Didier Malherbe | |
---|---|
Background information | |
Also known as | Bloomdido Bad de Grass |
Born | Paris, France | 22 January 1943
Genres | Progressive rock, Psychedelic rock, Jazz, Jazz fusion, world music |
Occupation(s) | saxophonist, flautist |
Instrument(s) | flute, tenor saxophone, soprano saxophone, duduk, hulusi, keyboards |
Years active | 1960–present |
Didier Malherbe [a] (born January 22, 1943, in Paris), is a French jazz, rock and world music musician, known as a member of the bands Gong and Hadouk, as well as a poet.
His first instrument was a saxophone, but he also plays flutes, alto clarinet, ocarina, Laotian Khen, Bawu flute, Hulusi and many other wind instruments. Since 1995, duduk has been his preferred instrument.
Didier Malherbe began playing saxophone at age 13 after hearing Charlie Parker's "Bloomdido", a title he later would adopt as his nickname. After two years of formal training on saxophone he began to participate in jam sessions at various Paris jazz clubs alongside the likes of Alby Cullaz, Eddy Louiss, Jacques Thollot ... He then moved away from jazz. "I had grown puzzled about bebop because of so many rules. Then free jazz arrived, which got rid of all the rules... I decided I'd rather look elsewhere". [1]
In 1962, after hearing the first Ravi Shankar album, he travelled to India. There he discovered the bamboo flute and learned to play the Indian bansuri flute. [2] Back in Paris, he took classical flute lessons, while studying ancient languages at the Sorbonne. In 1964-65, he travelled around Morocco, staying in a community in Tangier, playing with other hippie musicians such as guitarist Davey Graham [3] and absorbing elements of Arabic music.
In 1966, he appeared on the soundtrack for the movie Chappaqua , credited to Ravi Shankar, and dabbled with rock music for the first time, electrifying his sax when he appeared, as part of a band called Les Rollsticks, in Marc'O's successful comedy-rock Les Idoles. This was such a hit that it was made into a feature film named Les idoles in 1968.
In the summer of 1968, Malherbe left for Majorca, in the Balearic Islands, where he found shelter in the property of writer Robert Graves. There he worked on improving his flute playing, and spent time with Kevin Ayers and Daevid Allen, two former members of Soft Machine, whose performance at the Fenêtre Rose festival in late 1967 he later called "a triggering event." [4]
In 1969, back in Paris, he joined a raga-blues-folk trio named Morning Calm and played free jazz with American pianist Burton Greene, appearing on his album recorded for the BYG label. The same label released Magick Brother (1969), the first Gong album, on which Malherbe appeared alongside musicians of various pop or jazz backgrounds.
Gong became a real band for an appearance at the Amougies festival in October 1969. Malherbe received the stage name Bloomdido Bad De Grasse from Daevid Allen, a combination of the title of the Charlie Parker standard and a rough English translation of his surname.
The albums Camembert Electrique (1971) and Continental Circus (1972, soundtrack for Jérôme Laperrousaz's movie of the same name) made Gong, along with Magma and others, a key player on the French underground scene of the early 1970s, pioneering the MJC (youth clubs) circuit. Allen's faithful right-hand man, Bloomdido stoically survived the band's countless line-up changes, even staying on after Allen himself quit in 1975 following the Radio Gnome Invisible trilogy, released by the then-fledgling Virgin label : Flying Teapot and Angel's Egg (1973), then You (1974). Malherbe achieved a unique sound by electrifying his instrument, and brought to the band many melodic ideas, "which I freely gave away, in a communal spirit. That's one of the features of my character and my music : I am a spontaneous guy, an improviser." [5]
Following the departures in 1975 of Allen then Steve Hillage, Gong moved to a more jazz-fusion style, influenced by Weather Report, with Malherbe adding a world-music flavour, as exemplified by "Bambooji" on the Shamal (1976) album, an early pointer to his later work as a solo artist. A final line-up with a percussion section and Allan Holdsworth on guitar recorded Gazeuse! (1977).
"He has always been, and remains, the best musician Gong ever had. He is a true virtuoso - but to the point that he never shows it" - Daevid Allen (1977) [5]
In 1977, Didier Malherbe formed the band Bloom playing "jazz-rock, but performed in a personal way, with odd time signatures, some funky ideas and crazy lyrics,". [6] They recorded an eponymous album in 1978, the band regularly toured France. In 1981, it was replaced by smaller line-ups, Duo du Bas with Yan Emeric Vagh, and Duo Ad lib with Jean-Philippe Rykiel.
In 1978, Didier played on 3 songs on Gilli Smyth 's Charly Records release "Mother," also appearing on her "Fairy Tales" LP under the band name "Mother Gong," featuring guitarist Harry Williamson.
In 1980, Didier recorded perhaps his first solo album, "Bloom," with a jazz-fusion sound common to that era, but with distinctly French vocals and artsy oddities.
In 1982, Malherbe began a partnership with Faton Cahen, former pianist with Magma and Zao, which they logically called Faton-Bloom. The band was completed by Rémy Sarrazin (bass), Éric Bedoucha (drums) and Roger Raspail. An eponymous album appeared in 1986, accompanied by copious touring.
During that period he also worked with singer Jacques Higelin, on stage (the live album Casino de Paris in 1984) and in studio (the album Ai in 1985).
He also played on the first album by Equip'Out, a band led by ex-Gong drummer Pip Pyle, and joined Daevid Allen in a new line-up of Gong, which resulted in the album Shapeshifter (1992).
In 1990, Didier Malherbe released his first true solo album, Fetish, surrounded by a cast of thousands. He later called the album "very scattered." [6] He notably experimented with the wind synthesizer Yamaha WX7.
He then signed with the Tangram label, releasing Zeff in 1992, which was a major critical and commercial success. The unique sound of the Zeff, a harmonic bent PVC pipe, also graced Vangelis' soundtrack for Ridley Scott's movie 1492: Christopher Columbus, and was featured on public TV channel France 3.
This was followed by Fluvius (1994), with a quartet including Loy Ehrlich, Henri Agnel and Shyamal Maïtra. In 1996, birth of "Hadouk" with Loy Ehrlich, so named in reference to their respective instruments of choice, guembri Hajhouj (bass of the Gnawas of Morocco) and duduk (Doudouk,double-reed Armenian oboe).
Also during the 1990s, Malherbe kept touring with Classic Gong, in both Europe and the USA. He finally left the band in 1999, but continued to appear occasionally as a guest-star, both on stage Subterranea DVD and on records Zero To Infinity and 2032.
He also toured and recorded with Brigitte Fontaine Cd Palaces and with acoustic guitarist Pierre Bensusan Live at the New Morning CD in 1997.
In 1999, the Malherbe/Ehrlich duo was joined by American percussionist Steve Shehan and released the album Shamanimal as Hadouk Trio. Helped by excellent critical reception, the trio appeared at major festivals such as Nancy Jazz Pulsations. In 2001 his mastery of the duduk also led for an invitation by Djivan Gasparyan to appear at the international duduk festival in Armenia, then in Moscow and St Petersburg.
That same year, he published a book of sonnets on reeds, L'Anche des Métamorphoses, which he later turned into a solo show, mixing poetry reading and musical interludes.
In 2003 the second Hadouk Trio CD, Now, saw the light of day. The trio appeared at the San Sebastián festival, at Jazz Sous Les Pommiers, and released two live documents, the double CD Live à FIP (2004) and the DVD Live au Satellit Café (2005), which began a long-term partnership with (Naïve Records)
The release of the trio's third studio CD Utopies (2006) coincided with an appearance at the Gong Unconvention in Amsterdam, a festival which peaked with the reunion of Gong's 1970s line-up. Two concerts at Paris' Cabaret Sauvage in May 2007 were documented on the live CD/DVD Baldamore. A few days later, Hadouk Trio received the "year's best band" award at the Victoires du Jazz ceremony.
The trio's final release, Air Hadouk, came out in 2010. It was followed by tours in Great Britain and India, and an appearance at the Paris Jazz Festival. In 2013, Naive reissued the first 4 Hadouk Trio CDs as a box set, which coincided with a concert at the legendary Salle Gaveau on 2 February.
In 2010 he formed a duo with guitarist Éric Löhrer, releasing the double-CD Nuit d'Ombrelle the following year, which mixed jazz standards on duduk and improvisations, arranged as a continuous suite.
Since 2012 he has been playing with classical pianist Jean-François Zygel, appearing on his TV programme La Boite a Musique France 2 and performing live as a trio with percussionist Joel Grare under the title A World Tour In 80 Minutes.
In May 2013, Malherbe and Loy Ehrlich opened a new chapter in the Hadouk saga on the occasion of a residency at the club Le Triton, this time in quartet with Éric Löhrer on guitar and Jean-Luc Di Fraya on percussion and vocals. The quartet released their début CD, Hadoukly Yours on the Naïve Records. He added two Chinese wind instruments: Bawu and Hulusi. March 2017, release of a new CD "Le Cinquieme Fruit" on Naïve label.
February 2018, publication of a second book of sonnets "Escapade en Facilie" publisher Le Castor Astral.
October 2018 concerts in Taiwan " Round about Duduk " for the festival ASIA-PACIFIC traditional Art.
Didier Malherbe has published two books of sonnets: L'Anche des Métamorphoses, reissued by Buissonnières, and Escapade en Facilie.
With his favorite instruments the saxophone, the Bawuflute and the Chinese Hulusi, the alto clarinet, the ocarina, the Laotian khên, the Ukrainian sopilka, the Moldavian pipe, the "drum tops17" the Armenian duduk, he created a show slam poetry alternating with music performed at the RAMI Festival, the National Stage in Orléans, at the Triton , at the Nanterre Conservatory, at the Baud Media Library, at the Poetry Market in Paris, at the Esprit Frappeur (Lausanne, at the Domaine de Chamarande Lardy (with La Tribu au Sud du Nord, a band made up of big names in French jazz).
2020 - Accompanies the poet Zeno Bianu to the Roman Museum in Vienna for the presentation of his book on Chet Baker. On the radio, France Musique broadcast "Ocora Couleurs du Monde" public recording, solo poetry and music. Participates in the recording of the CD of the group Alula "Heliotropics"
2022 - Concert/Exhibition by Yochk'o Seffer Paris, with Nara Noïan l'An Vert Liège, Duo with Philippe Laccarrière, Duo with Yaping Wang
Hadouk Duo with Loy Ehrlich the Hadouk adventure,Trio then Quartet, started with a Duet! Here it is again !
Gong are a psychedelic rock band that incorporates elements of jazz and space rock into their musical style. The group was formed in Paris in 1967 by Australian musician Daevid Allen and English vocalist Gilli Smyth. Band members have included Didier Malherbe, Pip Pyle, Steve Hillage, Mike Howlett, Tim Blake, Pierre Moerlen, Bill Laswell and Theo Travis. Others who have played on stage with Gong include Don Cherry, Chris Cutler, Bill Bruford, Brian Davison, Dave Stewart and Tatsuya Yoshida.
Gazeuse! is the seventh album released under the name Gong and the de facto debut album by Pierre Moerlen's Gong. It was released in late 1976. The title was changed to Expresso for the U.S. release.
Downwind is the third album by Pierre Moerlen's Gong, although it was the first to be released under that name, the previous two having been released as Gong albums for contractual reasons. It was released in February 1979.
Short Wave Live is the only album by Short Wave, a UK band related to the Canterbury Scene, consisting of Hugh Hopper (bass), Didier Malherbe (sax), Phil Miller (guitar) and Pip Pyle (drums).
Gong est Mort, Vive Gong is a double live album by the progressive rock group Gong, recorded on 28 May 1977 at the Hippodrome, Paris, France, and originally released in 1977 as a double LP by Tapioca Records, France.
Theo Travis is a British saxophonist, flautist and composer. He is a member of Soft Machine which he joined in 2006 while the group was still using the "Legacy" suffix and was a member of Gong from 1999 to 2010.
Camembert Electrique is the second studio album by the progressive rock band Gong, recorded and originally released in 1971 on the French BYG Actuel label. The album was recorded at Château d'Hérouville near Paris, France, produced by Pierre Lattès and engineered by Gilles Salle. Jean Karakos was executive producer.
You is the fifth studio album by the progressive rock band Gong, released by Virgin Records in October 1974. It is the last album by Daevid Allen's iteration of the group until 1992's Shapeshifter. Recorded at Virgin's Manor Studios in Oxfordshire, England, side 1 was mixed at Pye Studios, Marble Arch, London, while side 2 was mixed at The Manor. It was produced by Simon Heyworth and Gong "under the universal influence of C.O.I.T., the Compagnie d'Opera Invisible de Thibet", and also engineered by Heyworth.
Flying Teapot is the third studio album by the progressive rock band Gong, originally released by Virgin Records in May 1973. It was the second entry in the Virgin catalogue (V2002) and was released on the same day as the first, Mike Oldfield's Tubular Bells (V2001). It was re-issued in 1977, with different cover art, by BYG Actuel in France and Japan. Recorded at Virgin's Manor Studios, in Oxfordshire, England, it was produced by Giorgio Gomelsky and engineered by "Simon Sandwitch 2 aided by Tom Zen".
Greasy Truckers Live at Dingwalls Dance Hall is a 1973 live double album by various artists recorded at an October 1973 Greasy Truckers concert at the Dingwalls Dance Hall at Camden Lock in Camden Town, London. The concert featured four bands, Camel, Henry Cow, Global Village Trucking Company and Gong, and was recorded with Virgin Records' "Manor Mobile" recording truck.
Clearlight is a French progressive rock band formed in 1973, although their best known work was produced in England and released by a major British record company. While progressive rock is an appropriate overall genre for the band, much of their work delves into other genres including psychedelic music, jam band music, symphonic rock, space rock, jazz fusion, and new-age music.
Clearlight Symphony is a progressive rock album released in 1975 on Virgin Records in the UK. It is the first in a series of albums by a project led by pianist Cyrille Verdeaux with the participation of other musicians, including in this case three members of Gong on one side, and two other French musicians, Artman and Christian Boulé on the other.
Fish Rising is the debut solo album by English progressive rock musician Steve Hillage, released by Virgin Records in April 1975. It was recorded just prior to Hillage's departure from the band Gong.
Visions is a progressive rock album by Clearlight, released in 1978 on Celluloid / LTM Records in France.
Magick Brother is the debut studio album by the progressive rock band Gong, recorded in Paris during September and October 1969 and released in March 1970 on the French BYG Actuel label.
2032 is the twelfth studio album by Gong and the ninth album by the Daevid Allen version of the group, released on 21 September 2009.
Christopher David "Daevid" Allen was an Australian musician. He was co-founder of the psychedelic rock groups Soft Machine and Gong.
Patrice Meyer is a French electric guitarist active in Jazz, Jazz rock, Progressive rock and Canterbury scene bands.
Sophia Domancich is a French pianist and jazz composer.