"Royal Garden Blues" is a blues song composed by Clarence Williams and Spencer Williams in 1919. Popularized in jazz by the Original Dixieland Jazz Band, [1] it has since been recorded by numerous artists and has become a jazz standard. [2] The song is considered one of the first popular songs based on a riff. [2]
Clarence Williams and Spencer Williams (no relation) collaborated on two other songs as well: "I Ain’t Gonna Give Nobody None o’ This Jelly Roll" and "Yama Yama Blues." It is speculated that Spencer was the actual composer of the tunes, and that Clarence was given shared credit for publishing the song. [2]
Clarence Williams was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher.
This is a list of notable events in music that took place in the year 1919.
Spencer Williams was an American jazz and popular music composer, pianist, and singer. He is best known for his hit songs "Basin Street Blues", "I Ain't Got Nobody", "Royal Garden Blues", "I've Found a New Baby", "Everybody Loves My Baby", "Tishomingo Blues", and many others.
"Everybody Loves My Baby", also known as "Everybody Loves My Baby, but My Baby Don't Love Nobody but Me", is a popular and jazz standard song composed by Spencer Williams in 1924. Lyrics were written by Jack Palmer.
"I've Found a New Baby", also known as "I Found a New Baby", is a popular song written by Jack Palmer and Spencer Williams. It was introduced by Clarence Williams' Blue Five in 1926 and has since been recorded by many artists, making it a popular jazz standard. Popular versions in 1926 were by Ted Lewis and by Ethel Waters.
"I Ain't Got Nobody" is a popular song copyrighted in 1915. Roger A. Graham (1885–1938) wrote the lyrics, Spencer Williams composed it, and Roger Graham Music Publishing published it. It was first recorded by Marion Harris, and became a perennial standard, recorded many times over following generations, in styles ranging from pop to jazz to country music. The 2008 film Be Kind Rewind uses the version recorded by Booker T. & the M.G.'s, although two covers were recorded for the film as well: a piano solo version by Jean-Michel Bernard, and a Fats Waller-esque version by Mos Def.
"Baby Won't You Please Come Home" is a blues song written by Charles Warfield and Clarence Williams in 1919. The song's authorship is disputed; Warfield claims that he was the sole composer of the song.
"Squeeze Me" is a 1925 jazz standard composed by Fats Waller. It was based on an old blues song called "The Boy in the Boat". The lyrics were credited to publisher Clarence Williams, although Andy Razaf has claimed to have actually written the lyrics.
Cootie Williams and His Orchestra 1941–1944 is a compilation album of recordings from 1941, 1942 and 1944 that jazz trumpeter Cootie Williams made with his orchestra and in smaller groups, released on Classics in 1995. The 1942–44 musicians' strike explains the lack of sessions from 1943.
Back to Back is a 1959 studio album by Johnny Hodges and Duke Ellington. It was followed by Side by Side (1959), recorded at the same sessions.
For the First Time is a 1974 studio album by Count Basie, with bassist Ray Brown and drummer Louie Bellson. Basie, Brown and Bellson followed For the First Time with For the Second Time (1975).
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
The Bright Mississippi is an album by the New Orleans Jazz and R&B pianist Allen Toussaint, released on Nonesuch Records in 2009. The album reached No. 8 on the Billboard Top Jazz Albums chart.
The Swinging Count! is an album by jazz pianist Count Basie in small group sessions recorded in 1952 and released in 1956 on the Clef label. Selections from this album were released on the 1954 Clef LP Basie Jazz.
Bud Shank – Shorty Rogers – Bill Perkins is a Quintet album led by Bud Shank featuring Shorty Rogers or Bill Perkins which was recorded in 1954 and 1955 for the Pacific Jazz label.
George Lewis & Turk Murphy at Newport is a live album by George Lewis' Sextet and Turk Murphy's Septet recorded at the Newport Jazz Festival in 1957 and released on the Verve label.
Newport Jazz Festival All Stars is a live album by an all star group assembled by pianist/promoter George Wein that featured trumpeter Buck Clayton, saxophonist Bud Freeman, trombonist Vic Dickenson and clarinetist Pee Wee Russell which was recorded in Boston in 1959 in preparation for the Newport Jazz Festival and released on the Atlantic label in 1960.
Vamp 'til Ready is an album recorded by drummer Jo Jones in 1960 and released by the Everest label.