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Joe McPhee is an American jazz multi-instrumentalist born in Miami, Florida, a player of tenor, alto, and soprano saxophone, the trumpet, flugelhorn and valve trombone. McPhee grew up in Poughkeepsie, New York, and is most notable for his free jazz work done from the late 1960s to the present day.
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Edward Isaac Bickert, was a Canadian guitarist who played mainstream jazz and swing music. Bickert worked professionally from the mid-1950s to 2000, mainly in the Toronto area. His international reputation grew steadily from the mid-1970s onward as he recorded albums both as a bandleader and as a backing musician for Paul Desmond, Rosemary Clooney, and other artists, with whom he toured in North America, Europe and Japan.
Donald Winston Thompson, OC is a Canadian jazz musician who plays double bass, piano, and vibes. Thompson's career as a performer, recording artist, producer, session musician, and music educator has lasted for more than 50 years.
Wild Bill Davis was the stage name of American jazz pianist, organist, and arranger William Strethen Davis. He is best known for his pioneering jazz electric organ recordings and for his tenure with the Tympany Five, the backing group for Louis Jordan. Prior to the emergence of Jimmy Smith in 1956, Davis was the pacesetter among organists.
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John Mars is a Canadian singer, songwriter, and percussionist. Mars began his musical training at Sykes Music in Brantford, Ontario where he studied the drums with Carl Lemke. In the late 1960s, he played the drums in the band "John Mars and the Martians" with bassist Kevin Cosman and guitarist Stan Baka. The group disbanded after Baka was killed by a drunk driver. Mard then moved to Toronto where he met pianist Stuart Broomer and saxophonist Bill Smith. The three men formed the successful jazz trio "Broomer, Mars & Smith" which actively performed throughout the 1970s. In 1980 Smith left to pursue other projects and the duo "Stuart Broomer & John Mars" was formed. The duo performed up through 1986 and notably released the 1983 album Annihilated Surprise on Ugly Dog Records.
An organ trio is a form of jazz ensemble consisting of three musicians; a Hammond organ player, a drummer, and either a jazz guitarist or a saxophone player. In some cases the saxophonist will join a trio which consists of an organist, guitarist, and drummer, making it a quartet. Organ trios were a popular type of jazz ensemble for club and bar settings in the 1950s and 1960s, performing a blues-based style of jazz that incorporated elements of R&B. The organ trio format was characterized by long improvised solos and an exploration of different musical "moods".
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Sackville Records was a Canadian record company and label that specialized in jazz. In 2011, with Sackville defunct, Delmark Records acquired its catalogue.
Coda was a Canadian magazine covering jazz and related topics. The magazine produced 6 publications a year on a bi-monthly basis. Founded in 1958 by publisher and record producer John Norris, the magazine contained reviews and articles about jazz artists active internationally, as well as articles on jazz recordings, jazz books, and other topics related to jazz. In 1976, Norris was succeeded by saxophonist Bill Smith.
John Norris was a British-born Canadian publisher and editor. Norris founded Coda magazine.
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Arthur Albert Ellefson was a Canadian jazz saxophonist who worked in the UK during the 1950s and 1960s.
Roscoe Mitchell Quartet is an album by American jazz saxophonist Roscoe Mitchell recorded in 1975 and released on the Canadian Sackville label.
Chris Jennings is a Canadian jazz double bassist, composer, arranger and educator.
Visitation is an album by multi-instrumentalist and composer Joe McPhee, recorded in 1983 and first released on the Canadian Sackville label, it was rereleased on CD in 2003.
Live at Smalls is a live album by American jazz pianist Ethan Iverson's quartet. The band consisted of Iverson on piano, Reid Anderson on double bass, Jeff Williams on drums, and Bill McHenry on tenor saxophone. The album was recorded on 8 February 2000 at Smalls Jazz Club in New York City and released in 2000 by Fresh Sound New Talent label.
Still Quite Popular After All Those Years is an album by saxophonist and clarinetist Peter Brötzmann and drummer Han Bennink. It was recorded on February 4 and 5, 2004, at the Loft in Cologne, Germany, and was released on vinyl in limited quantities later that year by Brötzmann's Brö label, which was revived in 2002 thanks to a partnership with Eremite Records.
References
- 1 2 3 4 5 Colin Larkin, ed. (1992). The Guinness Who's Who of Jazz (First ed.). Guinness Publishing. p. 368. ISBN 0-85112-580-8.
- ↑ Gardner/Kernfeld, "Sackville". Grove Jazz online.
- 1 2 "Smith, Bill". The Canadian Encyclopedia .
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