At Plugged Nickel, Chicago | ||||
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Live album by | ||||
Released | 1976 1982 (Worldwide) | (Japan)|||
Recorded | December 22–23, 1965 | |||
Venue | Plugged Nickel Chicago | |||
Genre | Post-bop, hard bop, modal jazz | |||
Length | 100:58 | |||
Label | ||||
Producer | Teo Macero | |||
Miles Davis chronology | ||||
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Miles Davis live chronology | ||||
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Live at the Plugged Nickel | ||||
Live at the Plugged Nickel is a live double album by Miles Davis,originally released separately as At Plugged Nickel,Chicago,Vol. 1 and At Plugged Nickel,Chicago,Vol. 2 on CBS/Sony in Japan in 1976,recorded in 1965 on December 22 and 23 respectively and released worldwide through Columbia in 1982 as part of the Contemporary Masters Series. [1] The volumes also appear At Plugged Nickel,Chicago (Album No. 25 / Discs 30 &31) in the box set Miles Davis:The Complete Columbia Album Collection . [2] [3]
Columbia recorded the seven sets the quintet performed over the two nights,but although some tracks were made available on compilations,the full recordings were not released until the appearance of the Complete Live at the Plugged Nickel 1965 in 1995.
Pianist Jodie Christian,one of the founders of the AACM,was in the audience,and recalled:"Technically,they listened to one another and played together unlike any other band I'd ever heard... Everybody heard each other and was able to respond to the same thing. At intermission everybody in the audience would talk excitedly about what we were hearing,because they were playing both free-form and conventional. I don't think I ever heard anything like that again." [4] Trumpeter Dave Douglas expressed his admiration for Shorter's solo on "On Green Dolphin Street",writing:"it's the counterintuitive choices Shorter makes in this solo that really get me. By counterintuitive I mean:Shorter seems to use the unusual notes in a chord or voice-leading moment to connote other harmonic areas,keys and scales,and somehow always manages to resolve the dissonance tunefully but almost never in the way you expect. It helps that his dialogue with the rest of the band is telepathic,with each interesting harmonic,melodic and rhythmic choice leading to an intelligent and emotive response. The deeper you listen,the more profound those choices seem. That makes a great improvisation,no matter the music or style." [5]
When the 1982 Plugged Nickel recording came out,Wynton Marsalis visited Shorter at his home and asked if they could listen to the music together while Marsalis watched Shorter's facial expressions. [6]
No. | Title | Writer(s) | Length |
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1. | "Walkin'" | Richard Carpenter | 11:03 |
2. | "Agitation" | Miles Davis | 10:50 |
3. | "On Green Dolphin Street" | Ned Washington, Bronisław Kaper | 11:14 |
4. | "So What" | Miles Davis | 13:38 |
5. | "The Theme" | Miles Davis | 0:17 |
No. | Title | Writer(s) | Length |
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1. | "'Round Midnight" | Bernie Hanighen, Cootie Williams, Thelonious Monk | 8:40 |
2. | "Stella by Starlight" | Ned Washington, Victor Young | 13:16 |
3. | "All Blues" | Miles Davis | 12:00 |
4. | "Yesterdays/The Theme" | Jerome Kern, Otto Harbach/Miles Davis | 20:00 |
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony and African rhythmic rituals. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation.
Herbert Jeffrey Hancock is an American jazz musician, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, using a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, Head Hunters.
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Wayne Shorter was an American jazz saxophonist, composer and bandleader. Shorter came to mainstream prominence in 1959 upon joining Art Blakey's Jazz Messengers, for whom he eventually became the primary composer. In 1964 he joined Miles Davis' Second Great Quintet, and then co-founded the jazz fusion band Weather Report in 1970. He recorded more than 20 albums as a bandleader.
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Woody Herman Shaw Jr. was an American jazz trumpeter, flugelhornist, cornetist, composer, arranger, band leader, and educator. Shaw is widely known as one of the 20th century's most important and influential jazz trumpeters and composers. He is often credited with revolutionizing the technical and harmonic language of modern jazz trumpet playing, and is regarded by many as one of the major innovators of the instrument. He was an acclaimed virtuoso, mentor, and spokesperson for jazz and worked and recorded alongside many of the leading musicians of his time.
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The Complete Live at the Plugged Nickel 1965 is a live box set of the Miles Davis Quintet, recorded on December 22 and 23, 1965. First released in Japan in March 1992 by Sony Records as a 7 disc set, it was re-released on Legacy Records in July 1995 as an 8 disc set. In conjunction with Legacy, Mosaic Records released a 10 LP set. It was re-released as an SA-CD Box in October 2023 in a limited edition of 1500 by Sony Japan for Tower Records Japan. It comprises recordings of seven performance sets over the two nights by the second great Davis quintet at the now-defunct Plugged Nickel nightclub in Chicago. A single-disc sampler, Highlights from the Plugged Nickel was released by Legacy on November 14, 1995, and was reissued on February 1, 2008.
Quartet is the twenty-seventh album by jazz pianist Herbie Hancock, featuring a quartet with trumpeter Wynton Marsalis, bassist Ron Carter and drummer Tony Williams. It was originally issued in Japan on CBS/Sony, and later given a US release by Columbia.
Live at the Fillmore East March 7, 1970: It's About That Time is a live double album by Miles Davis recording two sets performed on March 7, 1970 and released by Columbia/Legacy in 2001, although the concert had previously circulated as a bootleg recording.
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The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Introducing Wayne Shorter is the debut album by jazz saxophonist Wayne Shorter. It was recorded on November 9 and 10, 1959, at Bell Sound Studios in New York City. It features five Shorter compositions, plus Kurt Weill's "Mack the Knife”, performed by a quintet featuring trumpeter Lee Morgan, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Shorter played with Morgan in the front line of Art Blakey's Jazz Messengers at this time while Kelly, Chambers and Cobb were the widely celebrated rhythm section with Miles Davis.
Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired.
Dark Magus is a live double album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 30, 1974, at Carnegie Hall in New York City, during the electric period in Davis' career. His group at the time included bassist Michael Henderson, drummer Al Foster, percussionist Mtume, saxophonist Dave Liebman, and guitarists Pete Cosey and Reggie Lucas; Davis used the performance to audition saxophonist Azar Lawrence and guitarist Dominique Gaumont. Dark Magus was produced by Teo Macero and featured four two-part recordings, titled with the Swahili numerals for numbers one through four.
Miles in Tokyo is a live album recorded on July 14, 1964, by the Miles Davis Quintet at the Tokyo Kōsei Nenkin Kaikan, Shinjuku, Tokyo, Japan. It was released in the United States on CD in 2005 and is the first recording of Davis in Japan. It is the only album to showcase an early incarnation of his Second Great Quintet featuring Sam Rivers on tenor saxophone, following George Coleman's departure; after this, Wayne Shorter's appointment completed the classic lineup that recorded such albums as ESP and Miles Smiles, through to Miles in the Sky.