Sidney Poitier was a Bahamian and American actor, film director, and diplomat. In 1964, he was the first Black actor and first Bahamian to win the Academy Award for Best Actor. He received two competitive Golden Globe Awards, a BAFTA Award, and a Grammy Award as well as nominations for two Emmy Awards and a Tony Award. In 1999, he was ranked among the "American Film Institute's 100 Stars". Poitier was one of the last surviving stars from the Golden Age of Hollywood cinema.
The Defiant Ones is a 1958 American drama film which tells the story of two escaped prisoners, one white and one black, who are shackled together and who must co-operate in order to survive. It stars Tony Curtis and Sidney Poitier.
Harry Belafonte was an American singer, actor, and civil rights activist who popularized calypso music with international audiences in the 1950s and 1960s. Belafonte's career breakthrough album Calypso (1956) was the first million-selling LP by a single artist.
The Magical Negro is a trope in American cinema, television, and literature. In the cinema of the United States, the Magical Negro is a supporting stock character who comes to the aid of white protagonists in a film. Magical Negro characters, often possessing special insight or mystical powers, have long been a tradition in American fiction. The old-fashioned word "Negro" is used to imply that a "magical black character" who devotes himself to selflessly helping whites is a throwback to racist stereotypes such as the "Sambo" or "noble savage".
Raiford Chatman "Ossie" Davis was an American actor, director, writer, and activist. He was married to Ruby Dee, with whom he frequently performed, until his death. He received numerous accolades including a Grammy Award and a Writers Guild of America Award as well as nominations for five Emmy Awards, a Golden Globe Award, and Tony Award. Davis was inducted into the American Theater Hall of Fame in 1994 and received the National Medal of Arts in 1995, Kennedy Center Honors in 2004
Ruby Dee was an American actress, poet, playwright, screenwriter, journalist, and civil rights activist. Dee was married to Ossie Davis, with whom she frequently performed until his death in 2005. She received numerous accolades including two Emmy Awards, a Grammy Award, a Obie Award and a Drama Desk Award as well as nominations for an Academy Award. She was honored with the National Medal of Arts in 1995, the Screen Actors Guild Life Achievement Award in 2000, and the Kennedy Center Honors in 2004.
I'm Gonna Git You Sucka is a 1988 American blaxploitation parody film written, directed by and starring Keenen Ivory Wayans in his directorial debut. Featured in the film are several noteworthy African-American actors who were part of the genre of blaxploitation: Jim Brown, Bernie Casey, Antonio Fargas and Isaac Hayes. It co-stars John Vernon, Kadeem Hardison, Ja'net Dubois, John Witherspoon, Damon Wayans, Clarence Williams III and Chris Rock, and acts as the film debuts of comedian Robin Harris and brothers Shawn and Marlon Wayans.
Porgy and Bess is a 1959 American musical drama film directed by Otto Preminger, and starring Sidney Poitier and Dorothy Dandridge in the titular roles. It is based on the 1935 opera Porgy and Bess by George Gershwin, DuBose Heyward and Ira Gershwin, in turn based on Heyward's 1925 novel Porgy, as well as Heyward's subsequent 1927 non-musical stage adaptation, co-written with his wife Dorothy. The film's screenplay, which turned the operatic recitatives into spoken dialogue, was very closely based on the opera and was written by N. Richard Nash. In 2011, the film was chosen for inclusion in the National Film Registry of the Library of Congress.
Uptown Saturday Night is a 1974 American action comedy and crime comedy film, written by Richard Wesley and directed by and starring Sidney Poitier, with Bill Cosby and Harry Belafonte co-starring. Cosby and Poitier teamed up again for Let's Do It Again (1975) and A Piece of the Action (1977). Although Cosby's and Poitier's characters have different names in each film, the three films are considered to be a trilogy. Uptown Saturday Night premiered on June 15, 1974 at the Criterion Theatre in New York and opened to positive reviews.
The American Negro Theatre (ANT) was co-founded on June 5, 1940 by playwright Abram Hill and actor Frederick O'Neal. Determined to build a "people's theatre", they were inspired by the Federal Theatre Project's Negro Unit in Harlem and by W. E. B. Du Bois' "four fundamental principles" of Black drama: that it should be by, about, for, and near African Americans.
The race film or race movie was a genre of film produced in the United States between about 1915 and the early 1950s, consisting of films produced for black audiences, and featuring black casts. Approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they were largely forgotten by mainstream film historians until they resurfaced in the 1980s on the BET cable network. In their day, race films were very popular among African-American theatergoers. Their influence continues to be felt in cinema and television marketed to African-Americans.
Dr. Black, Mr. Hyde is a 1976 blaxploitation horror film loosely inspired by the 1886 novella Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. The film stars Bernie Casey and Rosalind Cash, and was directed by William Crain. Along with Crain, and it was written by Larry LeBron and Lawrence Woolner with cinematography by Tak Fujimoto. It was filmed primarily in Los Angeles, at locations such as the Watts Towers.
Exodusters was a name given to African Americans who migrated from states along the Mississippi River to Kansas in the late nineteenth century, as part of the Exoduster Movement or Exodus of 1879. It was the first general migration of black people following the Civil War.
Let's Do It Again is a 1975 American action crime comedy film, starring Sidney Poitier and co-starring Bill Cosby and Jimmie Walker among an all-star black cast. The film, directed by Poitier, is about blue-collar workers who decide to rig a boxing match to raise money for their fraternal lodge. The song of the same name by The Staple Singers was featured as the opening and ending theme of the film, and as a result, the two have become commonly associated with each other. The production companies include Verdon Productions and The First Artists Production Company, Ltd., and distributed by Warner Bros. The movie was filmed in two cities, Atlanta, Georgia and New Orleans, Louisiana, where most of the plot takes place. This was the second film pairing of Poitier and Cosby following Uptown Saturday Night, and followed by A Piece of the Action (1977). Of the three, Let's Do It Again has been the most successful both critically and commercially. Calvin Lockhart and Lee Chamberlin also appeared in Uptown Saturday Night. According to the American Film Institute, Let's Do It Again is not a sequel to Uptown Saturday Night.
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s, when the combined momentum of the civil rights movement, the Black power movement, and the Black Panthers spurred black artists to reclaim power over their image, and institutions like UCLA to provide financial assistance for students of color to study filmmaking. This combined with Hollywood adopting a less restrictive rating system in 1968. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. After the race films of the 1940s and 1960s, the genre emerged as one of the first in which black characters and communities were protagonists, rather than sidekicks, supportive characters, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
Blaxploitation horror films are a genre of horror films involving mostly black actors. In 1972 director William Crain did the first blaxploitation horror film, Blacula.
Imaging Blackness is the complex concept of expressing, recognizing, or assigning specific sets of ideas or values used in the depiction of blacks. This depiction can be shown through various forms of media: film, television, literature. More specifically in film, the portrayal of blacks has been imaged and captured throughout history.
Philip Powers is a record producer - and author - specialising in film scores and classical music. His recordings have been nominated for five ARIA Awards. He has produced 34 CDs for the 1M1 Records label including The Lighthorsemen and The Coolangatta Gold. He has also produced or executive produced more than 50 CDs for the Sydney Symphony Orchestra on Sydney Symphony Live and other labels. A number of these have been with the conductor Vladimir Ashkenazy as well as two CDs with the conductor Gianluigi Gelmetti. Another CD featured Vladimir Ashkenazy as pianist playing rare Rachmaninov works. He was supervising producer of Sir Charles Mackerras, a double CD featuring famous Czech repertoire and Richard Strauss' Also sprach Zarathustra conducted by Sir Charles Mackerras.
I Am Not Sidney Poitier (2009) is a novel by American writer Percival Everett. Originally published by Graywolf Press, in 2020, it was published by Influx Press in the UK. It explores the tumultuous life of a character named Not Sidney Poitier as the social hierarchy scrambles to balance his skin color with his wealth.
African American cinema is loosely classified as films made by, for, or about Black Americans. Historically, African American films have been made with African-American casts and marketed to African-American audiences. The production team and director were sometimes also African American. More recently, Black films featuring multicultural casts aimed at multicultural audiences have also included American Blackness as an essential aspect of the storyline.
