List of cool jazz and West Coast jazz musicians

Last updated

List of cool jazz and West Coast jazz musicians and vocalists.

Contents

A

B

C

D

E

F

G

H

J

K

L

M

N

P

R

S

T

V

W

Z

See also

Related Research Articles

Barbara Dennerlein Musical artist

Barbara Dennerlein is a German jazz organist. She has achieved particular critical acclaim for using the bass pedalboard on a Hammond organ and for integrating synthesizer sounds onto the instrument, and was described by critic Ron Wynn as "the most interesting jazz organist to emerge during the 1980s".

Cool jazz is a style of modern jazz music that arose in the United States after World War II. It is characterized by relaxed tempos and lighter tone, in contrast to the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of post-war jazz styles employing a more subdued approach than that found in other contemporaneous jazz idioms. As Paul Tanner, Maurice Gerow, and David Megill suggest, "the tonal sonorities of these conservative players could be compared to pastel colors, while the solos of [Dizzy] Gillespie and his followers could be compared to fiery red colors."

Four Brothers is a jazz standard in AABA format written by Jimmy Giuffre in 1947, based on the chord changes of 'Jeepers Creepers'. The song was written for the "Four Brothers" saxophone section of Woody Herman's second band, and has since been covered by many groups.

Most-perfect magic square Data

A most-perfect magic square of order n is a magic square containing the numbers 1 to n2 with two additional properties:

  1. Each 2 × 2 subsquare sums to 2s, where s = n2 + 1.
  2. All pairs of integers distant n/2 along a (major) diagonal sum to s.

West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz styles. Although this style dominated, it was not the only form of jazz heard on the American West Coast.

Frank R. Strozier Jr. is a jazz alto saxophonist.

Silkheart Records is a Swedish record company and label dedicated to improvised music and free jazz.

The 1973 ABA Playoffs was the postseason tournament of the American Basketball Association's 1972-1973 season. The tournament concluded with the Western Division champion Indiana Pacers defeating the Eastern Division champion Kentucky Colonels, four games to three in the ABA Finals.

<i>Something Cool</i> 1954 studio album by June Christy

Something Cool is a studio album recorded by June Christy in 1953, 1954, and 1955, and featuring Christy singing 11 jazz songs backed by the orchestra of Pete Rugolo, and her saxophonist husband, Bob Cooper. First issued in 1954 as a 10" mono LP, an expanded 12" mono LP was released the following year, with four newly recorded selections added to the track listing. In 1960, Christy and Rugolo re-recorded all 11 selections in stereo, so that a stereo version of Something Cool could be issued. For many years, this re-recorded version of the LP was the only one commercially available.

The 2005 (May) Betfred Premier League was a professional non-ranking snooker tournament that was played from 6 January to 8 May 2005. This was the first Premier League event to use the shot clock.

Progressive Records is an American jazz record company and label owned by the Jazzology group. It produces reissues and compilations of musicians such as Sonny Stitt, Eddie Barefield, George Masso, and Eddie Miller.

1950s in jazz

By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.

Kokopelli Records was a record label established by jazz flautist Herbie Mann and Jim Geisler in 1994. Other than Mann's recordings, Kokopelli releases included David "Fathead" Newman, Jimmy Rowles, and April Barrows. Mann had previously established Embryo Records while working for Atlantic Records.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 Carr, Roy (2006) [1997], "The Cool on the Coast", A Century of Jazz: A Hundred Years of the Greatest Music Ever Made, London: Hamlyn, pp.  92–105, ISBN   0-681-03179-4
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Gridley, Mark C. (1994), "Styles", in Ron Wynn (ed.), All Music Guide to Jazz , M. Erlewine, V. Bogdanov, San Francisco: Miller Freeman, p.  11, ISBN   0-87930-308-5
  3. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Tanner, Paul O. W.; Maurice Gerow; David W. Megill (1988) [1964]. "Cool (1949-1955)". Jazz (6th ed.). Dubuque, IA: William C. Brown, College Division. pp.  103–111. ISBN   0-697-03663-4.
  4. 1 2 3 4 Wynn, Ron (1994), Ron Wynn (ed.), All Music Guide to Jazz , M. Erlewine, V. Bogdanov, San Francisco: Miller Freeman, ISBN   0-87930-308-5