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Jazz music has been popular in France since the 1920s. Its international popularity peaked in the 1930s, and it has been continually enjoyed since.
Following World War I, a number of American expatriates settled in Paris and began to build up a jazz scene. France did not suffer from racial discrimination as much as the US, so a mixture of musical styles from different cultures began to emerge. [1] As with Brazil, the French were at first concerned it was too American of an influence before "making it their own." Although in the case of the French the adjustment proved faster as by the 1930s jazz had become acceptable. Between the 1930s and 1950s, the biguine, a style of jazz from the French Caribbean was popular among dance orchestras. Lacking recognition at home, several biguine artists from Martinique moved to mainland France, where they achieved greater popularity in Paris, especially in the wake of the colonial exhibition in 1931. Early stars like Alexandre Stellio and Sam Castandet became popular in Paris. [2] An important event in that is the creation of the Quintette du Hot Club de France in 1934. This is among the most significant jazz groups in European history. Archived 2010-09-26 at the Wayback Machine
Starting in the late 1940s the Le Caveau de la Huchette would become an important place for French and American jazz musicians. Many American jazz artists have lived in France from Sidney Bechet to Archie Shepp. These Americans would have an influence on French jazz, but at the same time French jazz had its own inspirations as well. For example, Bal-musette had some influence on France's form of Gypsy jazz . Similarly, the violin, and to an extent the guitar, were traditionally more popular in French jazz than American. Related to that, Jean-Luc Ponty and Stéphane Grappelli are among the most well-respected violinists in the history of jazz. That stated, the violin is also popular in Eastern European jazz.
Jean Reinhardt, known by his Romani nickname Django, was a Romani-Belgian jazz guitarist and composer. He was one of the first major jazz talents to emerge in Europe and has been hailed as one of its most significant exponents.
Stéphane Grappelli was a French jazz violinist. He is best known as a founder of the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands. He has been called "the grandfather of jazz violinists" and continued playing concerts around the world well into his eighties.
Jean-Luc Ponty is a French jazz and jazz fusion violinist and composer.
Biréli Lagrène is a French jazz guitarist who came to prominence in the 1980s for his Django Reinhardt–influenced style. He often performs in swing, jazz fusion, and post-bop styles.
The Quintette du Hot Club de France, often abbreviated "QdHCdF" or "QHCF", was a jazz group founded in France in 1934 by guitarist Django Reinhardt and violinist Stéphane Grappelli and active in one form or another until 1948.
René Urtreger is a French bebop pianist.
Christian Escoudé is a French Gypsy jazz guitarist.
Daniel Humair is a Swiss drummer, composer, and painter.
Stéphane Belmondo is a French jazz trumpeter, flugelhornist, and drummer. Including recordings made with his brother Lionel Belmondo and Yusef Lateef, he won the best French album category (L'Album français de l'année) in 2003, 2004 and 2005, and the best artist award (L'Artiste ou la Formation instrumentale française de l'année) in 2003 and 2004. in the French Victoires du Jazz awards. Along with his brother, he is noted for tribute albums that involve the musicians being honored.
Eddy Louiss was a French jazz musician.
Jazz violin is the use of the violin or electric violin to improvise solo lines. Early jazz violinists included: Eddie South, who played violin with Jimmy Wade's Dixielanders in Chicago; Stuff Smith; and Claude "Fiddler" Williams. Joe Venuti was popular for his work with guitarist Eddie Lang during the 1920s. Improvising violinists include Stéphane Grappelli and Jean-Luc Ponty. In jazz fusion, violinists may use an electric violin plugged into an instrument amplifier with electronic effects.
"Nuages" is one of the best-known compositions by Django Reinhardt. He recorded at least thirteen versions of the tune, which is a jazz standard and a mainstay of the gypsy swing repertoire. English and French lyrics have been added to the piece which was originally an instrumental work. The title translated into English is "Clouds", but the adaptation with English lyrics is titled "It's the Bluest Kind of Blues".
Marc Fosset was a French jazz guitarist.
R-26 was an artistic salon regularly held at the private residence of socialites Madeleine, Marie-Jacques and Robert Perrier at 26 Rue Norvins in the Montmartre district of Paris. First convened on 1 January 1930, the salon became a meeting ground for many creative luminaries of the next eighty years, including singer Josephine Baker, architect Le Corbusier and musician Django Reinhardt.
André "Dédé" Ceccarelli is a French jazz drummer.
Les Victoires du jazz is a program of annual French jazz awards which grew out of the larger Victoires de la Musique. The prizes were then awarded within the Victoires de la musique classique from 1994-2001. In 2002, a ceremony dedicated specifically to jazz was created.
The Prix Django Reinhardt is an award granted by the French Académie du Jazz for the best French jazz musician of the year. It is named after Django Reinhardt. The prize is determined by a jury of jazz journalists, producers, and musicians.
Jean-Loup Longnon is a French jazz trumpeter, composer, and arranger. He is the nephew of Guy Longnon.
Bernard Lubat is a French jazz drummer, pianist, singer, percussionist, vibraphonist, and accordionist.
Sophie Alour is a French jazz musician who plays saxophone, clarinet, and flute.
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