The piece first appeared as "The Stolen Moment" on the 1960 album Trane Whistle by Eddie "Lockjaw" Davis, which was largely written and co-arranged by Oliver Nelson. It was not marked out as anything special, in fact the cover notes only mention that the trumpet solo is by Bobby Bryant and that Eric Dolphy's bass clarinet can be heard briefly on the closing. However, in the liner notes to Eric Dolphy: The Complete Prestige Recordings, Bill Kirchner states that this incorrectly credits Dolphy with playing what is actually the baritone saxophone of George Barrow, with Dolphy's contribution to the piece being the second alto behind Nelson.
The first recording of the song to gain attention was the version on Nelson's own 1961 album, The Blues and the Abstract Truth. Ted Gioia describes this version of as "a querulous hard bop chart that makes full use of the horns on hand with its rich spread-out voicings." Gioia also observes "a clever hook in the song – its brief resolve into the tonic major in bar four of the melody, one of the many interesting twists in Nelson's original chart."[2] Nelson's solo on this version contains "possibly the most famous" use of the augmented scale in jazz.[3]
Singer Mark Murphy wrote lyrics for his 1978 version. Gail Fisher later wrote different lyrics to Nelson's original melody. They were first recorded on the 1987 album The Carmen McRae – Betty Carter Duets. This vocal version of "Stolen Moments" was given the alternative title "You Belong to Her".
↑ Gioia, T. (2012, p.402), The Jazz Standards, Oxford University Press
↑ Advanced: "Secrets of the symmetrical augmented scale". Josh Workman. Guitar Player 41.7 (July 2007): p108(2).
1 2 3 4 5 6 7 8 Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. p.403. ISBN978-0-19-993739-4.
Jerome Richardson was an American jazz musician and woodwind player. He is cited as playing one of the earliest jazz flute recordings with his work on the 1949 Quincy Jones song "Kingfish".
Frederick Dewayne Hubbard was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" : it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward.
Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".
The Blues and the Abstract Truth is an album by American composer and jazz saxophonist Oliver Nelson recorded in February 1961 for the Impulse! label. It remains Nelson's most acclaimed album and features a lineup of notable musicians: Freddie Hubbard, Eric Dolphy, Bill Evans, Paul Chambers and Roy Haynes. Baritone saxophonist George Barrow does not take solos but remains a key feature in the subtle voicings of Nelson's arrangements. The album is often noted for its unique ensemble arrangements and is frequently identified as a progenitor of Nelson's move towards arranging later in his career.
Oliver Edward Nelson was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album The Blues and the Abstract Truth (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson's composition, "Stolen Moments". Other important recordings from the 1960s are the albums More Blues and the Abstract Truth (1964) and Sound Pieces (1966), both also on Impulse!.
The Carmen McRae-Betty Carter Duets is a 1987 live album of duets by the American jazz singers Betty Carter and Carmen McRae. Originally released on American Music Hall Records, it was reissued in 1996 by Verve under the title Duets: Live at the Great American Music Hall with three previously unreleased tracks by McRae alone.
Stolen Moments: Red Hot + Cool is a compilation album in the Red Hot AIDS Benefit Series with performers from jazz, pop, rock, and rap. "Stolen Moments" is a jazz standard composed by Oliver Nelson, and is best known for its inclusion on the 1961 album The Blues and the Abstract Truth.
Curtis Lundy is an American double bass player, composer, producer, choir director and arranger. Lundy is best known for his work as part of jazz vocalist Betty Carter's band. He is the brother of vocalist Carmen Lundy, with whom he has also recorded.
Richard Francis Wyands was an American jazz pianist, composer, and arranger, best known for his work as a side-man.
George Duvivier was an American jazz double-bassist.
James Elbert Raney was an American jazz guitarist, born in Louisville, Kentucky, United States, known for his work from 1951 to 1952 and then from 1953 to 1954 with the Red Norvo trio and, during the same time period, with Stan Getz. In 1954 and 1955, he won the DownBeat Critics' Poll for guitar. Raney worked in a variety of jazz mediums, including cool jazz, bebop, post bop, hard bop, and mainstream jazz.
Stolen Moments may refer to:
Wendell Marshall was an American jazz double-bassist.
"Softly, as in a Morning Sunrise" is a song with music by Sigmund Romberg and lyrics by Oscar Hammerstein II from the 1928 operetta The New Moon. One of the best-known numbers from the show, it is a song of bitterness and yearning for a lost love, sung in the show by Philippe (tenor), the best friend of the hero, Robert Mission (baritone).
Trane Whistle is an album by saxophonist Eddie "Lockjaw" Davis' Big Band with arrangements by Oliver Nelson and Ernie Wilkins recorded in 1960 and released on the Prestige label.
George Barrow was an American jazz saxophonist who played both tenor and baritone.
This is the discography for American jazz musician Oliver Nelson.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
