Mark Turner | |
|---|---|
 Turner in 2010 | |
| Background information | |
| Born | November 10, 1965 Fairborn, Ohio, U.S. |
| Genres | Jazz |
| Occupation | Musician |
| Instrument | Saxophone |
| Years active | 1990s–present |
| Labels | Warner Bros., ECM |
| Website | www |
Mark Turner (born November 10, 1965) is an American jazz saxophonist.
Born in Fairborn, Ohio, and raised in the small Southern California town of Palos Verdes Estates, Turner originally intended to become a commercial artist. In elementary school he played the clarinet, followed by the alto and tenor saxophones in high school. He attended California State University, Long Beach in the 1980s (playing in the jazz ensembles) and then transferred to and graduated from Berklee College of Music in 1990 before moving to New York. Turner worked at Tower Records in New York City for an extended period before working full-time as a jazz musician. [1]
In early November 2008 Turner injured two fingers on one of his hands with a power saw, but as of late February 2009 he was performing again with the Edward Simon Quartet at the Village Vanguard.
He is married to the psychiatrist and anthropologist, Dr. Helena Hansen. [2]
Turner's sound is reminiscent of that of Warne Marsh, but he also has elements of John Coltrane in his playing. Turner has mentioned both Marsh and Coltrane as influences, and has used elements of both players' styles in his music. [3] Turner's range extends into the high altissimo register. His improvised lines tend to span several octaves and contain great harmonic and rhythmic complexity. His compositions often make use of repeated patterns, odd-metered time signatures, and intervallic leaps.
Turner states that his music is "unfolding like a narrative". Consequently, his 2014 album Lathe of Heaven is named after Ursula K. Le Guin's novel of the same title which is based on the idea of a world where the nature of reality keeps shifting. [4]
In September 2014, Turner released his first album as a leader since 2001 on ECM Records; [5] it features trumpeter Avishai Cohen, bassist Joe Martin, and drummer Marcus Gilmore. [6] Turner is a member of the trio Fly, which includes himself, bassist Larry Grenadier, and drummer Jeff Ballard. [7] He also appears in guitarist Gilad Hekselman's Quartet, and drummer Billy Hart's Quartet. [8] Turner has recorded extensively with guitarist Kurt Rosenwinkel, saxophonist David Binney, and pianist Aaron Goldberg, among others. [9] Turner has played or collaborated with more than 45 jazz bands. In 2018 and 2019 alone he played on eight different jazz albums as a sideman or collaborator.
Fly with Jeff Ballard and Larry Grenadier
With Reid Anderson
With Omer Avital
With David Binney
With Jakob Bro
With George Colligan
With Benoit Delbecq
With Aaron Goldberg
With Jon Gordon
With Tom Harrell
With Billy Hart
With Jochen Rueckert
With Edward Simon
With Kurt Rosenwinkel
With Gilad Hekselman
With Matthias Lupri
With Ibrahim Maalouf
With Joe Martin
With Baptiste Trotignon
With David Virelles
With Miki Yamanaka
| With others
|
John William Coltrane was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
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Larry Grenadier is an American jazz double bassist.
Kurt Rosenwinkel is an American jazz guitarist, composer, bandleader, producer, educator, keyboardist and record label owner.
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Chris Potter is an American jazz saxophonist, composer, and multi-instrumentalist.
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George Mraz was a Czech-born American jazz bassist and alto saxophonist. He was a member of Oscar Peterson's group, and worked with Pepper Adams, Stan Getz, Michel Petrucciani, Stephane Grappelli, Tommy Flanagan, Jimmy Raney, Chet Baker, Joe Henderson, John Abercrombie, John Scofield, and Richie Beirach, among others.
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"26-2" is a musical composition written by American jazz musician John Coltrane. The song was recorded by Coltrane in 1960, but it released ten years later by Atlantic Records on an album entitled The Coltrane Legacy with a rhythm section composed of McCoy Tyner on piano, Steve Davis on bass, and Elvin Jones on drums. The composition itself is a contrafact of Charlie Parker's tune "Confirmation", with harmonic alterations to the original chord changes used by Coltrane in a number of his compositions. This harmonic modification is commonly known as Coltrane Changes, which have been most notably used in Coltrane's "Giant Steps". "26-2" is one of several contrafacts by Coltrane, others including "Countdown", a contrafact of Miles Davis's "Tune Up"; and "Satellite" from the album Coltrane's Sound, which is based upon the chord progression of "How High the Moon". Coltrane plays the first statement of the melody on tenor saxophone and switches to soprano saxophone for the last statement of the melody on the recorded version.
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Ne Plus Ultra, is an album by saxophonist Warne Marsh recorded in 1969 and originally released on the Revelation label in 1970 before being rereleased on CD the Swiss HatOLOGY label in 2006 with a bonus track.
Conversations with Warne Volume 1 is an album by saxophonist Pete Christlieb's Quartet featuring Warne Marsh which was recorded in 1978 and released on the Dutch Criss Cross Jazz label in 1991.
Star Highs, is an album by saxophonist Warne Marsh, recorded in 1982 and released on the Dutch Criss Cross Jazz label.
Temporary Kings is an album by saxophonist Mark Turner and pianist Ethan Iverson recorded in June 2017 and released on ECM September the following year.
Lathe of Heaven is an album by the Mark Turner Quartet recorded in June 2013 and released on ECM September the following year. The quartet features trumpeter Avishai Cohen and rhythm section Joe Martin and Marcus Gilmore. The album’s title references Ursula K. Le Guin’s 1971 science fiction novel of the same name.
Two Tenor Ballads is an album by saxophonists Mark Turner and Tad Shull which was recorded in 1994 but not released until 2000 by the Criss Cross Jazz label.
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