Arthur Blakey was an American jazz drummer and bandleader. He was briefly known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s.
Robert Henry Timmons was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods, between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively.
Curtis DuBois Fuller was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings.
A Night in Tunisia is a jazz album by Art Blakey and the Jazz Messengers which was recorded in August 1960.
Moanin' is a jazz album by Art Blakey and the Jazz Messengers recorded in 1958 for the Blue Note label and released in 1959.
Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. It was originally titled "Free Fall".
Sylvester Kyner Jr., known as Sonny Red, was an American jazz alto saxophonist and composer associated with the hard bop idiom among other styles.
Soul Time is a 1960 album by jazz pianist Bobby Timmons featuring Blue Mitchell on trumpet, Sam Jones on bass, and Art Blakey on drums.
Roots & Herbs is a jazz album by Art Blakey & the Jazz Messengers, recorded in 1961 at the same sessions which produced The Freedom Rider, but not released on the Blue Note label until 1970. The CD reissue features three alternate takes, two of which originally released in 1979 on Pisces.
Caravan is a jazz album released by Art Blakey and the Jazz Messengers in February 1963. It was Blakey's first album for Riverside Records after he signed with them in October 1962. The songs were recorded at the Plaza Sound Studio in New York City, on October 23–24, 1962 The producer was Orrin Keepnews who also supervised the album's remastered re-release on CD.
Mosaic is a 1961 jazz album released by Art Blakey & the Jazz Messengers on Blue Note Records. The album's performers included: Wayne Shorter, Freddie Hubbard (trumpet), Curtis Fuller (trombone), Cedar Walton (piano), Jymie Merritt (bass) and Art Blakey (drums). They recorded and performed together from 1961 into 1964. Hubbard and Walton became permanent members of the group following the 1961 departures of trumpeter Lee Morgan and pianist Bobby Timmons. The Mosaic recording session featured no alternate takes and, therefore, has yielded no bonus material in reissue.
Buhaina's Delight is a jazz album released by Art Blakey and the Jazz Messengers in 1963. Produced by Alfred Lion, the album was recorded in two sessions on November 28, 1961 and December 18, 1961 at Van Gelder Studio in Englewood Cliffs, New Jersey. The album was released by Blue Note Records in July 1963 after Blakey had moved to Riverside Records in late 1962.
Pisces is a jazz album by Art Blakey & the Jazz Messengers. It was recorded between 1961 and 1964, but not issued on Blue Note Records until 1979. More a compilation than an album, all the tracks, except for "It's A Long Way Down", may be found on the Mosaic compilation The Complete Blue Note Recordings of Art Blakey's 1960 Jazz Messengers. Moreover, "Uptight", and "Pisces" are included on the CD reissue of The Freedom Rider, whilst "It's a Long Way Down" is featured on the CD reissue of Indestructible. Ultimately, "United" and "Ping Pong" may be found on Roots & Herbs.
Leeway is an album by jazz trumpeter Lee Morgan released on the Blue Note label. It was recorded on April 28, 1960 and features performances by Morgan with Jackie McLean, Bobby Timmons, Paul Chambers and Art Blakey.
The Big Beat is an album by Art Blakey and his group The Jazz Messengers recorded on March 6, 1960 and released on the Blue Note label. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
Ugetsu: Art Blakey's Jazz Messengers at Birdland is a live jazz album by Art Blakey and the Jazz Messengers released on Riverside Records in October 1963. The album marked Riverside's recording debut at Birdland, one of the most famous and celebrated American jazz clubs.
'S Make It is a recording by the hard bop Art Blakey jazz ensemble. It was recorded in Los Angeles in 1964 and issued on the Limelight label. Following the departure of stars from his 1961 to 1964 band, Freddie Hubbard, Wayne Shorter and Cedar Walton, it includes previous Blakey alumni and newer players. This was trombonist Curtis Fuller's last recording as a regular member of the group, though he would return to record sporadically with Blakey in the 1970s and 80s. The album was re-released on Verve in 2004.
Buhaina is an album by drummer Art Blakey and The Jazz Messengers recorded in 1973 and released on the Prestige label. The name comes from the name Blakey took for himself after conversion to Islam.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
The Jazz Messengers were a jazz band that existed with varying personnel for 35 years. Their discography consists of 47 studio albums, 21 live albums, 2 soundtracks, 6 compilations, and one boxed set.
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