JuJu | ||||
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Studio album by | ||||
Released | July 1965 | |||
Recorded | August 3, 1964 | |||
Studio | Van Gelder Studio, Englewood Cliffs, New Jersey | |||
Genre | Post-bop, modal jazz, hard bop | |||
Length | 42:07 | |||
Label | Blue Note BLP 4182; CP32-5250 | |||
Producer | Alfred Lion | |||
Wayne Shorter chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Tom Hull | B+ [2] |
The Penguin Guide to Jazz Recordings | [3] |
The Rolling Stone Jazz Record Guide | [4] |
JuJu is the fifth album by American jazz saxophonist Wayne Shorter. It was released in July 1965 by Blue Note Records. [5] It features a rhythm section of pianist McCoy Tyner, bassist Reggie Workman and drummer Elvin Jones, all of whom had worked extensively with Shorter's fellow tenor saxophonist John Coltrane.
Writing a retrospective review in AllMusic, Stacia Proefrock avers that the use of Coltrane's rhythm section "bolstered" criticism that Shorter was "a mere acolyte of John Coltrane". Proefrock goes on to say that "The truth is, though, that Elvin Jones, Reggie Workman, and McCoy Tyner were the perfect musicians to back Shorter." Proefrock concludes that the album "blooms with ideas, pulling in a world of influences and releasing them again as a series of stunning, complete visions." [1]
Original release (1965)
Bonus tracks on remastered CD release (1996)
Elvin Ray Jones was an American jazz drummer of the post-bop era. Most famously a member of John Coltrane's quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such albums as My Favorite Things, A Love Supreme, Ascension and Live at Birdland. After 1966, Jones led his own trio, and later larger groups under the name The Elvin Jones Jazz Machine. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded. Elvin was inducted into the Modern Drummer Hall of Fame in 1995. In his The History of Jazz, jazz historian and critic Ted Gioia calls Jones "one of the most influential drummers in the history of jazz". He was also ranked at Number 23 on Rolling Stone magazine's "100 Greatest Drummers of All Time".
Impressions is an album of live and studio recordings by the jazz musician and composer John Coltrane. It was released through Impulse! Records in July 1963.
Transition is an album of music by jazz saxophonist John Coltrane, recorded in 1965 but released posthumously only in 1970. As its title indicates, Transition was a bridge between classic quartet recordings like A Love Supreme and the more experimental works of Coltrane's last years.
Olé Coltrane is a studio album by the jazz musician and composer John Coltrane. It was released in November 1961 through Atlantic Records. The album was recorded at A&R Studios in New York, and was the last of Coltrane's Atlantic albums to be made under his own supervision.
The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967, following Tyner's departure from the John Coltrane Quartet. It features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter and drummer Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".
Sun Ship is a posthumously released jazz album by tenor saxophonist John Coltrane recorded on August 26, 1965. Along with First Meditations, recorded a week later, it was one of the last recording dates for Coltrane's "Classic Quartet" with McCoy Tyner, Jimmy Garrison, and Elvin Jones. The recording occurred shortly after a notable performance by the quartet, with Archie Shepp added as a second tenor player, at the DownBeat Jazz Festival at Soldier Field in Chicago, which was described by Ben Ratliff as "a famous breaking point — a Dylan-at-Newport, or a Rite of Spring," with music that he described as "jagged and vociferous... It aggravated a great part of the crowd, prompting, according to some witnesses, a large exodus."
Adam's Apple is the tenth album by post-bop jazz artist Wayne Shorter. Recorded in 1966 and released in 1967, it included the first recording of his composition "Footprints", later recorded by the Miles Davis Quintet for the album Miles Smiles (1967). Shorter is featured with pianist Herbie Hancock, bassist Reggie Workman and drummer Joe Chambers. The CD release includes the Hancock composition "The Collector" as a bonus track.
Ballads is a jazz album by John Coltrane released in January 1963 by Impulse! Records. It was recorded in December 1961 and 1962, and released with catalogue number A-32 (mono) and AS-32 (stereo). Critic Gene Lees stated that the quartet had never played the tunes before. "They arrived with music-store sheet music of the songs" and just before the recordings, they "would discuss each tune, write out copies of the changes they'd use, semi-rehearse for a half hour and then do it". Each piece was recorded in one take, except for "All or Nothing at All". In 2008, the album was a recipient of the Grammy Hall of Fame award.
Coltrane Jazz is a studio album by the jazz musician John Coltrane. It was released in early 1961 on Atlantic Records. Most of the album features Coltrane playing with his former Miles Davis bandmates, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb during two sessions in November and December, 1959. The exception is the track "Village Blues", which was recorded October 21, 1960. "Village Blues" comes from the first recording session featuring Coltrane playing with pianist McCoy Tyner and drummer Elvin Jones, who toured and recorded with Coltrane as part of his celebrated "classic quartet" from 1960 to 1965.
First Meditations (for quartet) is an album by John Coltrane recorded on September 2, 1965, and posthumously released in 1977. It is a quartet version of a suite Coltrane would record as Meditations two months later with an expanded group. Along with Sun Ship, recorded a week earlier, First Meditations represents the final recordings of Coltrane's classic quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones.
The Complete 1961 Village Vanguard Recordings is a box set of recordings by jazz musician John Coltrane, issued posthumously in 1997 by Impulse! Records, catalogue IMPD4-232. It collects all existing recordings from performances by the John Coltrane Quintet at the Village Vanguard in early November, 1961. Five selections had been issued during Coltrane's lifetime on the albums Live! at the Village Vanguard and Impressions. Additional tracks had been issued posthumously on the albums The Other Village Vanguard Tapes, Trane's Modes and From the Original Master Tapes.
Newport '63 is a live album by jazz musician John Coltrane recorded at the 1963 Newport Jazz Festival, with one additional track recorded at the Village Vanguard in 1961. The album features the Coltrane quartet with drummer Roy Haynes substituting for Elvin Jones.
Inner Urge is an album by the jazz saxophonist Joe Henderson, released in 1966 via Blue Note Records, his fourth recorded as a leader. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey, on November 30, 1964. Featuring Henderson along with pianist McCoy Tyner and drummer Elvin Jones, and bassist Bob Cranshaw.
Night Dreamer is the fourth album by American jazz saxophonist Wayne Shorter. It was released in November 1964 by Blue Note Records. With a quintet of trumpeter Lee Morgan, pianist McCoy Tyner, bassist Reggie Workman and drummer Elvin Jones performing six Shorter originals.
The Soothsayer is the seventh album by Wayne Shorter, recorded in 1965, but not released on Blue Note until 1979. The album features five originals by Shorter and an arrangement of Jean Sibelius' "Valse Triste". The featured musicians are trumpeter Freddie Hubbard, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Ron Carter and drummer Tony Williams.
Special Quartet is an album by the American saxophonist David Murray. It was released on the DIW/Columbia label. It features six quartet performances by Murray with Fred Hopkins, McCoy Tyner, and Elvin Jones. The album was produced by Bob Thiele.
Ready for Freddie is an album by trumpeter Freddie Hubbard, released on the Blue Note label in 1962 as BLP 4085 and BST 84085. In 2003, it was remastered and issued on CD with the addition of two alternate takes. It contains performances by Hubbard, Bernard McKinney, Wayne Shorter, McCoy Tyner, Art Davis and Elvin Jones.
Extensions is the eleventh album by jazz pianist McCoy Tyner released on the Blue Note label. It was recorded on February 9, 1970, but not released until January 1973. It has performances by Tyner with alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter, drummer Elvin Jones, and features Alice Coltrane playing harp on three of the four tracks.
The Africa/Brass Sessions, Vol. 2 is a posthumous compilation album by American jazz saxophonist and composer John Coltrane, released in 1974 by Impulse Records. It compiles outtakes from the same 1961 sessions that produced his Africa/Brass album. "Song of the Underground Railroad" and "Greensleeves" were recorded on May 23, while "Africa" was recorded on June 4. On October 10, 1995, Impulse incorporated the tracks issued here into a two-disc set entitled The Complete Africa/Brass Sessions.
The Mastery of John Coltrane, Vol. IV: Trane's Modes is a compilation album by American saxophonist John Coltrane, released as a double LP in 1979. It features pieces recorded in 1961, two in studio and the remainder live. All the tracks were previously unissued, at the time of release. At present, "Africa " and "The Damned Don't Cry" may be found on the two-disc reissue of Africa/Brass, while all the live pieces have been included on The Complete 1961 Village Vanguard Recordings.