Destination... Out! | ||||
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Studio album by | ||||
Released | November 1964 [1] | |||
Recorded | September 20, 1963 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz, avant-garde jazz | |||
Length | 34:57 | |||
Label | Blue Note BST 84165 | |||
Producer | Alfred Lion | |||
Jackie McLean chronology | ||||
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Destination... Out! is an album by American saxophonist Jackie McLean recorded in 1963 and released on the Blue Note label. [2] It is the second McLean album to feature Bobby Hutcherson on vibraphone and Grachan Moncur III on trombone. The rhythm section is completed by bassist Larry Ridley and drummer Roy Haynes.
The AllMusic review by Thom Jurek stated: "Of all of McLean's Blue Note dates, so many of which are classic jazz recordings, Destination Out! stands as the one that reveals the true soulfulness and complexity of his writing, arranging, and 'singing' voice." [3]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz Recordings | [5] |
Grachan Moncur III was an American jazz trombonist. He was the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper.
My Point of View is the second album by pianist Herbie Hancock. It was released in 1963 on Blue Note Records as BLP 4126 and BST 84126. Musicians featured are trumpeter Donald Byrd, trombonist Grachan Moncur III, tenor saxophonist Hank Mobley, guitarist Grant Green, bassist Chuck Israels and drummer Tony Williams.
Lee Morgan is the final studio album by jazz trumpeter Lee Morgan, released only after his death in 1972. It was originally released on the Blue Note label in 1972 as a double LP, and features performances by Morgan, Grachan Moncur III, Bobbi Humphrey, Billy Harper, Harold Mabern, Reggie Workman, Jymie Merritt and Freddie Waits.
The Kicker is the sixth album by jazz tenor saxophonist Joe Henderson, and his first to be released on the Milestone label. It was recorded on August 10, 1967, with one track originating from a later session on September 27, and contains performances by Henderson with trumpeter Mike Lawrence, trombonist Grachan Moncur III, pianist Kenny Barron, bassist Ron Carter and drummer Louis Hayes. The AllMusic review by Scott Yanow states: "Joe Henderson's first recording for Milestone was very much a continuation of the adventurous acoustic music he had recorded previously for Blue Note".
Mama Too Tight is an album by Archie Shepp released on Impulse! Records in 1967. The album contains tracks recorded by Shepp, trumpeter Tommy Turrentine, trombonists Grachan Moncur III and Roswell Rudd, tuba player Howard Johnson, clarinetist Perry Robinson, bassist Charlie Haden and drummer Beaver Harris in August of 1966.
The Way Ahead is an album by Archie Shepp, released on Impulse! Records in 1968. The album contains tracks recorded by Shepp, trumpeter Jimmy Owens, trombonist Grachan Moncur III, pianist Walter Davis Jr., bassist Ron Carter and drummers Roy Haynes and Beaver Harris in January 1968 with two additional tracks featuring baritone saxophonist Charles Davis, pianist Dave Burrell and bassist Walter Booker recorded in February 1969, and first released on Kwanza (1974), added to the CD release.
Kwanza is an album by Archie Shepp released on Impulse! in 1974. The album contains tracks recorded from September 1968 to August 1969 by Shepp with four different ensembles.
Bluesnik is an album by American saxophonist Jackie McLean recorded in 1961 and released on the Blue Note label. It features McLean in a quintet with trumpeter Freddie Hubbard, pianist Kenny Drew, bassist Doug Watkins and drummer Pete La Roca.
One Step Beyond is an album by American saxophonist Jackie McLean recorded in 1963 and released on the Blue Note label. This is the first of two albums where McLean replaced the usual pianist with vibraphone player Bobby Hutcherson. As a result, One Step Beyond features a new sound that, while still rooted in hard bop, was more spacious and adventurous than his earlier work and leaned towards post bop and free jazz. The group is rounded out by trombonist Grachan Moncur III, bassist Eddie Khan and drummer Tony Williams.
It's Time! is an album recorded by a group led by American saxophonist Jackie McLean recorded in 1964 and released on the Blue Note label. It features McLean in a quintet with trumpeter Charles Tolliver, pianist Herbie Hancock, bassist Cecil McBee and drummer Roy Haynes.
Consequence is an album by American saxophonist Jackie McLean recorded in 1965, but not released on Blue Note until 1979 as LT-994. In 1993, it was released as part of the four-disc Mosaic compilation The Complete Blue Note 1964-66 Jackie McLean Sessions, which was limited to 5,000 copies. In 2005, it was finally released on a limited edition CD as Blue Note 11428.
Jacknife is an album by American saxophonist Jackie McLean. It actually comprises two volumes, one recorded in 1965 and the other in 1966. They were originally given the catalogue number of BLP 4223 and BLP 4236, but were shelved for ten years and issued together in 1975 as a double LP, with the number BN-LA457-H2. Whilst the 1965 tracks were released on a limited edition CD in 2002, those from 1966 have never been released singularly; however, they can be found on the four-disc Mosaic compilation The Complete Blue Note 1964-66 Jackie McLean Sessions, which was limited to 5,000 copies.
'Bout Soul is an album by American saxophonist Jackie McLean recorded in 1967 and released on the Blue Note label. It features McLean in a quintet with trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scotty Holt and drummer Rashied Ali. Trombonist Grachan Moncur III guests on three tracks, and Barbara Simmons recites the words on “Soul”.
Evolution is the debut album led by the American trombonist Grachan Moncur III, recorded in 1963 and released on the Blue Note label. Featuring alto saxophonist Jackie McLean, trumpeter Lee Morgan, vibraphonist Bobby Hutcherson, bassist Bob Cranshaw and drummer Tony Williams, Evolution is considered a significant contribution to the jazz avant-garde. Two McLean albums also recorded for Blue Note in 1963 featured Moncur and his compositions, and explored the same "inside/outside" musical approach.
Some Other Stuff is the second album by American trombonist Grachan Moncur III recorded in 1964 and released on the Blue Note label in 1965. It features tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Cecil McBee and drummer Tony Williams. It was remastered by Rudy Van Gelder for CD in 2008.
Three for Shepp is an album by American saxophonist Marion Brown featuring performances recorded in 1966 for the Impulse! label.
Another Git Together is an album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson. It features performances recorded in 1962 and originally released on the Mercury label. It was the band's last recording for 20 years.
Hipnosis is a studio album by saxophonist Jackie McLean, featuring selections recorded for Blue Note Records in the 1960s, but not released until 1978. The album was released in the US as a two-fer, which included five tracks from a 1967 session, plus six tracks recorded in 1962 later appeared on the CD reissue of Vertigo. In Japan, it was released the same year as a standard LP (ST-83022) with a different cover, featuring only the 1967 tracks.
The New Wave in Jazz is a live album recorded on March 28, 1965 at the Village Gate in New York City. It features groups led by major avant-garde jazz artists performing at a concert for the benefit of The Black Arts Repertory Theater/School founded by Amiri Baraka, then known as LeRoi Jones. The album was released on LP in 1965 on the Impulse! label, and was reissued on CD in 1994 with a different track listing.
Inner Cry Blues is an album by trombonist and composer Grachan Moncur III. It was recorded in February 2007, and was released by Lunar Module Records later that year. On the album, Moncur is accompanied by saxophonist Mitch Marcus, trumpeter Erik Jekabson, vibraphonist Ben Adams, bassist Lukas Vesely, and drummer Sameer Gupta. Issued three years after Exploration, it was Moncur's second album following a lengthy hiatus, during which he wrote, taught, and dealt with dental issues.