The Stuff That Dreams Are Made Of | |
---|---|
Compilation album by various artists | |
Released | April 2006 |
Recorded | 1920s and 1930s |
Genre | Blues, country, old-time |
Length | 141:13 |
Label | Yazoo |
Producer | Richard Nevins |
The Stuff That Dreams Are Made Of is a two-CD album of blues, country, and old-time music recordings that were originally released in the 1920s and 1930s on 78 rpm records. Subtitled The Dead Sea Scrolls of Record Collecting, it is a compilation of songs from rare and hard-to-find records. It was released in 2006. [1] [2] [3]
The cover of The Stuff That Dreams Are Made Of is the size and shape of a DVD box. The cover art is by Robert Crumb, a noted cartoonist and an avid collector of vintage 78 rpm records. The album also includes a 20-page illustrated booklet. [4] [5] [6]
According to the liner notes, the album was remastered using only a moderate level of noise reduction, with the goal of preserving as much as possible of the character and dynamic range of the original recordings. As a result, some of the songs exhibit a considerable amount of noise due to surface wear and damaged grooves on the shellac phonograph records.
On AllMusic Ronnie D. Lankford Jr. said, "...[T]his two-disc collection – all 46 cuts – is a testament to rarities.... But even for those who might not understand why they should be excited by The Stuff That Dreams Are Made Of, the collection nonetheless holds up as good old-time folk and blues, and expense-wise, Yazoo always offers lots of quality music for one's money." [1]
In JazzTimes Christopher Porter wrote, "The cuts here are culled from test or personal pressings and last-existing-copies, making the collection a Holy Grail One Stop for fans of "American primitive" music by the likes of the Georgia Pot Lickers, Wilmer Watts and Son House (whose "Clarksdale Moan" alone is worth the price of admission). The set's sound quality is mostly fine considering the sources..." [5]
In The Tuscaloosa News Ben Windham wrote, "The weird thing is, if the set is pitched to collectors, is the complete absence of the kind of nerdy discographical information that they feed on – recording dates, personnel lists, matrix numbers, even the labels on which the originals were issued.... This landmark collection, which brings all these recordings and dozens more together, is a tremendous artifact." [4]
On Old Time Party Mike Yates said, "... [W]hilst a number of items are heard here on CD for the first time, it must be said that some tracks have been reissued previously elsewhere.... So, a superb collection of goodies that will send shivers down the spines of both blues and old-timey enthusiasts.... [J]ust let this double collection of musical gems flow through your veins." [2]
Disc 1
Disc 2
Edward James "Son" House Jr. was an American Delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing.
Clara Smith was an American classic female blues singer, billed as the "Queen of the Moaners", although she had a lighter and sweeter voice than many of her contemporaries. Clara Smith was not related to the singers Bessie Smith and Mamie Smith.
The New Lost City Ramblers, or NLCR, was an American contemporary old-time string band that formed in New York City in 1958 during the folk revival. Mike Seeger, John Cohen and Tom Paley were its founding members. Tracy Schwarz replaced Paley, who left the group in 1962. Seeger died of cancer in 2009, Paley died in 2017, and Cohen died in 2019. NLCR participated in the old-time music revival, and directly influenced many later musicians.
"Clarksdale Moan" is a blues song recorded by the Delta blues musician Son House and first released as a 78-RPM single in 1930. The equally sought-after recording "Mississippi County Farm Blues" was the A-side. The song remained unheard until 2005, when an anonymous record collector discovered an original 78-RPM disc in decent condition. It was released in 2006 on the Yazoo Records album The Stuff That Dreams Are Made Of, which contained many other rare blues recordings from that era.
Jack N. Johnson, known as Big Jack Johnson was an American electric blues musician, one of the "present-day exponents of an edgier, electrified version of the raw, uncut Delta blues sound." He was one of a small number of blues musicians who played the mandolin. He won a W. C. Handy Award in 2003 for best acoustic blues album.
Arthur William "Big Boy" Crudup was an American Delta blues singer, songwriter and guitarist. He is best known, outside blues circles, for his songs "That's All Right" (1946), "My Baby Left Me" and "So Glad You're Mine", later recorded by Elvis Presley and other artists.
David "Junior" Kimbrough was an American blues musician. His best-known works are "Keep Your Hands off Her" and "All Night Long". In 2023, he was inducted in the Blues Hall of Fame.
Charles Cleveland Poole was an American old-time musician and leader of the North Carolina Ramblers, a string band that recorded many popular hillbilly songs between 1925 and 1930.
Plow to the End of the Row is the 2004 debut album by Nashville, Tennessee-based singer/songwriter Adrienne Young and her band, Little Sadie.
I Got Dem Ol' Kozmic Blues Again Mama! is the debut solo and third studio album overall by American singer-songwriter Janis Joplin, released on September 11, 1969, by Columbia Records. It was the first album which Joplin recorded after leaving her former band, Big Brother and the Holding Company, and the only solo album released during her lifetime.
Screamin' and Hollerin' the Blues: The Worlds of Charley Patton is a boxed set collecting remastered versions of the recorded works of blues singer Charley Patton, with recordings by many of his associates, supplementary interviews and historical data. The set won three Grammy awards, for Best Historical Album, Best Boxed or Special Limited Edition Package, and Best Album Notes.
Bo Weavil Jackson was an American blues singer and guitarist. He was one of the first country bluesmen to be recorded, in 1926, for Paramount Records and Vocalion Records. On the latter label he was credited as Sam Butler, which has become the name most commonly used to identify him. His 78-rpm records are highly sought by collectors and have been re-released on numerous LP and CD compilation albums. His technique is distinctive for its upbeat tempo, varied melodic lines, and impromptu instrumentals.
The Smithsonian Collection of Classic Country Music was a multi-volume set of recordings released by the Smithsonian Institution. Released in 1981, the collection contains 143 tracks deemed to be significantly important to the history of country music.
Document Records is an independent record label, founded in Austria and now based in Scotland, that specializes in reissuing vintage blues and jazz. The company has been recognised by The Blues Foundation, being honoured with a Keeping the Blues Alive Award in 2018. Document Records is the only UK-based recipient of the award.
Valerie Sybil Wilmer is a British photographer and writer specialising in jazz, gospel, blues, and British African-Caribbean music and culture. Her notable books include Jazz People (1970) and As Serious As Your Life (1977), both first published by Allison and Busby. Wilmer's autobiography, Mama Said There'd Be Days Like This: My Life in the Jazz World, was published in 1989.
Rosetta Reitz was an American feminist and jazz historian who searched for and established a record label producing 18 albums of the music of the early women of jazz and the blues.
Country Style is an album by American folk musician Ramblin' Jack Elliott, released in 1962.
The Even Dozen Jug Band is the debut and only studio album by the American jug band Even Dozen Jug Band, released in December 1963.
Wilmer Watts was an American old time singer, banjo player and bandleader who recorded a series of records for Paramount Records in the 1920s.
The Pruitt Twins were American identical twin brothers, who provided both guitar and banjo accompaniment on a number of blues recordings made in the 1920s. Both musicians were proficient in playing either instrument.