| Standing Ovation at Newport | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | 1965 | |||
| Recorded | May 24 and July 3, 1965 | |||
| Venue | The Village Gate, New York City and Newport Jazz Festival, Newport, Rhode Island | |||
| Genre | Jazz | |||
| Length | 34:49 | |||
| Label | Atlantic SD 1445 | |||
| Herbie Mann chronology | ||||
| ||||
Standing Ovation at Newport is a live album by American jazz flautist Herbie Mann recorded at the Newport Jazz Festival in 1965 (with one track from an earlier performance at The Village Gate) for the Atlantic label. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Penguin Guide to Jazz Recordings | [3] |
AllMusic awarded the album 4 stars with its review by Scott Yanow noting "The performance by Herbie Mann's group was one of the high points of the 1965 Newport Jazz Festival". [2]
David Samuel Pike was an American jazz vibraphone and marimba player. He appeared on many albums by Nick Brignola, Paul Bley and Kenny Clarke, Bill Evans, and Herbie Mann. He also recorded extensively as leader, including a number of albums on MPS Records.
Chick Corea (1941–2021) was an American jazz pianist and composer born on June 12, 1941, in Chelsea, Massachusetts. Chick started learning piano at age four. He recorded his first album in 1966 with Tones For Joan's Bones. Corea performed with Blue Mitchell, Willie Bobo, Cal Tjader, and Herbie Mann in the mid-1960s. In the late 1960s, he performed with Stan Getz and Miles Davis. He became a role model for many young jazz pianists of the 1970s. He is often ranked with Herbie Hancock and Keith Jarrett as one of the most important pianists to appear after Bill Evans and McCoy Tyner, and he composed such prominent jazz standards as "Spain", "La Fiesta", and "Windows".
Benjamin M. Tucker was an American jazz bassist who appeared on hundreds of recordings. Tucker played on albums by Art Pepper, Billy Taylor, Quincy Jones, Grant Green, Dexter Gordon, Hank Crawford, Junior Mance, and Herbie Mann.
Carlos Valdés Galán, better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puente once called him "the greatest conguero alive today".
Donald Ernest Friedman was an American jazz pianist. He began playing in Los Angeles and moved to New York in 1958. In the 1960s, he played with both modern stylists and more traditional musicians.
Today! is an album by jazz flautist Herbie Mann released on the Atlantic label featuring performances recorded in 1966.
Herbie Mann at the Village Gate is a 1961 live album by jazz flutist Herbie Mann which was his third album for Atlantic Records, the main label for much of his career. The album was recorded at legendary club The Village Gate.
New Mann at Newport is a 1967 album by jazz flutist Herbie Mann. The full title on the cover is New Mann at Newport: Herbie Mann Returns to the Newport Jazz Festival & Plays She's a Carioca/All Blues/Project S/Scratch/Summertime. All but one track were recorded at the Newport Jazz Festival.
Jazz for the Jet Set is an album by American jazz vibraphonist Dave Pike which was recorded in 1965 for the Atlantic label.
Flautista! is a live album by American jazz flautist Herbie Mann recorded in 1959 for the Verve label.
The Family of Mann is an album by American jazz flautist Herbie Mann recorded in 1961 for the Atlantic label.
Herbie Mann Returns to the Village Gate is a live album by American jazz flautist Herbie Mann recorded in 1961 for the Atlantic label but not released until 1963.
Herbie Mann Live at Newport is a live album by American jazz flautist Herbie Mann recorded at the Newport Jazz Festival in 1963 for the Atlantic label.
My Kinda Groove is an album by American jazz flautist Herbie Mann recorded for the Atlantic label and released in 1965.
Herbie Mann Plays The Roar of the Greasepaint – The Smell of the Crowd is an album by American jazz flautist Herbie Mann featuring tunes from the Broadway musical by Leslie Bricusse and Anthony Newley, The Roar of the Greasepaint – The Smell of the Crowd, recorded for the Atlantic label and released in 1965.
Monday Night at the Village Gate is a live album by American jazz flutist Herbie Mann recorded at The Village Gate in 1965 and released on the Atlantic label the following year. The album follows Mann's two previously released recordings from the venue five years earlier Herbie Mann at the Village Gate and Herbie Mann Returns to the Village Gate. An additional track from the concert was released on Standing Ovation at Newport.
Latin Mann is an album by American jazz flautist Herbie Mann recorded for the Columbia label and released in 1965. Mann's contract with Atlantic Records allowed him to record the album for another label.
The Beat Goes On is an album by American jazz flautist Herbie Mann released on the Atlantic label in 1967. The album features tracks from seven separate sessions recorded in 1964, 1966 and 1967.
Brazil: Once Again is an album by jazz flautist Herbie Mann which was recorded in 1977 and released on the Atlantic label. The album marks Mann's return to the Brazilian influences that first emerged on his early 1960s albums like Right Now, Brazil, Bossa Nova & Blues, Do the Bossa Nova with Herbie Mann and Herbie Mann Live at Newport.
The Last Set at Newport is a 1971 live album by Dave Brubeck and his quartet recorded at the 1971 Newport Jazz Festival, shortly before a riot ensued. The album peaked at 16 on the Billboard Top Jazz Charts.