Carnival of the Spirits | ||||
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Studio album by Moacir Santos | ||||
Released | 1975 | |||
Recorded | March 17, 18, 19 & 20, 1975 | |||
Genre | Jazz | |||
Length | 32:17 | |||
Label | Blue Note | |||
Producer | Dale Oehler | |||
Moacir Santos chronology | ||||
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Carnival of the Spirits is an album by Brazilian composer Moacir Santos recorded in 1975 and released on the Blue Note label. [1]
Moacir Santos was a Brazilian composer, multi-instrumentalist and music educator. Baden Powell de Aquino and Wilson das Neves both studied under him. As a composer, Santos worked with Nara Leão, Roberto Menescal, Sérgio Mendes and Lynda Laurence, among others.
Blue Note Records is an American jazz record label that is owned by Universal Music Group and operated with Decca Records. Established in 1939 by Alfred Lion and Max Margulis, it derives its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, from 1947 the label began to switch its attention to modern jazz. Although the original company did not record many of the pioneers of bebop, significant exceptions are Thelonious Monk, Fats Navarro and Bud Powell.
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
The baritone saxophone or "bari sax" is one of the larger members of the saxophone family, only being smaller than the bass, contrabass and subcontrabass saxophones. It is the lowest-pitched saxophone in common use. The baritone saxophone uses a mouthpiece, reed, and ligature in order to produce sound. It is larger than the tenor, alto and soprano saxophones, which are the other commonly found members of the family. The baritone saxophone is commonly used in classical music such as concert band, chamber music, military bands, jazz. It also is occasionally employed in marching bands, though less frequently than other saxophones due to its size and weight.
In music, an arrangement is a musical reconceptualization of a previously composed work. It may differ from the original work by means of reharmonization, melodic paraphrasing, orchestration, or development of the formal structure. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings.. .. Arranging is the art of giving an existing melody musical variety".
Joyride is a 1965 studio album by jazz saxophonist Stanley Turrentine.
Cumbia & Jazz Fusion is an album by Charles Mingus recorded for the Atlantic label in 1977. It features two extended compositions written for the film Todo Modo by Mingus and performed by large ensembles featuring Jack Walrath, Jimmy Knepper, Paul Jeffrey, Ricky Ford, Dannie Richmond, Candido, Ray Mantilla, George Adams and Danny Mixon. The first two tracks on the album were inspired by Colombian Cumbia. The CD reissue added two solo performances by Mingus on piano.
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A Bluish Bag is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson, the first featuring Donald Byrd and the second McCoy Tyner, among others.
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Saudade is an album by Brazilian composer Moacir Santos recorded in 1974 and released on the Blue Note label.
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Collaboration is a 1987 studio album by Helen Merrill, arranged by Gil Evans.
Romantic Journey is an album released in 1977 by Philadelphia, Pennsylvania jazz drummer Norman Connors. The album charted at number ten on the jazz albums chart.
Creative Orchestra Music 1976 is an album by American jazz saxophonist and composer Anthony Braxton recorded in 1976 and released on the Arista label. The album was subsequently included on The Complete Arista Recordings of Anthony Braxton released by Mosaic Records in 2008.
Mosaic Select 16: Andrew Hill is a compilation album by American pianist Andrew Hill. Except for six tracks, issued on One for One in 1975, it features previously unreleased pieces originally recorded for Blue Note Records.
Both Feet on the Ground is an album by guitarist Kenny Burrell recorded in 1973 and released on the Fantasy Records label.
Autumn is an album by trumpeter Don Ellis recorded in 1968 and released on the Columbia label.
The Gil Evans Orchestra Plays the Music of Jimi Hendrix is an album of Jimi Hendrix's compositions arranged by jazz composer, conductor and pianist Gil Evans recorded in 1974 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper, and John Abercrombie. The album was re-released with additional tracks on CD in 1988.
There Comes a Time is an album by the jazz composer, arranger, conductor and pianist Gil Evans, recorded in 1975 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper and John Abercrombie. The album was re-released with an altered tracklist on CD in 1988.
The New Don Ellis Band Goes Underground is an album by trumpeter/bandleader Don Ellis recorded in 1969 and released on the Columbia label.
Our Mann Flute is an album by American jazz flautist Herbie Mann released on the Atlantic label in 1966. The album features tracks from sessions that produced the albums The Common Ground (1960), My Kinda Groove (1964) along with more recent recordings.
Skull Session is an album by American jazz composer/arranger Oliver Nelson featuring performances recorded in 1975 for the Flying Dutchman label.