Joseph Riposo is a saxophonist, composer, arranger, and was an educator at Syracuse University. He was the Director of Jazz Studies at Syracuse University and directed the Morton B. Schiff Jazz Ensemble. He has played with Tony Bennett, Sammy Davis Jr., Nat King Cole, Ella Fitzgerald, the Mcguire Sisters, the Woody Herman Band, Jackie Leonard, Diane Schuur, Harry Connick Jr., and Natalie Cole. Riposo has been a conductor for jazz ensembles with Dizzy Gillespie, Phil Woods, Marvin Stamm, Darius Brubeck, and Nick Brignola. [1]
He grew up in Syracuse as a clarinetist but quickly moved to saxophone and other various woodwind instruments. Riposo went on to study music at Syracuse University and graduated in 1957. [2] After graduation, he became a member of the U.S. Army Band at Fort Dix, a US Army base located just south of Trenton, New Jersey. While there, he toured with the band throughout the First Army Area. He also became the Chief Instructor in the School of Music. During this time, Riposo was also touring internationally with the Woodland Quartet. [3] In 1960, he returned to Syracuse to pursue a career in music education. [2]
Riposo is the fourth son of an Italian concert master and pianist. He and his siblings grew up in a house with classical and popular music. His father, Giuseppe, an Italian immigrants, made an income as a mason and imparted his love of music to his five children.
Riposo served as the director of music education for the Liverpool Central School District for 31 years. For 28 years he was Director of Jazz Studies at Syracuse University. He was president of the International Association of Jazz Educators (New York State unit) and the North Eastern Division Coordinator for the International Association of Jazz Educators. [1] He was jazz coordinator and clinician for the New York State School Music Association and holds certification as a woodwind and state jazz adjudicator for the NYSSMA association. Riposo retired from the Liverpool Central School District in 1991. [1]
He published over 50 books on jazz technique and jazz language. His book Jazz Improvisation: A Whole Brain Approach uses research in "hemisphericity" or lateralization of brain function to teach jazz improvisation. [4] He is a contract writer for four publishers: Walrus Music, E -Jazzline, Increase Music, and Jamey Aebersold Jazz. His books include Bebop Scales, Jazz Scales and Patterns in All Keys, Target Tones and Approach Tones, Shaping Bebop Lines, Developing a Jazz Vocabulary, The Language of Jazz, and Making a Connection with Your Saxophone, Teaching with a Focus on Learning to Play Jazz.
Riposo plays in the Salt City Jazz Collective in Armory Square. One of his projects includes a jazz composition commissioned by the Mellon CNY Humanities Corridor and the College of Arts and Sciences of Syracuse University.
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music, linked by the common bonds of African-American and European-American musical parentage. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions.
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States, which features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
John Birks "Dizzy" Gillespie was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks, and his light-hearted personality provided some of bebop's most prominent symbols.
Charles "Charlie" Parker Jr., nicknamed "Bird" and "Yardbird", was an American jazz saxophonist and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was a blazingly fast virtuoso and introduced revolutionary harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Bird's tone ranged from clean and penetrating to sweet and somber.
Walter Theodore "Sonny" Rollins is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including "St. Thomas", "Oleo", "Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus".
Lou Donaldson is a retired American jazz alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker.
David Nathaniel Baker Jr. was an American jazz composer, conductor, and musician from Indianapolis, as well as a professor of jazz studies at the Indiana University Jacobs School of Music. Baker is best known as an educator and founder of the jazz studies program. From 1991 to 2012, he was conductor and musical and artistic director for the Smithsonian Jazz Masterworks Orchestra. He has more than 65 recordings, 70 books, and 400 articles to his credit.
Larry Ridley is an American jazz bassist and music educator.
Leonard Joseph Tristano was an American jazz pianist, composer, arranger, and teacher of jazz improvisation.
Billy Taylor was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
David Liebman is an American saxophonist, flautist and jazz educator. He is known for his innovative lines and use of atonality. He was a frequent collaborator with pianist Richie Beirach.
Edward "Kidd" Jordan is an American jazz saxophonist and music educator from New Orleans, Louisiana.
Wilton Jameson "Jamey" Aebersold is an American publisher, educator, and jazz saxophonist. His Play-A-Long series of instructional books and CDs, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. His summer workshops have educated students of all ages since the 1960s.
Dave Pietro is a saxophonist, woodwind artist, bandleader, sideman, composer and educator. A native of Southboro, Massachusetts, he has been on the New York City music scene since 1987.
Virtue Hampton Whitted was an American jazz singer and bassist who is best known for her performances during the 1940s and 1950s as a member of the Hampton family band and The Hampton Sisters, a musical group she formed during World War II with her siblings, Aletra, Carmalita, and Dawn Hampton.
Salvatore Nistico was an American jazz tenor saxophonist.
William Franklin Lee III, aka Bill Lee was an American jazz pianist, composer, arranger, author, and music educator who was renowned for pioneering comprehensive music education, including jazz, at the collegiate level. He led the University of Miami School of Music and was Miami's third music dean from 1964 to 1982. In 1989 he retired from the university, but he continued to work in music education at other institutions. He was distinguished professor emeritus of music theory and composition and emeritus composer in residence. Lee was vice-president and provost at the University of Miami and president and executive director of IAJE.
Anthony Sebastian "Tony" Campise was an American jazz musician. He primarily played tenor saxophone and flute though he was a multireedist who also used clarinet and oboe. He was known for his exceptional technique and fluid style on all reed instruments; Campise is most recognized for his association with the Stan Kenton Orchestra in the mid-1970s.
Ramon "Ray" Ricker is a classical and jazz performer, music educator, composer, arranger and author.
Nancy Kelly is a jazz singer known for blues, swing, and bebop music.