Louis Armstrong and His Friends | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1971 | |||
Recorded | May 26, 27 & 29, 1970 | |||
Studio | New York City | |||
Genre | Jazz | |||
Length | 52:20 | |||
Label | Flying Dutchman/Amsterdam M31-1012 | |||
Producer | Bob Thiele | |||
Louis Armstrong chronology | ||||
|
Louis Armstrong and His Friends is an album by the Louis Armstrong recorded in 1970 and originally released by Flying Dutchman on their Amsterdam subsidiary label. [1] [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
AllMusic reviewer Alex Henderson stated "Louis Armstrong and His Friends isn't among the trumpeter/singer's essential releases, but it is certainly interesting, enjoyable, and historically important. Recorded in May 1970, Louis Armstrong and His Friends was his next-to-last studio session ... Armstrong was in poor health; in fact, he wasn't well enough to do any trumpet playing on this album. But he was still able to sing, and he gets his points across ... Louis Armstrong and His Friends sometimes goes out of its way to sound contemporary (by early-'70s standards). And for the most part, it works ... short of essential, but for Armstrong's truly devoted fans, it is a fascinating (if imperfect) album to listen to". [3]
"What a Wonderful World" is a song written by Bob Thiele and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom, though it performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.
Classics in the Key of G is the first cover album and ninth studio album by saxophonist Kenny G. It was released by Arista Records on June 28, 1999, and reached number 1 on the Contemporary Jazz Albums chart, number 13 on the Internet Albums chart, number 17 on the Billboard 200 and number 27 on the R&B/Hip-Hop Albums chart.
Ella and Louis Again is a studio album by Ella Fitzgerald and Louis Armstrong, released in 1957 on Verve Records. It is the sequel to their 1956 album, Ella and Louis. In contrast to their previous collaboration, this album features seven solo vocal tracks by either Armstrong or Fitzgerald amongst its dozen duet tracks. It was reissued as part of a two-compact disc set in 1995, and in The Complete Ella Fitzgerald & Louis Armstrong on Verve in 1997. It was recorded at Capitol Studios.
Louis Armstrong Plays W. C. Handy is a 1954 studio release by Louis Armstrong and His All Stars, described by Allmusic as "Louis Armstrong's finest record of the 1950s" and "essential music for all serious jazz collections". Columbia CD released the album on CD in 1986 in a much altered form, with alternative versions in place of many of the original songs, but restored the original with its 1997 re-issue, which also included additional tracks: a brief interview by the producer, George Avakian, with W. C. Handy; a joke told by Louis Armstrong; and several rehearsal versions of the songs.
Louis Armstrong Meets Oscar Peterson is a 1957 studio album by Louis Armstrong, accompanied by Oscar Peterson.
Sonic Boom is an album by jazz trumpeter Lee Morgan, recorded on April 14 and 28, 1967 but not released on the Blue Note label until 1979. The 2003 CD reissue added seven tracks recorded on September 12 & October 10, 1969 which were first released on the original double LP edition of The Procrastinator. Therefore, the CD edition includes performances by Morgan with two line-ups: the first one with David Newman, Cedar Walton, Ron Carter and Billy Higgins, whilst the second features Julian Priester, George Coleman, Harold Mabern, Walter Booker and Mickey Roker.
Here's Lee Morgan is an album by jazz trumpeter Lee Morgan originally released on the Vee-Jay label. It was recorded on February 8, 1960 and features performances by Morgan with Clifford Jordan, Wynton Kelly, Paul Chambers and Art Blakey.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
Soul Call is a 1967 live album by Duke Ellington and his orchestra, recorded live at the Juan-les-Pins/Antibes Jazz Festival on the Côte d'Azur. Ella Fitzgerald appeared with Ellington and his band at the same festival, and a more complete version of Ellington's appearance at the festival is documented on the 1998 album Ella and Duke at the Cote D'Azur.
The Great Summit: The Master Takes is a 2001 Blue Note album by Duke Ellington and Louis Armstrong. It's a reissue of the two Roulette albums Together For The First Time and The Great Reunion from 1961.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
Ellington '55 is an album by American pianist, composer and bandleader Duke Ellington recorded for the Capitol label in 1953 and 1954 and released in 1955. The album features the Ellington Orchestra's performances of popular big band compositions and was reissued on CD with two bonus tracks in 1999.
My People is an album by American pianist, composer and bandleader Duke Ellington written and recorded in 1963 for a stage show and originally released on Bob Thiele's short-lived Contact label before being reissued on the Flying Dutchman label and later released on CD on the Red Baron label. The album features recordings of compositions by Ellington for a stage show presented in Chicago as part of the Century of Negro Progress Exposition in 1963.
Booker 'n' Brass is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1967 for the Pacific Jazz label.
Booker Little is an album by American jazz trumpeter Booker Little featuring performances recorded in 1960 for the Time label. A CD re-release entitled Booker Little: Complete Quartet Recordings added six bonus tracks drawn from the albums Metronome Presents Jazz in the Garden at the Museum of Modern Art by Teddy Charles, Booker Little 4 and Max Roach, Max Roach + 4 on the Chicago Scene, and Max Roach + 4 at Newport.
Invitation is an album by vibraphonist Milt Jackson's Sextet featuring performances recorded in 1962 and released on the Riverside label.
From the Hot Afternoon is an album by American jazz saxophonist Paul Desmond featuring performances recorded in 1969 and released on the CTI label.
Kaleidoscope is an album by saxophonist Sonny Stitt compiling tracks recorded in 1950-52 and released on the Prestige label in 1957. The 1991 CD reissue added four bonus tracks to the original LP.
All Star Sessions is an album by saxophonist Gene Ammons recorded between 1950 and 1955 and released on the Prestige label.
Any Number Can Win is an album by American jazz organist Jimmy Smith, arranged by Billy Byers and Claus Ogerman.