Jazz saxophonists are musicians who play various types of saxophones (alto saxophone, tenor saxophone, baritone saxophone etc.) in jazz and its associated subgenres. The techniques and instrumentation of this type of performance have evolved over the 20th century, influenced by both movements of musicians that became the subgenres and by particularly influential sax players who helped reshape the music.
In recent decades, jazz saxophonists have embraced elements of fusion, avant-garde, and electronic music, further expanding the boundaries of the instrument's role in jazz. This has allowed the saxophone to remain a versatile and vital voice in contemporary music, blending traditional techniques with cutting-edge innovations.
In the 1930s, during the swing and big band era, saxophonists like altoist Johnny Hodges, who led the saxophone section in the Duke Ellington Big Band, were featured soloists in a highly structured system of playing where such solos were limited moments of musical freedom.
In the early 1940s, jazz saxophonists such as Charlie Parker (alto, tenor) and Sonny Stitt (alto, tenor) led a rebellion against the strictures of big band jazz, shifting away from danceable popular music towards a more challenging "musician's music" that would come to be called bebop, with solos that included more chromaticism and dissonance. Charlie Parker is particularly noted for his groundbreaking solo techniques that are still widely admired today. He was credited to be one of the major influences of the bebop movement. The development of bebop in the 1940s reflected broader societal changes, with African American musicians asserting greater creative freedom and breaking away from the constraints of commercial swing music. This era was not only a musical revolution but also a cultural one, challenging norms and introducing greater individuality in jazz performance.
In the 1950s, sax players like tenor saxophonist John Coltrane and Sonny Rollins broke new ground in jazz, infusing their music with rhythm and blues, modal, Latin and gospel influences as part of the hard bop subgenre.
In the 1950s and 1960s, free jazz pioneers such as Ornette Coleman and Albert Ayler developed unusual new sounds and playing styles.
In the early 1960s, Woody Herman's lead "(Four) Brother", Stan Getz, played cool jazz with Brazilian musicians in the emerging bossa nova style. Getz was known for his rich tone, ability to swing and impeccable technique.
In the 1970s, fusion jazz blended rock and jazz, with saxophonists like Wayne Shorter and Michael Brecker at the front of that movement.
In the 1980s, smooth jazz saxophonists such as Kenny G (Kenny Gorelick, soprano, alto, tenor), Bob Mintzer (tenor) and David Sanborn (alto, soprano) played a radio-friendly style of fusion called smooth jazz. Other notable smooth jazz saxophonists include Dave Koz, Jeff Kashiwa, and Brandon Fields.
In the 1990s and 2000s, Joshua Redman (born 1969, tenor, soprano, alto) and Chris Potter (tenor, soprano) returned to a more traditional approach which harked back to the saxophone greats of the 1950s and 1960s. Jazz saxophonist Greg Abate continues to keep bebop alive on the alto, soprano, tenor, baritone as well as the flute.
Women in Jazz Saxophone
While male saxophonists have often been the focus, women have also left their mark on the evolution of jazz saxophone playing. Artists such as Vi Redd and Peggy Gilbert contributed significantly to the jazz scene, both as performers and as advocates for gender equality in the music industry.
Notable jazz saxophonists include:
The saxophone is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. A person who plays the saxophone is called a saxophonist or saxist.
Frank Martin was a Swiss composer, who spent much of his life in the Netherlands.
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E♭, smaller than the B♭ tenor but larger than the B♭ soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz.
Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to the craft. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
The soprano saxophone is a small, high-pitched member of the saxophone family of woodwind instruments invented in the 1840s by Belgian instrument maker Adolphe Sax. Built in B♭ an octave above the tenor saxophone, the soprano is the third-smallest member of the saxophone family, which consists of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass, and subcontrabass. The soprillo and sopranino are rare instruments, making the soprano the smallest saxophone in common use.
Jean Absil was a Belgian composer, organist, and professor at the Brussels Conservatoire.
The sopranino saxophone is the second-smallest member of the saxophone family. It is tuned in the key of E♭, and sounds an octave higher than the alto saxophone. A sopranino in F was also described in Adolphe Sax's patent, an octave above an F alto (mezzo-soprano), but there are no known built instruments.
Herschel "Tex" Evans was an American tenor saxophonist who was a member of the Count Basie Orchestra. He also worked with Lionel Hampton and Buck Clayton. He is also known for starting his cousin Joe McQueen's interest in the saxophone. Joe McQueen, living until 2019 at age 100, may well have been the last surviving person to have known Herschel during his lifetime.
The Selmer Mark VI is a saxophone produced from 1954 to 1981. Production shifted to the Mark VII for the tenor and alto in the mid-1970s, and to the Super Action 80 for the soprano and baritone saxophones in 1981. The sopranino saw limited production until about 1985.
Michael Marcus is an American jazz clarinetist and saxophonist. He plays B♭ & A clarinets, bass clarinet; sopranino, soprano, tenor, baritone, bass, and C melody saxophones, stritch saxophone, saxello, bass flute, tárogató & alto tarogato, and octavin.
James Theodore Powell was an American jazz saxophonist who played alto sax.
This is a timeline documenting events of Jazz in the year 2009.
2 Compositions (Järvenpää) 1988 is a live album by composer and saxophonist Anthony Braxton recorded in Finland in 1988 and first released on the Leo label on CD in 1996.
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