Tokyo, Japan, at Budokan. The album reached No. 4 on Billboard's Jazz chart.
Feel the Night is an album by American guitarist Lee Ritenour, released in 1979. It was produced by Ritenour.
The Best Is Yet to Come is a 1982 studio album by American jazz musician Grover Washington Jr., released via Elektra label. The album includes his major hit "The Best Is Yet to Come" recorded with Patti LaBelle.
Grover Washington Jr.