One Man Dog | ||||
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Studio album by | ||||
Released | November 1, 1972 | |||
Recorded | Summer 1972 | |||
Studio |
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Genre | Rock | |||
Length | 36:48 | |||
Label | Warner Bros. | |||
Producer | Peter Asher | |||
James Taylor chronology | ||||
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Singles from One Man Dog | ||||
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One Man Dog is the fourth studio album by singer-songwriter James Taylor. Released on November 1, 1972, it features the hit "Don't Let Me Be Lonely Tonight", which peaked at number 14 on the Billboard charts on January 13, 1973. The follow-up single, "One Man Parade", also charted but less successfully, peaking at number 67 in the US and reaching number 55 on the Canadian Adult Contemporary chart. [1] The basic tracks were primarily recorded in Taylor's home studio.
The album is made up of 18 short pieces strung together. It climbed to number 4 on the US Billboard Pop Albums chart. There was also a Quadraphonic mix of the album that included alternate vocal takes and elongated versions of some songs. [2]
Upon the album's release, Berwyn Life critic Steve Sparacio said that it "is certainly James Taylor's best album." [3] Sparacio noted that "Upon first listening, no song on One Man Dog stands out. But as an entity the album holds together extremely well. It may be paradoxical but only after you're able to view One Man Dog as a whole entity do you realize that some of the songs individually are very good." [3] Sparacio identified the theme of the album to be an "affirmation" of Taylor's life at the time, being newly married to Carly Simon and off drugs, and a realization that if he was going to cope with his life he needed to turn inward. [3]
On the other hand, Allmusic critic William Ruhlmann considered the album to be a "letdown", saying that "a lot of it was sketchy and seemingly unfinished, and none of it had the impact of the best songs on the last two albums." [4] Forest Park Review critic John Griffin praised the short songs for avoiding the monotony of similar slow melodies that he felt marred Taylor's previous album Mud Slide Slim . [5] Record World said it "contains some interesting departures from his earlier work." [6]
Calgary Herald critic Jim Rennie felt that the best song on the album was the traditional folk song "One Morning in May," saying that "Taylor joins forces vocally with luscious Linda Ronstadt, and the result is so good I think the combination is worth an album of its own." [7]
Review scores | |
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Source | Rating |
AllMusic | [8] |
Christgau's Record Guide | C+ [9] |
Encyclopedia of Popular Music | [10] |
MusicHound Rock | 2/5 [11] |
Rolling Stone | (favorable) [12] |
The Rolling Stone Album Guide | [13] |
All songs written by James Taylor, except where noted.
Weekly charts
| Year-end charts
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Region | Certification |
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United States (RIAA) [19] | Gold |
Mud Slide Slim and the Blue Horizon is the third studio album by American singer-songwriter James Taylor, released in April 1971 by Warner Bros. Records. The album was recorded between early January and late February of the same year.
Greatest Hits is the first greatest hits album by American singer-songwriter James Taylor, released in November 1976 by Warner Bros. Records. It remains Taylor's best-selling album, with over 11 million units being sold in the United States, making it among the best-selling albums of the 1970's.
JT is the eighth studio album by American singer-songwriter James Taylor. It was released on June 22, 1977, via Columbia Records, making it his first album released for the label. Recording session took place from March 15 to April 24, 1977, at The Sound Factory in Los Angeles with Val Garay. Production was handled by Peter Asher.
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New Moon Shine is the thirteenth studio album by singer-songwriter James Taylor released in 1991. The album peaked at number 37 on the Billboard 200 chart and certified platinum. The album was producer-pianist Don Grolnick's sixth and final studio album with Taylor prior to his death in 1996 at age 48 from Non-Hodgkin lymphoma.
Chicago VII is the sixth studio album by American rock band Chicago. It was released on March 11, 1974 by Columbia Records. It is notable for being their first double album of new material since 1971's Chicago III and remains their final studio release in that format. It features session percussionist Laudir de Oliveira, who would become a full-fledged band member for the release of Chicago VIII the following year.
Catch Bull at Four is the sixth studio album by Cat Stevens. The title is taken from one of the Ten Bulls of Zen.
No Secrets is the third studio album by American singer-songwriter Carly Simon, released by Elektra Records on November 28, 1972.
Hotcakes is the fourth studio album by American singer-songwriter Carly Simon, released by Elektra Records, on January 11, 1974. Featuring the major hits "Haven't Got Time for the Pain" and "Mockingbird", the latter a duet with her then-husband James Taylor, Hotcakes became one of Simon's biggest selling albums. Her first concept album, the autobiographical songs portray Simon happily married and beginning a family.
Come Upstairs is the ninth studio album by American singer-songwriter Carly Simon, released by Warner Bros. Records on June 16, 1980.
Letters Never Sent is the 16th studio album by American singer-songwriter Carly Simon, released by Arista Records, on November 1, 1994.
"Don't Let Me Be Lonely Tonight" is a song written and performed by American singer-songwriter James Taylor, from his 1972 album One Man Dog. The song has been included on three of Taylor's greatest-hits collection albums: Greatest Hits (1976), Classic Songs (1987) and The Best of James Taylor (2003). Taylor re-recorded the song for the 2001 Michael Brecker album Nearness of You: The Ballad Book; this rendition won Taylor the Grammy Award for Best Male Pop Vocal Performance in 2002.
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"Long Ago and Far Away" is a song written by James Taylor and first released on his 1971 album Mud Slide Slim and the Blue Horizon. It was the follow-up single to "You've Got a Friend" and became a Top 40 hit in the U.S. and a Top 20 hit in Canada, and made the Top 10 on the Adult Contemporary chart in the U.S. It has also been covered by New York Voices and Johnny Mathis.
"Mexico" is a song written by James Taylor that first appeared as the opening track of his 1975 album Gorilla. It was released as a single, with the album's title track as the B-side, and reached No. 49 on the Billboard Hot 100, but performed much better on the Adult Contemporary chart, reaching No. 5. "Mexico" has appeared on many of Taylor's live and compilation albums. It has been covered by Jimmy Buffett, Alex de Grassi and Lauren Laverne.
"One Man Parade" is a song written by James Taylor that was first released as the first track on his 1972 album One Man Dog. It was also released as the second single from the album, following up on the Top 20 hit "Don't Let Me Be Lonely Tonight," after receiving significant airplay as an album track. The single was issued twice with two different B-sides, "Hymn" and "Nobody But You." It did not achieve the same chart success as "Don't Let Me Be Lonely Tonight," peaking at #67 on the Billboard Hot 100. It also charted on the Adult Contemporary chart in Canada, reaching #55. In some regions, such as in Europe, it was released as the B-side of the single release of "One Morning in May."
"Hymn" is a song written by James Taylor that was originally released on his 1973 album One Man Dog It was subsequently released as the B-side of the single "One Man Parade" and later released as the A-side of a single backed by Taylor's song "Fanfare". The single did not chart.
"Honey Don't Leave L.A." is a song written by Danny Kortchmar. It was first recorded by Attitudes, a band consisting of Kortchmar, Paul Stallworth, Jim Keltner and David Foster, who met while backing George Harrison on his album Extra Texture . It was released on Attitudes' self-titled debut album in 1976. It was also released as a promotional single on Harrison's Dark Horse Records label.
Restless Nights is the second album by singer/songwriter Karla Bonoff. The album peaked at No. 31 on the Billboard albums chart and number 66 on the Australian Kent Music Report.
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"