Related Research Articles
"In the Mood" is a popular big band-era jazz standard recorded by American bandleader Glenn Miller. "In the Mood" is based on the composition "Tar Paper Stomp" by Wingy Manone. The first recording under the name "In the Mood" was released by Edgar Hayes & His Orchestra in 1938.
"How High the Moon" is a jazz standard with lyrics by Nancy Hamilton and music by Morgan Lewis. It was first featured in the 1940 Broadway revue Two for the Show, where it was sung by Alfred Drake and Frances Comstock. In Two for the Show, this was a rare serious moment in an otherwise humorous revue.
"Blue Tango" is an instrumental composition by Leroy Anderson, written for orchestra in 1951 and published in 1952. It was later turned into a popular song with lyrics by Mitchell Parish. Numerous artists have since covered "Blue Tango".
"Blues in the Night" is a popular blues song which has become a pop standard and is generally considered to be part of the Great American Songbook. The music was written by Harold Arlen, the lyrics by Johnny Mercer, for a 1941 film begun with the working title Hot Nocturne, but finally released as Blues in the Night. The song is sung in the film by William Gillespie.
"Blue Room" is a show tune from the 1926 Rodgers and Hart musical The Girl Friend, where it was introduced by Eva Puck and Sammy White. It is also a jazz standard.
"Love Me or Leave Me" is a popular song written in 1928 by Walter Donaldson with lyrics by Gus Kahn. The song was introduced in the Broadway musical comedy Whoopee!, which opened in December 1928. Ruth Etting's performance of the song was so popular that she was also given the song to sing in the play Simple Simon, which opened in February 1930.
"Deep Purple" is a song and the biggest hit written by pianist Peter DeRose, who broadcast between 1923 and 1939 with May Singhi as "The Sweethearts of the Air" on the NBC radio network. The British rock band Deep Purple named themselves after the song.
"Imagination" is a popular song with music written by Jimmy Van Heusen and the lyrics by Johnny Burke. The song was first published in 1940. The two best-selling versions were recorded by the orchestras of Glenn Miller and Tommy Dorsey in 1940.
"The Nearness of You" is a popular song written in 1937 by Hoagy Carmichael with lyrics by Ned Washington. Intended for an unproduced Paramount film titled Romance In The Rough, the studio's publishing division Famous Music reregistered and published the song in 1940. It was first recorded by Chick Bullock and his Orchestra on Vocalion. Despite numerous accounts to the contrary, the song was never scheduled for and does not appear in the 1938 Paramount film Romance in the Dark.
"Ain't She Sweet" is a song composed by Milton Ager, with lyrics by Jack Yellen. It was published in 1927 by Ager, Yellen & Bornstein, Inc. It became popular in the first half of the 20th century and typified the Roaring Twenties. Like "Happy Days Are Here Again" (1929), it became a Tin Pan Alley standard. Both Ager and Yellen were elected to the Songwriters Hall of Fame.
"Love Walked In" is a song composed by George Gershwin, with lyrics by Ira Gershwin. The tune was composed in 1930, but the lyric was not written until 1937, for the movie musical The Goldwyn Follies (1938), where it was sung by Kenny Baker. Hit versions include Sammy Kaye (1938), The Hilltoppers (1953), Ella Fitzgerald (1959), The Flamingos (1959) and Dinah Washington (1960). Artie Shaw recorded the song in the early 1940s.
"More Than You Know" is a popular song, composed by Vincent Youmans with lyrics by Billy Rose and Edward Eliscu. The song was published in 1929.
"That's My Desire" is a 1931 popular song with music by Helmy Kresa and lyrics by Carroll Loveday.
"Poor Butterfly" is a popular song. It was inspired by Giacomo Puccini's opera Madame Butterfly and contains a brief musical quote from the Act two duet Tutti i fior in the verse.
"Let There Be Love" is a popular song with music by Lionel Rand and lyrics by Ian Grant, published in 1940.
"I'm Always Chasing Rainbows" is a popular Vaudeville song. The music is credited to Harry Carroll, but the melody is adapted from Fantaisie-Impromptu by Frédéric Chopin. The lyrics were written by Joseph McCarthy, and the song was published in 1917. It was introduced in the Broadway show Oh, Look! which opened in March 1918. The song was sung in the show by the Dolly Sisters. Judy Garland sang it in the 1941 film Ziegfeld Girl. It was subsequently sung by Jack Oakie in the 1944 film The Merry Monahans and was again featured in the 1945 film The Dolly Sisters, where it was sung by John Payne. It was also included for part of the run of the 1973 revival of Irene. Additionally, the pre-chorus would not have been included until later covers in the 1940s, where the song would gain it's iconic libretti.
"You Must Have Been a Beautiful Baby" is a popular song with music by Harry Warren and lyrics by Johnny Mercer, written in 1938 for the Warner Brothers movie Hard to Get, released November 1938, in which it was sung by Dick Powell.
"Darktown Strutters' Ball" is a popular song by Shelton Brooks, published in 1917. The song has been recorded many times and is considered a popular and jazz standard. There are many variations of the title, including "At the Darktown Strutters' Ball", "The Darktown Strutters' Ball", and just "Strutters' Ball".
"Make Love to Me" is a 1954 popular song with words and music written by a larger team than normally is known to collaborate on a song: Bill Norvas, Alan Copeland, and the New Orleans Rhythm Kings, comprising Leon Rappolo, Paul Mares, Ben Pollack, George Brunies, Mel Stitzel, and Walter Melrose. The melody was derived from a 1923 song, "Tin Roof Blues", composed by the New Orleans Rhythm Kings.
Jack K. Pleis was an American jazz pianist, arranger, conductor, composer and producer. He recorded on London and Decca Records in the 1950s, and Columbia Records in the 1960s. During the course of his career, Pleis worked with many artists, including Louis Armstrong, Harry Belafonte, Bing Crosby, Sammy Davis Jr., Benny Goodman, Earl Grant, Brenda Lee, and Joe Williams. Between 1950 and 1976, more than 150 songs were arranged by Pleis. His surname is pronounced "Pleece".
References
- ↑ Jazz Bass Survey: sketches of 24 of the most influential jazz bassists in jazz history Archived December 30, 2006, at the Wayback Machine
- 1 2 "DECCA (USA) 78rpm numerical listing discography: 2000 - 2500". 78discography.com. Retrieved May 3, 2021.
- ↑ "45 discography for Coral Records 60000 series". Globaldogproductions.info. Retrieved May 3, 2021.
- ↑ Whitburn, Joel (1973). Top Pop Records 1940-1955. Record Research.
- ↑ "Prestige Records Discography: 1951-1952". Jazzdisco.org. Retrieved May 3, 2021.
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