Hugh Ramapolo Masekela was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as "the father of South African jazz". Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as "Soweto Blues" and "Bring Him Back Home". He also had a number-one US pop hit in 1968 with his version of "Grazing in the Grass".
Abdullah Ibrahim, previously known as Dollar Brand, is a South African pianist and composer born Adolph Johannes Brand on 9 October 1934. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and Ragas, to more modern jazz and other Western styles. Ibrahim is considered the leading figure in the subgenre of Cape jazz. Within jazz, his music particularly reflects the influence of Thelonious Monk and Duke Ellington. He is known especially for "Mannenberg", a jazz piece that became a notable anti-apartheid anthem.
Zenzile Miriam Makeba, nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.
Vusi Sidney Mahlasela Ka Zwane is a Sotho South African singer-songwriter.
Toyi-toyi is a Southern African dance used in political protests in South Africa.
The Bassline live music venue and club was established in 1994 in the Melville neighborhood of Johannesburg, South Africa. The venue closed in 2003 and reopened the following year in the downtown Newtown Cultural Precinct, featuring a concert venue with a capacity of 1000 and a performing space with 150 seats. In its 24-year history, Bassline hosted over 3200 concerts featuring many emerging music acts and well-known South African, African, and global music icons.
Palm World Voices: Mandela is a DVD Box set featuring Nelson Mandela. It includes Mandela: Son of Africa, Father of a Nation DVD, as well as the Mandela Original Soundtrack CD: The Essential Music of South Africa and a 48-page book with art images, photos and an essay by British journalist Robin Denselow.
Jonas Mosa Gwangwa was a South African jazz musician, songwriter and producer. He was an important figure in South African jazz for over 40 years.
Radio Freedom also called Radio Zambia was a South African radio arm of the African National Congress (ANC) and its fighting wing Umkhonto we Sizwe (MK) during the anti-Apartheid struggle from the 1970s through the 1990s. It was the oldest liberation radio station in Africa. Listening to Radio Freedom in Apartheid-era South Africa was a crime carrying a penalty of up to eight years in prison.
Louis Mhlanga is a Zimbabwean artist based in South Africa, an award-winning guitarist and producer. Mhlanga taught himself to play the guitar at a young age and is considered one of the best Southern African guitarists.
"Weeping" is an anti-apartheid protest song written by Dan Heymann in the mid-1980s, and first recorded by Heymann and the South African group Bright Blue in 1987. The song was a pointed response to the 1985 State of Emergency declared by President P.W. Botha, which resulted in "large-scale killings of unarmed and peaceful demonstrators against racial discrimination and segregation in South Africa." Defiantly, the song incorporated part of the melody to Nkosi Sikelel' iAfrika, the anthem of the anti-apartheid African National Congress. "Nkosi Sikelel' iAfrika" was banned at the time, and inclusion of even the melody violated the law. Today, "Nkosi Sikelel' iAfrika" is part of the national anthem of South Africa. The formerly illegal lyrics—"Nkosi sikelela, thina lusapho lwayo"—are now often sung when "Weeping" is recorded or performed.
There is a wide range of ways in which people have represented apartheid in popular culture. During (1948–1994) and following the apartheid era in South Africa, apartheid has been referenced in many books, films, and other forms of art and literature.
Sarafina! is a 1992 musical drama film based on Mbongeni Ngema's 1987 musical of the same name. The film was directed by Darrell Roodt and written by Ngema Mbongeni and William Nicholson, and stars Leleti Khumalo, Miriam Makeba, John Kani, Ngema, and Whoopi Goldberg; Khumalo reprises her role from the stage performance.
"Mannenberg" is a Cape jazz song by South African musician Abdullah Ibrahim, first recorded in 1974. Driven into exile by the apartheid government, Ibrahim had been living in Europe and the United States during the 1960s and '70s, making brief visits to South Africa to record music. After a successful 1974 collaboration with producer Rashid Vally and a band that included Basil Coetzee and Robbie Jansen, Ibrahim began to record another album with these three collaborators and a backing band assembled by Coetzee. The song was recorded during a session of improvisation, and includes a saxophone solo by Coetzee, which led to him receiving the sobriquet "Manenberg".
"Soweto Blues" is a protest song written by Hugh Masekela and performed by Miriam Makeba. The song is about the Soweto uprising that occurred in 1976, following the decision by the apartheid government of South Africa to make Afrikaans a medium of instruction at school. The uprising was forcefully put down by the police, leading to the death of between 176 and 700 people. The song was released in 1977 as part of Masekela's album You Told Your Mama Not to Worry. The song became a staple at Makeba's live concerts, and is considered a notable example of music in the movement against apartheid.
"Bring Him Back Home (Nelson Mandela)", also known as "Bring Him Back Home", is an anthemic anti-apartheid protest song written by South African musician Hugh Masekela. It was released as the first track of his 1987 album Tomorrow. It was recorded in 1986 when Masekela was in exile from the apartheid regime of South Africa. The melody of the song is buoyant, containing a number of powerful chords and trumpet riffs. The lyrics of the song demand the release of Black South African leader Nelson Mandela, who had been imprisoned by the White South African government on Robben Island since 1962. The song became enormously popular, and turned into an unofficial anthem of the anti-apartheid movement. It became one of Masekela's most performed live songs. It was later used as a part of the official soundtrack to the documentary film Amandla!: A Revolution in Four-Part Harmony. The song was included in the 1994 live album Hope and in the 2001 collection Grazing in the Grass: The Best of Hugh Masekela, released by Columbia Records.
Dorkay House is situated on Portion 168 of Farm Turnfontein at 5–7 Eloff Street, Johannesburg, South Africa. It was constructed in 1952 and was designed by architect Colman Segal (1923–1988). It takes its name from the original owner, Dora Kotzen.
The apartheid regime in South Africa began in 1948 and lasted until 1994. It involved a system of institutionalized racial segregation and white supremacy, and placed all political power in the hands of a white minority. Opposition to apartheid manifested in a variety of ways, including boycotts, non-violent protests, and armed resistance. Music played a large role in the movement against apartheid within South Africa, as well as in international opposition to apartheid. The impacts of songs opposing apartheid included raising awareness, generating support for the movement against apartheid, building unity within this movement, and "presenting an alternative vision of culture in a future democratic South Africa."
Renaissance is the second studio album by the South African quartet the Soweto String Quartet, released in October 1996 by BMG Records. It follows the national and international success of their debut album Zebra Crossing (1994), and was produced by Grahame Beggs. As with their previous album, Renaissance blends classical music with African pop and folk music, while also exploring new textures, with styles on the album including marabi, kwela and worldbeat. Quartet member Reuben Khemse described the album's themes as reawakening, revival and the dawn of new eras.
Makwenkwe "Mackay" Davashe (1920–1972) was a South African musician. He achieved success as a saxophonist and composer with the Manhattan Brothers and later the Jazz Epistles.
