Plot
In a small rural village with an African American population, a church group is holding a riverside baptismal service, and one of the faithful being immersed is the recently married Martha (Cathryn Caviness). However, Martha's husband Ras (Spencer Williams) is absent from the service – he claims he was hunting, but he actually poached a neighbor's boar. At home, Ras accidentally shoots Martha when his rifle drops on the floor and discharges. The church congregation gathers at Martha's bedside to pray for her recovery, and during this period an angel (Rogenia Goldthwaite) arrives to take Martha's spirit from her body. She is brought to the Crossroads between Heaven and Hell, and initially she is tempted by the slick Judas Green (Frank H. McClennan), who is an agent for Satan (James B. Jones). Judas takes Martha to a nightclub, where the floor show includes an acrobat and a jazz singer. Judas arranges to have Martha employed by the roadhouse owner Rufus Brown, but the angel returns and advises Martha to flee. As she is escaping, a nightclub patron mistakenly believes Martha is a pickpocket who robbed him. A chase ensues and Martha races back to the Crossroads between Hell and Zion, where Satan (along with a jazz band on a flatbed truck) is waiting for her arrival. The voice of Jesus Christ challenges the mob who go away. The sign at the Crossroad is transformed into the vision of Jesus Christ being crucified, and Christ's blood drips down on Martha's face. She awakens to discover she is home and her health is restored. Martha is reunited with her husband, who has now embraced religion. The angel who took Martha on her journey returns to bless the marriage. [5] [6] [7]
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Alfred N. Sack was an American businessperson, newspaper publisher and the proprietor of film distribution, production, and the theater-owning business Sack Amusements in the United States.. He collaborated with Spencer Williams to make films with Black casts. Sack Amusement Enterprises was the leading distributor of this type of film between 1920 and 1950.
Hot Biskits was an independent comedy short film released in 1931. It was written and directed by Spencer Williams and was his first film. Glen Gano was the cinematographer. The 10-minute race film was a made by Dixie Comedies Corp. of Hollywood, California. A 16mm print of the film is preserved at the Library of Congress. The film portrays a miniature golf competition between two rivals. The film was rediscovered in the Library of Congress Archives after 80 years. The film's cast is all African-American. Williams' next film, The Blood of Jesus, was made 10 years later.
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Juke: Passages from the Films of Spencer Williams is a 2015 documentary film by film essayist Thom Andersen featuring selected excerpts from the films of African American director Spencer Williams Jr.
