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The California Institute of the Arts (CalArts) is a private art university in Santa Clarita, California. It was incorporated in 1961 as the first degree-granting institution of higher learning in the US created specifically for students of both the visual and performing arts. It offers Bachelor of Fine Arts, Master of Fine Arts, Master of Arts, and Doctor of Musical Arts degrees through its six schools: Art, Critical Studies, Dance, Film/Video, Music, and Theater.
Judy Chicago is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno which acted as a catalyst for feminist art and art education during the 1970s. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. The Dinner Party celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include International Honor Quilt, Birth Project, Powerplay, and The Holocaust Project. She is represented by Jessica Silverman gallery.
Womanhouse was a feminist art installation and performance space organized by Judy Chicago and Miriam Schapiro, co-founders of the California Institute of the Arts (CalArts) Feminist Art Program and was the first public exhibition of art centered upon female empowerment. Chicago, Schapiro, their students, and women artists from the local community, including Faith Wilding, participated. Chicago and Schapiro encouraged their students to use consciousness-raising techniques to generate the content of the exhibition. Together, the students and professors worked to build an environment where women's conventional social roles could be shown, exaggerated, and subverted.
Faith Wilding is a Paraguayan American multidisciplinary artist - which includes but is not limited to: watercolor, performance art, writing, crocheting, knitting, weaving, and digital art. She is also an author, educator, and activist widely known for her contribution to the progressive development of feminist art. She also fights for ecofeminism, genetics, cyberfeminism, and reproductive rights. Wilding is Professor Emerita of performance art at the School of the Art Institute of Chicago.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Celebration at Big Sur is a film of the 1969 Big Sur Folk Festival in Big Sur, California, featuring Crosby, Stills, Nash and Young, Joan Baez, Joni Mitchell and others.
Miriam Schapiro was a Canadian-born artist based in the United States. She was a painter, sculptor, printmaker, and a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. She incorporated craft elements into her paintings due to their association with women and femininity. Schapiro's work touches on the issue of feminism and art: especially in the aspect of feminism in relation to abstract art. Schapiro honed in her domesticated craft work and was able to create work that stood amongst the rest of the high art. These works represent Schapiro's identity as an artist working in the center of contemporary abstraction and simultaneously as a feminist being challenged to represent women's "consciousness" through imagery. She often used icons that are associated with women, such as hearts, floral decorations, geometric patterns, and the color pink. In the 1970s she made the hand fan, a typically small woman's object, heroic by painting it six feet by twelve feet. "The fan-shaped canvas, a powerful icon, gave Schapiro the opportunity to experiment … Out of this emerged a surface of textured coloristic complexity and opulence that formed the basis of her new personal style. The kimono, fans, houses, and hearts were the form into which she repeatedly poured her feelings and desires, her anxieties, and hopes".
Mira Schor is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.
The Feminist Art Program (FAP) was a college-level art program for women developed in 1970 by artist Judy Chicago and continued by artists Rita Yokoi, Miriam Schapiro, and others. The FAP began at Fresno State College, as a way to address gender inequities in art education, and the art world in general. In 1971, Judy Chicago and Miriam Schapiro brought the FAP to the newly formed California Institute of the Arts, leaving Rita Yokoi to run the Fresno FAP until her retirement in 1992. The FAP at California Institute of the Arts was active until 1976. The students in the Feminist Art Program read women writers, studied women artists, and made art about being a woman based on group consciousness-raising sessions. Often, the program was separate from the rest of the art school to allow the women to develop in a greenhouse-like environment and away from discerning critiques. While the separatist ideology has been critiqued as reinforcing gender, the FAP has made a lasting impression on feminist art which can be seen in retrospectives, group exhibitions, and creative re-workings of the original projects.
The Big Sur Folk Festival, held from 1964 to 1971 in California, was an informal gathering of prominent and emerging folk artists from across the United States. Nancy Jane Carlen (1941-2013) was working at the Esalen Institute when Joan Baez was asked to lead workshops on music. Carlen was a good friend of Baez, and they decided to invite other artists, which turned into the first festival.
Wu Tsang is a filmmaker, artist and performer based in New York and Berlin, whose work is concerned with hidden histories, marginalized narratives, and the act of performing itself. In 2018, Tsang received a MacArthur "genius" grant.
Nancy Youdelman is a mixed media sculptor who lives and works in Clovis, California. She also taught art at California State University, Fresno from 1999 until her retirement in 2013. "Since the early 1970s Youdelman has been transforming clothing into sculpture, combining women's and girl's dresses, hats, gloves, shoes, and undergarments with a variety of organic materials and common household objects.
Karen LeCocq is an American artist. She is a nationally-known sculptor whose work combines organic materials and found objects.
Kate Amend is an American documentary film editor whose career spans more than thirty years. She is known for being a dedicated editor who finds the emotional center of each scene she works with. A member of American Cinema Editors, Amend is the recipient of an Eddie Award for Into the Arms of Strangers: Stories of the Kindertransport (2001); she was nominated for a Primetime Emmy Award for The Case Against 8 (2014). She was the editor on two Academy Award-winning films: Into the Arms of Strangers (2014) and the Long Way Home (1997). She is the recipient of the International Documentary Association’s inaugural award for Outstanding Achievement in Editing. Amend graduated from UC Berkeley and San Francisco State University with a master's in humanities, later gaining an interest in film while teaching her discipline at the City College of San Francisco. She worked briefly at a production company of exploitation films before breaking into documentary work as an apprentice editor on Johanna Demetrakas's Right Out of History (1980). Amend is also noted for her work on Birth Story (2012) and The Long Way Home (1997).
The Henry Miller Memorial Library is a nonprofit arts center, bookstore, and performance venue in Big Sur, California, documenting the life of the late writer, artist, and Henry Miller. Emil White built the house for Miller in the mid-1960s. After Miller died in 1980, White dedicated the property as a memorial to Miller and as a gallery where local artists could show their work. In 1981, with the help of the Big Sur Land Trust, White formally organized "The Henry Miller Memorial Library". White was director of the institution until he died in 1989. The Big Sur Land Trust managed the library until October 1998, when the non-profit The Henry Miller Memorial Library Inc. was created to sustain the library.
Jan Oxenberg (1950) is an American film producer, director, editor, and screenwriter. She is known for her work in lesbian feminist films and in television.
Feminists: What Were They Thinking? is a 2018 documentary film directed by Johanna Demetrakas and starring Laurie Anderson, Phyllis Chesler and Judy Chicago among others. Women of different ages and backgrounds are interviewed by Demetrakas and a team of assistants on the subject of feminism, anchored in the book 'Emergence' with portraits by the photographer Cynthia MacAdams published in 1977. The film was partly funded by the International Documentary Association and also by a crowd funding campaign that raised over $75,000. It was released by Netflix on October 12, 2018.
Julia Bell Reichert was an American Academy Award-winning documentary filmmaker, activist, and feminist. She was a co-founder of New Day Films. Reichert's filmmaking career spanned over 50 years as a director and producer of documentaries.
The Clichettes were an all-women feminist performance art group formed in Toronto, Canada in 1977. Their practice is notable for injecting humour and theatricality into the sphere of performance art. The three performers initially worked using lip sync and choreography as their tools to parody pop culture depictions of femininity and later expanded their practice by including elements from science fiction and theatre in their performances. The Clichettes are notable for their impact on Canadian performance art as well as Feminist and performing arts in general.
Sherry Brody was an American artist and pioneering member of the feminist art movement. Brody is known for her work on the Womanhouse project. Her sculpture, The Dollhouse, is in the Smithsonian Museum of American Art collection.
References
- ↑ "Johanna Demetrakas | HuffPost". www.huffpost.com. Retrieved 2020-01-01.
- ↑ "Acquires 'Big Sur'". The Salt Lake Tribune. 19 Apr 1971. Retrieved 2020-01-01.
- ↑ Gross, Linda (11 Oct 1975). "Documentaries of Woman Artists". The Los Angeles Times. Retrieved 2020-01-01.
