"Hymn" | ||||
---|---|---|---|---|
Single by James Taylor | ||||
from the album One Man Dog | ||||
B-side | "Fanfare" | |||
Released | 1973 | |||
Genre | Folk rock | |||
Length | 2:24 | |||
Label | Warner Bros. | |||
Songwriter(s) | James Taylor | |||
Producer(s) | Peter Asher | |||
James Taylor singles chronology | ||||
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"Hymn" is a song written by James Taylor that was originally released on his 1973 album One Man Dog It was subsequently released as the B-side of the single "One Man Parade" and later released as the A-side of a single backed by Taylor's song "Fanfare". The single did not chart.
Both "Hymn" and "Fanfare" were part of a suite of short songs on side 2 of the album. [1] [2] [3] Both songs were recorded at A&R Studios in New York. [2]
Musicologist James Perone finds the song to be "interesting," particularly with its relationship to Taylor's life and certain Beatles influences. [4] Perone describes three distinct sections as having three different themes, all related to people trying to influence him: first religious zealots, second stoned-out drug users, and finally the love of a woman which really frees his soul. [4] Perone points out that the love of a woman likely references Simon, who he had recently married. [4] Perone finds Beatles influence in that it has thematic similarities to John Lennon's recent solo song "God." [4] According to Perone, both "God" and "Hymn" "[reference] the style of gospel music." [4] Donald Langis of L'Evangeline regarded the song as being semi-religious with lines such as "Let the winter wind blow/Where will we hide when it comes from inside?" [5]
About his affinity for hymns, Taylor has said:
Hymns and carols, they are just basically a foundational education, they are what a whole lot of Western music is based on. I grew up in a very non-religious household, and it wasn't till I went away to school and got exposed to this stuff that I learned all of these hymns. They were an education to me: the harmonies, the chord structures, the way they progressed it. It's basically Western Music 101. I learned to play them on the guitar out of boredom, but they basically gave me a foundation for music. [6]
Taylor later wrote a song "New Hymn" in collaboration with Reynolds Price, which Newsday critic Jim Feldman described as "a hushed plea for social commitment." [7]
Billboard described "Hymn" as "folksy-gospel arrangement in the best Taylor traditional, featuring strong piano with the singers voice taking the spotlight." [8] Cash Box called it a "pop oriented single certain to gain immediate top 40 acceptance across the country." [9] Record World said that "'Mr. Mellow' gets a boost from a horn section that should help disc get across-the-board attention." [10] Rolling Stone critic Jon Landau rated "Hymn" as the best song on One Man Dog, calling attention to the line "As a man and a woman stand alone in the light/Give us reason to be, like the sun on the sea." [1] Berwyn Life critic Steve Sparacio described the song as "lyrical." [3] Calgary Herald critic Jim Rennie said that although many of the songs on One Man Dog are "bits and pieces", "Hymn" is a "substantial enough composition" that has "the same soft, fluid, country flavor that almost all of Taylor's songs contain." [11]
Despite the critical praise, the single failed to chart. [2]
"You've Got a Friend" is a 1971 song written by American singer-songwriter Carole King. It was first recorded by King and included on her second studio album, Tapestry (1971). Another well-known version is by James Taylor from his album Mud Slide Slim and the Blue Horizon. His was released as a single in 1971, reaching number one on the Billboard Hot 100 and number four on the UK Singles Chart. The two versions were recorded simultaneously in 1971 with shared musicians.
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"Don't Let Me Be Lonely Tonight" is a song written and performed by American singer-songwriter James Taylor, from his 1972 album One Man Dog. The song has been included on three of Taylor's greatest-hits collection albums: Greatest Hits (1976), Classic Songs (1987) and The Best of James Taylor (2003). Taylor re-recorded the song for the 2001 Michael Brecker album Nearness of You: The Ballad Book; this rendition won Taylor the Grammy Award for Best Male Pop Vocal Performance in 2002.
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