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Haile Selassie I was Emperor of Ethiopia from 1930 to 1974. He rose to power as Regent Plenipotentiary of Ethiopia (Enderase) for Empress Zewditu from 1916 until 1930. Haile Selassie is widely considered a defining figure in modern Ethiopian history, and the major figure of Rastafari, a religious movement in Jamaica that emerged shortly after he became emperor in the 1930s. Before he rose to power he defeated Ras Gugsa Welle Bitul of Begemder at the Battle of Anchem in 1928. He was a member of the Solomonic dynasty, which claims to trace lineage to Emperor Menelik I, a legendary figure believed by the claimants to be the son of King Solomon and the Queen of Sheba, who they name as Makeda.
The celesta or celeste, also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano, albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovsky's "Dance of the Sugar Plum Fairy" from The Nutcracker.
Knute Rockne, All American is a 1940 American biographical film that tells the story of Knute Rockne, Notre Dame's legendary football coach. It stars Pat O'Brien as Rockne and Ronald Reagan as player George Gipp, as well as Gale Page, Donald Crisp, Albert Bassermann, Owen Davis Jr., Nick Lukats, Kane Richmond, William Marshall and William Byrne. The film also includes cameos by legendary football coaches "Pop" Warner, Amos Alonzo Stagg, William H. Spaulding and Howard Jones, playing themselves.
The Land Beyond the Sunset is a 1912 short, silent drama film which tells the story of a young boy, oppressed by his grandmother, who goes on an outing in the country with a social welfare group. It stars Martin Fuller, Mrs. William Bechtel, Walter Edwin and Bigelow Cooper. Produced by Edison Studios in collaboration with the Fresh Air Fund, the screenplay was written by Dorothy G. Shore and directed by Harold M. Shaw.
Charles Burnett is an American film director, film producer, writer, editor, actor, photographer, and cinematographer. His most popular films include Killer of Sheep (1978), My Brother's Wedding (1983), To Sleep with Anger (1990), The Glass Shield (1994), and Namibia: The Struggle for Liberation (2007). He has been involved in other types of motion pictures including shorts, documentaries, and a TV series.
Haile Gerima is an Ethiopian filmmaker who lives and works in the United States. He is a leading member of the L.A. Rebellion film movement, also known as the Los Angeles School of Black Filmmakers. Since 1975, Haile has been a film professor at Howard University in Washington, D.C. He is best known for Sankofa (1993), which won two awards.
Hood film is a 1990s film genre originating in the United States, which features aspects of urban African American or Hispanic American culture. John Singleton, Mario Van Peebles, F. Gary Gray, Hughes Brothers, and Spike Lee are all directors who have created work typically classified as part of this genre. The genre has been identified as a sub-genre of the gangster film genre.
Sankofa is a 1993 Ethiopian-produced drama film directed by Haile Gerima centered on the Atlantic slave trade. The storyline features Oyafunmike Ogunlano, Kofi Ghanaba, Mutabaruka, Alexandra Duah, and Afemo Omilami. The word Sankofa derives its meaning from the Ghanaian Akan language which means to "go back, look for, and gain wisdom, power and hope," according to Dr. Anna Julia Cooper. The word Sankofa stresses the importance of one not drifting too far away from one's past in order to progress in the future. In the film, Sankofa is depicted by a bird and the chants and drumming of a Divine Drummer. Gerima's film showed the importance of not having people of African descent drift far away from their African roots. Gerima used the journey of the character Mona to show how the African perception of identity included recognizing one's roots and "returning to one’s source" (Gerima).
Dance, Girl, Dance is a 1940 American comedy-drama film directed by Dorothy Arzner and starring Maureen O'Hara, Louis Hayward, Lucille Ball, and Ralph Bellamy. The film follows two dancers who strive to preserve their own integrity while fighting for their place in the spotlight and for the affections of a wealthy young suitor.
Wild Boys of the Road is a 1933 pre-Code Depression-era American drama film directed by William Wellman and starring Frankie Darro, Rochelle Hudson, and Grant Mitchell. It tells the story of several teens forced into becoming hobos. The screenplay by Earl Baldwin is based on the story Desperate Youth by Daniel Ahern. In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Carmen de Lavallade is an American actress, choreographer and dancer.
Teza is a 140 minutes 2008 Ethiopian drama film about the Derg period in Ethiopia. Teza won the top award at the 2009 Panafrican Film and Television Festival of Ouagadougou. The film was directed and written by Haile Gerima.
Zeinabu irene Davis is an American filmmaker and professor in the Department of Communication at the University of California, San Diego. In 1985, she received her M.A in African studies at UCLA and went on to earn her M.F.A in Film and Television production in 1989. Davis is known as one of the graduates and filmmakers of the L.A. Rebellion. The L.A. Rebellion refers to the first African-American students who studied film at UCLA. Through their collective efforts, they sought to put an end to the prejudices of Hollywood by creating experimental and unconventional films. The main goal of these films was to create original Black stories and bring them to the main screens. Her works in film include short narratives, documentaries and experimental films that focus heavily on the African American female perspective.
Margot Grimmer rose to prominence as a dancer in several companies, including the Lyric Opera Ballet, the Ruth Page International Ballet, the New York City Ballet, and the Ballet Russe de Monte Carlo. She studied ballet as a child in Chicago, and was among 50 from 3,000 applicants selected for the children’s ensemble of the New York City Ballet’s Chicago production of George Balanchine’s Nutcracker at the Opera House. At age 14, she danced professionally in Broadway musicals at the Kansas City Starlight Theatre and continued at the St. Louis Municipal Theatre and Music Theater in Highland Park. After high school, Grimmer’s career flourished. In 1962, she appeared with Ruth Page’s Chicago Opera Ballet in the American debut of Russian defector superstar Rudolf Nureyev at the Brooklyn Academy of Music. In 1965, she danced a principal role in the Lyric Opera of Chicago’s production of Carmina Burana at the Opera House. From 1965-1968, she performed in the International Ballet’s Nutcracker, starring Erik Bruhn, Carla Fracci, Henning Kronstam and Kirsten Simone, at McCormick Place and the Opera House. From 1965-1968, she gave lecture-demonstration performances in ballet and modern dance, under a federal grant from the National Endowment for Arts, for the War On Poverty’s Cultural Enrichment program in Chicago’s inner city schools. In 1967, she was featured in the experimental dance movie Statics, which won awards in cinematography and art direction at International Film Festivals. On off-seasons, she attended Northwestern University, majoring in acting and English Literature.
Humoresque is a 1920 American silent drama film produced by Cosmopolitan Productions, released by Famous Players–Lasky and Paramount Pictures, and was directed by Frank Borzage from a 1919 short story by Fannie Hurst and script or scenario by Frances Marion. It follows the childhood and going to war of an immigrant family Lower East Side violinist.
The L.A. Rebellion film movement, sometimes referred to as the "Los Angeles School of Black Filmmakers", or the UCLA Rebellion, refers to the new generation of young African and African-American filmmakers who studied at the UCLA Film School in the late-1960s to the late-1980s and have created a black cinema that provides an alternative to classical Hollywood cinema.
Billy Woodberry is one of the leading directors of the L.A. Rebellion. He is best known for directing the 1984 feature film, Bless Their Little Hearts (1984), which was honored at the Berlin International Film Festival.
Alile Sharon Larkin is an American film producer, writer and director. She is associated with the L.A. Rebellion, which is said to have "collectively imagined and created a Black cinema against the conventions of Hollywood and Blaxploitation film." Larkin is considered to be part of the second wave of these revolutionary black filmmakers, along with Julie Dash and Billy Woodberry. Larkin also co-founded the Black Filmmakers Collective.
Barbara Olivia Jones, also known as Barbarao, Barbara-O, and Barbara O., was an American actress from Ohio best known for her work in the films of the L.A. Rebellion movement of 1970s black filmmakers, starring in films by Haile Gerima and Julie Dash. She also appeared on television alongside Muhammad Ali in Freedom Road and had smaller roles in other films including Demon Seed and on television.
Carroll Parrott Blue was an American filmmaker, director and author. Based in Houston, Texas, she was part of the L.A. Rebellion film movement. She was noted for her documentary film and interactive multimedia works, particularly for her project The Dawn at My Back: Memoir of a Black Texas Upbringing. Blue was a research professor at the University of Houston. She worked to preserve and celebrate the history of the African American community in Houston.
References
- ↑ Haile Gerima|UCLA Film & Television Archive
- ↑ Film: 'Bush Mama' Tells Story of a Coast Ghetto:Hartford Ballet to Offer Chilean 'Carmina Burana' - The New York Times
- ↑ Killer of Sheep|The Seventh Art
- ↑ Tony Safford and William Triplett, "Haile Gerima: Radical Departures to a New Black Cinema". Journal of the University Film and Video Association, Vol. 35, No. 2, INDEPENDENT AMERICAN NARRATIVE FILMMAKING (Spring 1983), pp. 59-65
- ↑ Film: 'Bush Mama' Tells Story of a Coast Ghetto:Hartford Ballet to Offer Chilean 'Carmina Burana' - The New York Times
- ↑ Carrie, Titicut Follies, Tongues United, Pariah & More Added to National Film Registry|The Film Stage
- ↑ 2022 National Film Registry Announcement - Library of Congress on YouTube