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British dance band is a genre of popular jazz and dance music that developed in British dance halls and hotel ballrooms during the 1920s and 1930s, often called a Golden Age of British music, prior to the Second World War. [1]
Thousands of miles away from the origins of jazz in the United States, British dance bands of this era typically played melodic, good-time music that had jazz and big band influences but also maintained a peculiarly British sense of rhythm and style which came from the music hall tradition. Often comedians of the day or music hall personalities would sing novelty recordings backed by well-known British dance band leaders. Some of the British dance band leaders and musicians went on to fame in the United States in the swing era. [2]
Thanks to Britain's continuing ballroom dancing tradition and its recording copyright laws, British dance music of the pre-swing era still attracts a modest audience, which American dance music of the same period does not.
Famous British dance band leaders and musicians included (see also List of British dance band leaders for a more comprehensive list): [1]
Notable musicians who performed with British dance bands included:
Many popular singers rose to fame as vocalists on recordings by the British dance bands. They are not always attributed on the record label, except for the description "with vocal refrain", but an experienced listener can usually identify the voices of these otherwise anonymous singers. Famous British dance band vocalists included:
The Squadronaires are a Royal Air Force band which became the best known of the British service dance bands during the Second World War, with hits like "There's Something in the Air" and "South Rampart Street Parade". They played at dances and concerts for service personnel, broadcast on the BBC and recorded on the Decca label. Many of the members formerly played as side men in Bert Ambrose’s band, and they continued to be popular after the war under the leadership of Ronnie Aldrich. Other British service dance bands included the Blue Mariners, the Blue Rockets and the Skyrockets. [1]
Cafés, clubs, hotels and restaurants in London noted for British dance band music during the Golden Age included: [3] [4]
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Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw and Django Reinhardt.
Isham Edgar Jones was an American bandleader, saxophonist, bassist and songwriter.
Jazz music has a long history in Australia. Over the years jazz has held a high-profile at local clubs, festivals and other music venues and a vast number of recordings have been produced by Australian jazz musicians, many of whom have gone on to gain a high profile in the international jazz arena.
Alan Dell, born Alan Creighton Mandell, was a BBC radio broadcaster, associated in particular with dance band music of the 1920s, 1930s and early 1940s.
The Irish showband was a dance band format popular in Ireland from the mid-1950s to mid-1980s. The showband was based on the internationally popular six- or seven-piece dance band. The band's basic repertoire included standard dance numbers and covers of pop music hits. The versatile music ranged from rock and roll and country and western songs to traditional dixieland jazz and even Irish Céilí dance, Newfie stomps, folk music and waltzes. Key to a showband's popular success was the ability to perform songs currently in the record charts. Some bands also did comedy skits onstage.
George Edward Heath was a British musician and big band leader.
Benjamin Baruch Ambrose, known professionally as Ambrose or Bert Ambrose, was an English bandleader and violinist. Ambrose became the leader of a highly acclaimed British dance band, Bert Ambrose & His Orchestra, in the 1930s.
Elizabeth 'Elsie' Carlisle was a popular English female singer both before and during the British dance band era of the 1920s and 1930s, nicknamed "Radio Sweetheart Number One"; according to AllMusic, she was "beyond a doubt the most popular radio performer in England in the '30s." Carlisle has also been described as "British radio's first woman crooner". She was prolific in the recording studio, and cut over 300 sides between 1926 and 1942.
Sam Browne was an English dance band singer, who became one of the most popular British dance band vocalists of the 1930s. He is remembered for singing with Jack Hylton and with Ambrose and his Orchestra, at the Mayfair Hotel and Embassy Club, with whom he made many recordings from 1930 to 1942, and for his duets and variety performances with the singer, Elsie Carlisle.
The Squadronaires is a Royal Air Force band which began and performed in Britain during and after World War II. The official title of the band was 'The Royal Air Force Dance Orchestra', but it was always known by the more popular title "The Squadronaires".
Louis Stone known professionally as Lew Stone was a British bandleader and arranger of the British dance band era, and was well known in Britain during the 1930s. He was known as a skillful, innovative and imaginative musical arranger.
Jack Jackson was an English trumpeter and bandleader popular during the British dance band era, and who later became a highly influential radio disc jockey. The BBC's nickname "Auntie" is often credited to Jackson.
Malcolm Richard Laycock was an English radio presenter who hosted jazz, big band, and dance band programmes for BBC Radio 2 and the BBC World Service.
John Wesley Vivian Payne was a British dance music bandleader who established his reputation during the British dance band era of the 1930s.
Go Man Go featuring David Ede and the Rabin Band was one of British radio's flagship lunchtime pop music shows during the late 1950s and early '60s. The show ran on the BBC Light Programme radio channel in Britain from January 1959 to the end of March 1964 with a total of 255 consecutive weekly episodes.
Art Christmas was a Canadian dance band and jazz musician. For many years during the exciting dance band and jazz era of the 1920s, 1930s and 1940s, Art Christmas was often said to be Britain's leading saxophone player and multi-instrumentalist. In the 1930s and 1940s, young musicians in their teens and early twenties would follow Art all over Britain listening to him play and trying to copy his style, especially on alto saxophone.
The Hammersmith Palais de Danse, in its last years simply named Hammersmith Palais, was a dance hall and entertainment venue in Hammersmith, London, England that operated from 1919 until 2007. It was the first palais de danse to be built in Britain. In 2009, it was named by the Brecon Jazz Festival as one of twelve venues which had made the most important contributions to jazz music in the United Kingdom.
Max David Bacon was a British actor, comedian and musician. Although he was British-born, his comedic style centred on his pseudo-European, Yiddish accent and in his straight-faced mispronunciation of words.
Sydney John Lipton was a British dance band leader, popular from the 1930s to the 1960s when he led "one of the most polished of the British Dance Bands".