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Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion, on which a variety of waltzes, polkas, and other dance styles were played.
Auvergnats settled in large numbers in the 5th, 11th, and 12th districts ( arrondissements ) of Paris during the 19th century, opening cafés and bars where patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy). Parisian and immigrant Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement. [1] [2]
When Italians began introducing new rhythms like the waltz and polka into the traditional musical form and began playing it on the recently-introduced hybrid accordion, conflicts arose, and the Italian and Auvergnat styles split. By the end of 19th century, there were three kinds of bals-musette establishments:
These places often were frequented by members of the French upper classes looking for excitement among the poor and downtrodden. Some establishments even staged mock police raids for their patrons' benefit. Performers of this era include Antoine Bouscatel, Émile Vacher, Martin Cayla, Charles Péguri, and Gus Viseur.
Musette dance forms arose from people looking for easier, faster and more sensual dance steps, as well as forms that did not require a large hall. "Musette-forms" that established themselves as variations to popular dances of the day include:
An original musette dance also appeared, known as java.
Admission to most bals was free, but dancers bought dance tokens at the cash-desk. These tokens were made of metal in various shapes, with the name of the hall stamped on one side. In the middle of the dance, the bal director walked between the couples with a bag and the dancers turned in a token. [2]
In the 1930s, gypsy jazz, a rhythmic form of swing music, drew on musette styles. By 1945, the bal-musette became the most popular style of dance in France and its biggest stars were widely known across the country. Its popularity declined drastically beginning around 1960. A revival of bals has begun, especially in larger cities, and a modern form of the musette is establishing itself.[ citation needed ]
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Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television.
The waltz, meaning "to roll or revolve") is a ballroom and folk dance, normally in triple, performed primarily in closed position.
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas.
The term conjunto refers to several types of small musical ensembles present in different Latin American musical traditions, mainly in Mexico and Cuba. While Mexican conjuntos play styles such as norteño and tejano, Cuban conjuntos specialize in the son, as well as its derivations such as salsa.
In France, music reflects a diverse array of styles. In the field of classical music, France has produced several prominent romantic composers, while folk and popular music have seen the rise of the chanson and cabaret style. The oldest playable musical recordings were made in France using the earlist known sound recording device in the world, the phonautograph, which was patented by Édouard-Léon Scott de Martinville in 1857. France is also the 5th largest market by value in the world, and its music industry has produced many internationally renowned artists, especially in the nouvelle chanson and electronic music.
Cajun music, an emblematic music of Louisiana played by the Cajuns, is rooted in the ballads of the French-speaking Acadians of Canada. Although they are two separate genres, Cajun music is often mentioned in tandem with the Creole-based zydeco music. Both are from southwest Louisiana and share French and African origins. These French Louisiana sounds have influenced American popular music for many decades, especially country music, and have influenced pop culture through mass media, such as television commercials.
Historical dance is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance, for pleasure at themed balls or dance clubs, as historical reenactment, or for musicological or historical research.
Auvergne is a region in France. Its best-known form of folk music is that played on the cabrette, a bagpipe made of goatskin. This is used to play swift, 3/8 dance music, slow airs (regrets) and other styles. The traditional master Joseph Rouls taught many modern players, including Dominique Paris, Jean Bona and Michel Esbelin. Other styles of music include the shepherd's calls known as ballero.
Música criolla, creole music or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
Musette may refer to:
As Europe experienced a wave of roots revivals in the 1950s and 1960s, France found its regional culture reviving traditional music. Brittany, Limousin, Gascony, Corsica and Auvergne were among the regions that experienced a notable resurgence in the popularity of folk music. Traditional styles of music had survived most in remote areas, such as the island of Corsica and mountainous Auvergne, as well as the more nationalist lands of the Basques and Bretons.
Banda is a subgenre of regional Mexican music and type of ensemble in which wind and percussion instruments are performed.
Gustave Joseph Viseur was a Belgian/French accordionist.
A waltz, probably deriving from German Ländler, is dance music in triple meter, often written in 3
4 time. A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is to play the root of the chord on the first beat, the upper notes on the second and third beats.
Java is a dance which was developed in France in the early part of the 20th century. The origin of its name is uncertain, but it probably evolved from the valse.
A dance organ is a French mechanical organ designed to be used in a dance hall or ballroom. Originated and popularized in Paris, it is intended for use indoors as dance organs tend to be quieter than the similar fairground organ.
Polka is a music and dance style that originated in Bohemia in the 1830s and came to American society with immigrants from Europe. A fast style in 2
4 time, and often associated with the pre–World War II era, polka remains a dynamic "niche" music in America.
Antoine ("Bousca") Bouscatel was a French cabrette bagpipe player, well-known at the turn of the 20th century in Paris.
Music in the city of Paris, France, includes a variety of genres, from opera and symphonic music to musical theater, jazz, rock, rap, hip-hop, the traditional Bal-musette and gypsy jazz, and every variety of world music, particularly music from Africa and North Africa. such as the Algerian-born music known as Raï. Leading musical institutions include the Paris Opera, the Orchestre de Paris, and the Paris Conservatory, the first state music conservatory in Europe. The Cité de la Musique at La Villette is home of the new Paris Symphony Hall, the Conservatory, a museum of musical instruments, and Le Zenith, a major venue for popular music. Many of the churches in Paris have magnificent historic organs, and often host concerts. The city is also known for its music halls and clubs.
Jules-Louis-Olivier Métra was a French composer and conductor.
