4 Little Girls | |
---|---|
Directed by | Spike Lee |
Produced by | Spike Lee Sam Pollard Daphne A McWilliams |
Cinematography | Ellen Kuras |
Edited by | Sam Pollard |
Music by | Terence Blanchard |
Production companies | |
Distributed by | HBO |
Release dates |
|
Running time | 102 minutes |
Country | United States |
Language | English |
Budget | $1,000,000 [1] |
Box office | $130,146 (U.S. sub-total) |
4 Little Girls is a 1997 American historical documentary film about the murder of four African-American girls (Addie Mae Collins, Carol Denise McNair, Cynthia Wesley, Carole Rosamond Robertson) in the 16th Street Baptist Church bombing in Birmingham, Alabama on September 15, 1963. The film was directed by Spike Lee and nominated for an Academy Award for Best Documentary. [2]
The events inspired the 1964 song "Birmingham Sunday" by Richard and Mimi Fariña, which was used in the opening sequence of the film, as sung by Joan Baez, Mimi's sister. They also inspired the 1963 tune "Alabama" by John Coltrane, which is also included in the soundtrack.
4 Little Girls premiered on June 25, 1997, at the Guild 50th Street Theatre in New York City. It was produced by Lee's production company, 40 Acres and a Mule Filmworks, and Home Box Office (HBO). [3]
In 2017, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [4]
A local chapter of the Ku Klux Klan placed bombs at the 16th Street Baptist Church and set them off as Sunday services prepared to commence on the morning of September 15, 1963. Four young girls, ranging in age from 11 to 14, were killed in the explosion, which also caused anywhere between 14 and 22 additional injuries. The deaths provoked national outrage, and, the following summer, the United States Congress passed the Civil Rights Act of 1964, which was signed by President Lyndon B. Johnson. The bombing is marked in history as a critical and pivotal moment in the Civil Rights Movement.
The film covered the events in Birmingham, Alabama, in 1963 related to civil rights demonstrations and the movement to end racial discrimination in local stores and facilities. In 1963, Rev. Dr. Martin Luther King Jr.arrived in the town to help with their strategy and to speak at the funeral of the four young girls. People of the community met at the 16th Street Baptist Church while organizing their events. The demonstrations were covered by national media, and the use by police of police dogs and pressured water from hoses on young people shocked the nation. The large number of demonstrators who were arrested resulted in local jails filling capacity.
The film ends with the trial and conviction in 1977 of Robert Edward Chambliss, also known as Dynamite Bob, as the main person responsible for the bombing, though he is said to have been only one of four Klan members involved. The film also references black churches being set on fire in Birmingham in 1993, giving the impression that, while progress has been made, there are some things that still have not changed.
Lee uses interviews with family and friends of the girls, government officials, and civil rights activists, as well as home movies and archival footage, to not only tell the story of the four girls' lives but also to provide a greater historical and political context of the times. [5] [6]
Lee first became interested in making a film about the Birmingham bombing in 1983, when he was a student at New York University. After reading a New York Times Magazine article about the incident, he was moved to write to Chris McNair, the father of Denise, one of the victims, to ask for permission to tell her story on film. McNair turned down the young, aspiring filmmaker. [1] "I was entering my first semester at N.Y.U. So my skills as a filmmaker were nonexistent, and at that time, Chris McNair was still hesitant to talk about it," Lee said in a 1997 interview with Industry Central's The Director's Chair. "I believe timing is everything. So it took ten years of Chris thinking about this and ten years of myself making movies for this to come together." [7]
According to McNair, he changed his mind about supporting Lee's film idea due to learning about the depth and precision of Lee's research. McNair said, "[I]t's very important that this be done accurately and correctly. In all his research, he [Lee] showed that he was objective and seeking a broad section of opinion. I'm a stickler for the facts." [3]
At first, Lee had intended to create a dramatic reproduction of the incident, but eventually, he decided that would not be the best approach, and the project became a documentary. [1] Once he secured funding, he went to Birmingham with a small skeleton film crew, as he wanted the families to be as comfortable as possible during the interviews. Sam Pollard served as a producer and the editor and Ellen Kuras was the director of photography of the film.
Lee had developed a relationship with Kuras while working on an HBO project called Subway Stories , which was an anthology of short films compiled by Jonathan Demme (though Lee's film did not make the final cut due, in part, to conflict between him and Demme). [8] Kuras said of her desire to shoot 4 Little Girls, "I was really interested because my background is in political documentaries ... I always felt that one of the reasons that I had got into filmmaking was that I wanted to use my craft to be able to say something about the human condition, however I could, in my own humble way. For me this was an opportunity to make a small contribution." [8]
Lee's partnership with Sam Pollard had begun on Mo' Better Blues when Pollard was recommended to replace Barry Alexander Brown, who was unavailable because he was directing his own film, as editor. Pollard originally refused the overture because he was busy working on his segments of Eyes on the Prize , but ultimately, he accepted, and he has since become one of Lee's most frequent collaborators. Their first few films together were fiction, but Pollard's background was in documentary, and he was key to guiding the structure of 4 Little Girls. He said about his role:
Basically it was to help with the conception of the structure, to edit it ... We spent a lot of time screening dailies together. We could come to 40 Acres at 7:00 a.m., and we would spend three hours a day screening dailies for two weeks straight ... We talked, selected all the material that we liked, and I started working on the structure in the editing room. Spike was asking if he needed narration and what the structure should be. I basically said the structure should be that there are parallels—the family, the history of the community—and then they come together on the explosion. [8]
The film was nominated for an Academy Award for Best Documentary Feature. [2] [9] On Rotten Tomatoes, it holds an approval rating of 100% based on 27 reviews, with an average rating of 8.42/10. The website's critical consensus reads: "4 Little Girls finds Spike Lee moving into documentary filmmaking with his signature style intact -- and all the palpable fury the subject requires." [10]
It was initially planned for the film to first be seen by the public when it was aired on HBO, but, after seeing the final product, the production team decided it was important to release the film in theaters before running it on television. [3] Accordingly, 4 Little Girls opened in American theaters on July 9, 1997, and closed on October 2, 1997. It grossed $130,146 from a total of four theaters. In its opening weekend, it earned $13,528 from a single theater, which was 10.4% of its total gross. [11] It cost approximately $1 million to make, funded by HBO. [1]
Shelton Jackson "Spike" Lee is an American film director, producer, screenwriter, actor, and author. His work has continually explored race relations, issues within the black community, the role of media in contemporary life, urban crime and poverty, and other political issues. Lee has won numerous accolades for his work, including an Academy Award, two Primetime Emmy Awards, a BAFTA Award, and two Peabody Awards. He has also been honored with an Honorary BAFTA Award in 2002, an Honorary César in 2003, and the Academy Honorary Award in 2015.
Malcolm X is a 1992 American epic biographical drama film about the African-American activist Malcolm X. Directed and co-written by Spike Lee, the film stars Denzel Washington in the title role, as well as Angela Bassett, Albert Hall, Al Freeman Jr., and Delroy Lindo. Lee has a supporting role, while Black Panther Party co-founder Bobby Seale, the Rev. Al Sharpton, and future South African president Nelson Mandela make cameo appearances. It is the second of four film collaborations between Washington and Lee.
The 16th Street Baptist Church bombing was a terrorist bombing of the 16th Street Baptist Church in Birmingham, Alabama on September 15, 1963. The bombing was committed by a white supremacist terrorist group. Four members of a local Ku Klux Klan (KKK) chapter planted 19 sticks of dynamite attached to a timing device beneath the steps located on the east side of the church.
Theophilus Eugene "Bull" Connor was an American politician who served as Commissioner of Public Safety for the city of Birmingham, Alabama, for more than two decades. A member of the Democratic Party, he strongly opposed the Civil Rights Movement in the 1960s. Under the city commission government, Connor had responsibility for administrative oversight of the Birmingham Fire Department and the Birmingham Police Department, which also had their own chiefs.
Raiford Chatman "Ossie" Davis was an American actor, director, writer, and activist. He was married to Ruby Dee, with whom he frequently performed, until his death. He received numerous accolades including a Grammy Award and a Writers Guild of America Award as well as nominations for five Emmy Awards, a Golden Globe Award, and Tony Award. Davis was inducted into the American Theater Hall of Fame in 1994 and received the National Medal of Arts in 1995, Kennedy Center Honors in 2004
Kelly Ingram Park, formerly West Park, is a 4 acres (1.6 ha) park located in Birmingham, Alabama. It is bounded by 16th and 17th Streets and 5th and 6th Avenues North in the Birmingham Civil Rights District. The park, just outside the doors of the 16th Street Baptist Church, served as a central staging ground for large-scale demonstrations during the American Civil Rights Movement of the 1960s.
Joan Baez/5 is the fifth solo album and third studio album by American folk singer Joan Baez, released in October 1964. It peaked at number 12 on the Billboard 200 chart. The single "There But for Fortune" reached number 50 on the Billboard Hot 100 in the U.S. and became a top-ten single in the UK.
The Birmingham campaign, also known as the Birmingham movement or Birmingham confrontation, was an American movement organized in early 1963 by the Southern Christian Leadership Conference (SCLC) to bring attention to the integration efforts of African Americans in Birmingham, Alabama.
The 16th Street Baptist Church is a Baptist church in Birmingham, Alabama, United States. In 1963, the church was bombed by Ku Klux Klan members. The bombing killed four young girls in the midst of the Civil Rights Movement. The church is still in operation and is a central landmark in the Birmingham Civil Rights District. It was designated as a National Historic Landmark in 2006. Since 2008, it has also been on the UNESCO list of tentative World Heritage Sites.
The Children's Crusade, or Children's March, was a march by over 1,000 school students in Birmingham, Alabama on May 2–10, 1963. Initiated and organized by Rev. James Bevel, the purpose of the march was to walk downtown to talk to the mayor about segregation in their city. Many children left their schools and were arrested, set free, and then arrested again the next day. The marches were stopped by the head of police, Bull Connor, who brought fire hoses to ward off the children and set police dogs after the children. This event compelled President John F. Kennedy to publicly support federal civil rights legislation and eventually led to the passage of the Civil Rights Act of 1964.
Bombingham is a nickname for Birmingham, Alabama during the Civil Rights Movement due to the 50 dynamite explosions that occurred in the city between 1947 and 1965. The bombings were initially used against African Americans attempting to move into neighborhoods with entirely white residents. Later, the bombings were used against anyone working towards racial desegregation in the city. One neighborhood within Birmingham experienced so many bombings it developed the nickname of Dynamite Hill.
The Watsons Go to Birmingham – 1963 is a historical-fiction novel by Christopher Paul Curtis. First published in 1995 by Delacorte Press, it was reprinted in 1997. It tells the story of the Watsons, a lower middle class African-American family living in Flint, Michigan in the early 1960s from the perspective of Kenny Watson, the middle child of three. The first part of the novel focuses on Kenny's struggles to make friends as a smart and thoughtful ten-year-old, then shifts in setting when his parents decide to deliver their oldest son, Byron, to live with his grandmother in Birmingham, Alabama. The family embarks on a road trip to the Deep South, and while visiting Alabama, they get caught up in a tragic historical event of the Civil Rights Movement.
When the Levees Broke: A Requiem in Four Acts is a 2006 documentary film directed by Spike Lee about the devastation of New Orleans, Louisiana following the failure of the levees during Hurricane Katrina. It was filmed in late August and early September 2005, and premiered at the New Orleans Arena on August 16, 2006 and was first aired on HBO the following week. The television premiere aired in two parts on August 21 and 22, 2006 on HBO. It has been described by Sheila Nevins, chief of HBO's documentary unit, as "one of the most important films HBO has ever made." The title is a reference to the blues tune "When the Levee Breaks" by Kansas Joe McCoy and Memphis Minnie about the Great Mississippi Flood of 1927.
"Alabama" is a musical composition by the American jazz artist John Coltrane, first recorded in 1963 by Coltrane with McCoy Tyner, Jimmy Garrison, and Elvin Jones. Two takes from that session appear on Coltrane's 1964 album Live at Birdland. It is widely believed that Coltrane conceived of and performed the composition in response to the 16th Street Baptist Church bombing on September 15, 1963—an attack by the Ku Klux Klan in Birmingham, Alabama, that killed four African-American girls: Addie Mae Collins (14), Cynthia Wesley (14), Carole Robertson (14), and Carol Denise McNair (11).
"Birmingham Sunday" is a song written by Richard Fariña and performed by both Fariña and also by his sister-in-law Joan Baez. The subject matter is the bombing of the 16th Street Baptist Church on September 15, 1963, by members of the Ku Klux Klan that killed four girls and injured 22 others. The girls were Addie Mae Collins (14), Denise McNair (11), Carole Robertson (14), and Cynthia Wesley (14). The melody of the song comes from a traditional Scottish ballad named I Once Loved a Lass.
The Birmingham riot of 1963 was a civil disorder and riot in Birmingham, Alabama, that was provoked by bombings on the night of May 11, 1963. The bombings targeted African-American leaders of the Birmingham campaign. In response, local African-Americans burned businesses and fought police throughout the downtown area.
The bill H.R. 360, which became Pub. L.Tooltip Public Law 113–11 (text)(PDF), was a bill that was introduced into the United States House of Representatives during the 113th United States Congress. The purpose of the bill, as explained in the bill's long title, was "to award posthumously a Congressional Gold Medal to Addie Mae Collins, Denise McNair, Carole Robertson, and Cynthia Wesley to commemorate the lives they lost 50 years ago in the bombing of the Sixteenth Street Baptist Church, where these 4 little Black girls' ultimate sacrifice served as a catalyst for the Civil Rights Movement." The law authorizes the creation of one Congressional Gold Medal, to be sent to the Birmingham Civil Rights Institute in Birmingham, AL for display. The Treasury Department is also authorized to create bronze copies for sale.
The history of the 1954 to 1968 American civil rights movement has been depicted and documented in film, song, theater, television, and the visual arts. These presentations add to and maintain cultural awareness and understanding of the goals, tactics, and accomplishments of the people who organized and participated in this nonviolent movement.
Johnny Robinson (1947–1963) was a young African-American teenager who, at age 16, was shot and killed by a police officer in the unrest following the 16th Street Baptist Church bombing in Birmingham, Alabama. A Birmingham police officer, Jack Parker, who was riding in the back seat of a police car, shot and killed Robinson. Parker was never indicted for the killing.
Samuel D. Pollard is an American film director, editor, producer, and screenwriter. His films have garnered numerous awards such as Peabodys, Emmys, and an Academy Award nomination. In 2020, the International Documentary Association gave him a career achievement award. Spike Lee, whose films Pollard has edited and produced, described him as being "a master filmmaker." Henry Louis Gates Jr. characterizes Pollard's work in this way: "When I think about his documentaries, they add up to a corpus — a way of telling African-American history in its various dimensions."