Crumb | |
---|---|
Directed by | Terry Zwigoff |
Produced by | Terry Zwigoff Lynn O'Donnell |
Starring | |
Cinematography | Maryse Alberti |
Edited by | Victor Livingston |
Music by | David Boeddinghaus |
Production company | Superior Pictures |
Distributed by | Sony Pictures Classics |
Release dates |
|
Running time | 120 minutes |
Country | United States |
Language | English |
Box office | $3,174,695 [1] |
Crumb is a 1994 American documentary film about the noted underground cartoonist R. Crumb and his family (including his two brothers) and his outlook on life. Directed by Terry Zwigoff and produced by Lynn O'Donnell, it won widespread acclaim. It was released on the film festival circuit in September 1994 before being released theatrically in the United States on April 28, 1995, having been screened at film festivals (and winning the Documentary Prize at Sundance) that year. Jeffery M. Anderson (later critic for the San Francisco Examiner ) placed the film on his list of the ten greatest films of all time, labeling it "the greatest documentary ever made." [2] The Criterion Collection released the film on DVD and Blu-ray [3] on August 10, 2010. [4]
Robert Crumb, a pioneer in the underground comix movement of the 1960s, collects 78-rpm blues records from the 1920s and '30s and is moving soon with his wife (fellow comics artist Aline Kominsky-Crumb) and daughter (Sophie) to a house in southern France that he is trading for some of his sketchbooks. He begins a speech at an art school by mentioning the three things he is probably best known for (those being the "Keep on Truckin'" strip from 1968, the Cheap Thrills (1968) album cover, and Fritz the Cat), before spending much of the rest of the film detailing his distaste for modern American consumerist culture and his darkly cynical perspective on life. He is seen sketching his surroundings at cafés and on sidewalks, attending an exhibition of his work, and interacting with friends and family.
Viewers learn about Robert's career through interviews with his contemporaries Don Donahue, Spain Rodriguez, Bill Griffith, and Trina Robbins, as well as critics Robert Hughes and Deirdre English, who also discuss the controversy surrounding many of Robert's depictions of women and African-Americans. Robert's ex-wife Dana and ex-girlfriends Kathy Goodell and Dian Hanson provide additional insights into his personality. Much information about Robert's childhood is derived from scenes of him in conversation with his mother Beatrice, older brother Charles, and younger brother Maxon. Robert's two sisters declined to be interviewed for the film, and one of them reportedly responded on both sisters' behalf to Crumb and Zwigoff's offer to appear by demanding Robert pay her thousands of dollars of "reparations" for his "crimes against women", which Crumb bluntly refused to consider and led to him withdrawing the offer to appear in the film at all. Charles, whom Robert acknowledges as his main artistic influence, no longer draws, has never lived on his own, and takes prescription psychiatric medications to help stabilize his mental state (he committed suicide before the film was released [5] ). Maxon, who has a seizure disorder he says is triggered by feelings of sexual arousal, lives an ascetic life in a dilapidated hotel, meditating, begging on the street, and occasionally drawing or painting. All three brothers mention the authoritarian behavior of their father and talk about the comic books Charles made them make when they were children.
Robert is shown drawing with Sophie and Jesse, his son with Dana, with whom Robert has become reacquainted after abandoning his family to move to San Francisco when the boy was young. He invites Jesse to visit him in France, but his main concern regarding the move is about how his records will fare. After the moving men cart off his collection, Robert is distracted from his worries just long enough to take a phone call and reject an offer to make an animated film based on his character Mr. Natural.
Robert Crumb initially did not want to make the film, but eventually agreed. There was a rumor, accidentally created by Roger Ebert, that Terry Zwigoff, who was friends with Crumb, made Crumb cooperate by threatening to shoot himself. Ebert later clarified this in an audio commentary he did with Zwigoff in 2006 and a review he wrote in 2005, where he said: "That never happened, but it may be true that Zwigoff’s life was saved because he did make the film." [6]
During the nine years it took to make the documentary, Zwigoff said he was "averaging an income of about $200 a month and living with back pain so intense that I spent three years with a loaded gun on the pillow next to my bed, trying to get up the nerve to kill myself." [6] He felt the involvement of Maxon and, particularly, Charles was central to the film, which led him to choose "Crumb" as the title. [7]
The film is "presented" by David Lynch, though he had no actual involvement in its making. In the commentary Zwigoff did with Ebert, he says that Lynch did not respond to a request for funds until after the film was already finished, but they agreed to include Lynch's name in the advertising and credits to attract more viewers.
Crumb was met with wide acclaim from critics, earning a 95% rating on Rotten Tomatoes based on 43 reviews, with an average score of 8.4/10. The website's critical consensus reads, "Crumb is a frank and surreal chronicle of artistic expression and family trauma, offering an unblinking gaze into the mind and work of cartoonist Robert Crumb that will endear as much as it unsettles." [8] Gene Siskel rated it as the best film of the year. [9] Roger Ebert gave it four stars (out of four), writing: "Crumb is a film that gives new meaning to the notion of art as therapy." [10] Critic Jeffrey M. Anderson gave it four stars (out of four), calling it "one of the bravest and most honest films I've ever seen", and listing its characteristics as those of "a great documentary". [11] In The Washington Post , Desson Howe's review was similarly positive. [12] The San Francisco Chronicle rated the film as "wild applause", with critic Edward Guthmann calling it "one of the most provocative, haunting documentaries of the last decade." He also noted that Robert Crumb and wife Aline had drawn a "scornful" cartoon about the film in The New Yorker . [13]
Despite such strong reviews, Crumb was not nominated for the Academy Award for Best Documentary Feature (the nominating committee reportedly stopped watching the film after only twenty minutes). The Oscar snub of Crumb, following the snubbing of the equally acclaimed Hoop Dreams the previous year, caused a media furor that caused the Academy of Motion Picture Arts and Sciences to revamp its documentary nomination process. [14] Zwigoff stated in an interview that "the Academy Awards thing had much more to do with the fact that at the time, a lot of the documentary membership was made up of distributors of documentary films. The rules have changed since then. But they would just vote for the films they distributed because it was in their financial interest to do so. I came to learn that later. At the time, I just assumed they were disgusted with the film." [15]
In 2008, Entertainment Weekly named Crumb the 14th best film of the last 25 years. [16] In 2012, Slant Magazine ranked the film #74 on its list of the 100 Best Films of the 1990s, calling it "Arguably the greatest of all nonfiction films." [17]
Although Zwigoff only filmed Robert Crumb's brothers with their consent, some have questioned whether they were able to provide that consent in a meaningful way. [18]
The film won several major critical accolades awarded for films released in 1995, including:
Roger Joseph Ebert was an American film critic, film historian, journalist, essayist, screenwriter and author. He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013. Ebert was known for his intimate, Midwestern writing style and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. Ebert endorsed foreign and independent films he believed would be appreciated by mainstream viewers, championing filmmakers like Werner Herzog, Errol Morris and Spike Lee, as well as Martin Scorsese, whose first published review he wrote. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the Chicago Sun-Times said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the Los Angeles Times called him "the best-known film critic in America." Per The New York Times, "The force and grace of his opinions propelled film criticism into the mainstream of American culture. Not only did he advise moviegoers about what to see, but also how to think about what they saw."
Robert Dennis Crumb is an American cartoonist who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture.
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Eugene Kal Siskel was an American film critic and journalist for the Chicago Tribune who co-hosted movie review television series alongside colleague Roger Ebert.
Terry Zwigoff is an American film director whose work often deals with misfits, antiheroes, and themes of alienation. He first garnered attention for his work in documentary filmmaking with Louie Bluie (1985) and Crumb (1995). After Crumb, Zwigoff moved on to write and direct fiction feature films, including the Academy Award-nominated Ghost World (2001) and Bad Santa (2003).
Richard E. Roeper is an American columnist and film critic for the Chicago Sun-Times. He co-hosted the television series At the Movies with Roger Ebert from 2000 to 2008, serving as the late Gene Siskel's successor. From 2010 to 2014, he co-hosted The Roe and Roeper Show with Roe Conn on WLS-AM. From October 2015 to October 2017, Roeper served as the host of the FOX 32 morning show Good Day Chicago.
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Sick: The Life and Death of Bob Flanagan, Supermasochist is a 1997 documentary film directed by Kirby Dick about Bob Flanagan, a Los Angeles writer, poet, performance artist, comic, and BDSM celebrity, who had and later died of cystic fibrosis. The film premiered at the 1997 Sundance Film Festival, where it was awarded a Special Jury Prize.
Sophia Violet "Sophie" Crumb is an American-French comics artist.
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R. Crumb and his Cheap Suit Serenaders are an American retro string band playing songs from, and in the style of, the 1920s: old-time music, ragtime, "evergreen" jazz standards, western swing, country blues, Hawaiian, hokum, vaudeville and medicine show tunes. Underground cartoonist Robert Crumb was the band's frontman and album cover artist. Other members of the band include fellow cartoonist Robert Armstrong and filmmaker Terry Zwigoff.
American Splendor is a 2003 American biographical comedy drama film written and directed by Shari Springer Berman and Robert Pulcini. The film, which chronicles the life of comic book writer Harvey Pekar, is a hybrid production featuring live actors, documentary, and animation. It is based on the 1976–2008 comic book series of the same name written by Pekar and the 1994 graphic novel Our Cancer Year written by Pekar and Joyce Brabner. The film stars Paul Giamatti as Pekar and Hope Davis as Brabner. It also features appearances from Pekar and Brabner themselves, who discuss their lives, the comic books, and how it feels to be depicted onscreen by actors.
Maya Lin: A Strong Clear Vision is a 1994 American documentary film made by Freida Lee Mock. It explores the life of American artist Maya Lin, whose best-known work is the Vietnam Veterans Memorial in Washington, D.C. The film won the 1994 Academy Award for Best Documentary Feature. While a number of movie critics objected to it receiving this award, Maya Lin: A Strong Clear Vision met with mostly positive reviews, garnering praise for its look at the controversy surrounding the Vietnam Veterans Memorial design and Lin's growth as an artist.
The Crumb family of artists is an American family, several of whom are notable cartoonists. The family includes:
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Maxon Joseph Crumb is an American artist and the younger brother of underground cartoonist Robert Crumb and Charles Crumb, and the uncle of Sophie Crumb.
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This is the list of the winners of the Sundance Grand Jury Prize for documentary features since its first inception in 1982.
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