Related Research Articles
Meritt Records was a jazz and blues record company and label that existed from 1925 to 1929. It was founded in Kansas City by Winston Holmes, the owner of a music store. Records were made in his studio and sold only in his store.
Aileen Stanley, born Maude Elsie Aileen Muggeridge, was one of the most popular American singers of the early 1920s.
Clara Smith was an American classic female blues singer, billed as the "Queen of the Moaners", although she had a lighter and sweeter voice than many of her contemporaries. Clara Smith was not related to the singers Bessie Smith and Mamie Smith.
Ida Cox was an American singer and vaudeville performer, best known for her blues performances and recordings. She was billed as "The Uncrowned Queen of the Blues".
Yodeling is a form of singing which involves repeated and rapid changes of pitch between the low-pitch chest register and the high-pitch head register or falsetto. The English word yodel is derived from the German word jodeln, meaning "to utter the syllable jo". This vocal technique is used in many cultures worldwide. Recent scientific research concerning yodeling and non-Western cultures has shown that music and speech evolved from a common prosodic precursor.
Alberta Hunter was an American jazz and blues singer and songwriter from the early 1920s to the late 1950s. After twenty years of working as a nurse, Hunter resumed her singing career in 1977.
Jessie Mae Hemphill was an American electric guitarist, songwriter, and vocalist specializing in the North Mississippi hill country blues traditions of her family and regional heritage.
Art Gillham was an American songwriter, who was among the first crooners as a pioneer radio artist and a recording artist for Columbia Records.
Francis Hillman "Scrapper" Blackwell was an American blues guitarist and singer, best known as half of the guitar-piano duo he formed with Leroy Carr in the late 1920s and early 1930s. He was an acoustic single-note picker in the Chicago blues and Piedmont blues styles.
Rosa Henderson was an American jazz and classic female blues singer and vaudeville entertainer of the Harlem Renaissance era.
Josie Miles was an American vaudeville and blues singer. She was one of the classic female blues singers popular in the 1920s.
Viola McCoy was an American blues singer who performed in the classic female blues style during a career that lasted from the early 1920s to the late 1930s.
Maggie Jones was an American blues singer and pianist who recorded thirty-eight songs between 1923 and 1926. She was billed, alternately, as "The Texas Moaner" and "The Texas Nightingale". Among her best-remembered songs are "Single Woman's Blues", "Undertaker's Blues", and "Northbound Blues".
Catherine Brown, known as Kitty Brown, was an American classic female blues singer. She sometimes used the pseudonyms Bessie Williams, Jane White, Dixie Gray, Rosa Green, and Mazie Leroy. Brown was active as a recording artist from 1923 to the mid-1930s. Songs she recorded include "I Wanna Jazz Some More" and "It's De-Lovely". Little is known of her life outside music.
William Harris was an American country blues guitarist, singer, and songwriter. He recorded sixteen songs between 1927 and 1928, of which fourteen were released on record. AllMusic noted that Harris was "a fine second-level blues and folksong performer". His best known works are "Kansas City Blues," "Early Mornin' Blues," and "Hot Time Blues."
Willie Baker was an American Piedmont blues guitarist, singer and songwriter. He recorded eight tracks, playing a twelve-string guitar to back his own strong vocals. All of his recordings took place in January and March 1929 in Richmond, Indiana, United States. Details of his life outside of his recording career are sketchy.
Mae Glover was an American country blues singer. Over a lengthy career she recorded under various pseudonyms and performed regularly in her adopted hometown, earning her the nickname of "the Mother of Beale Street."
Charles Avery was an American blues and boogie-woogie pianist. Although he only recorded one commercially released track in his own name, Avery played piano accompaniment to a number of high-profile blues musicians in the 1920s and 1930s. Details of his life outside the recording studio are limited.
The Pruitt Twins were American identical twin brothers, who provided both guitar and banjo accompaniment on a number of blues recordings made in the 1920s. Both musicians were proficient in playing either instrument.
Paul Banks was an American jazz pianist, bandleader, composer and lyricist.
References
- ↑ Peschke, Michael (2006). International Encyclopedia of Pseudonyms: Part I, Real Names. Walter de Gruyter. p. 214. ISBN 3-598-24960-8.
- 1 2 3 4 5 6 7 8 Mathews, Burgin. "Lottie Kimbrough". Allmusic . Retrieved November 3, 2010.
- 1 2 3 Eagle, Bob; LeBlanc, Eric S. (2013). Blues: A Regional Experience. Santa Barbara, California: Praeger. p. 505. ISBN 978-0313344237.
- 1 2 3 4 5 "Lottie Kimbrough". Thebluestrail.com. Retrieved November 3, 2010.
- ↑ Kennedy, Rick (1999). Little Labels—Big Sound: Small Record Companies and the Rise of American Music . Bloomington: Indiana University Press. p. 16. ISBN 0-253-33548-5.
- ↑ Oliver, Paul (1970). Yonder Come the Blues: The Evolution of a Genre . Cambridge: Cambridge University Press. p. 287. ISBN 0-521-78777-7.
- ↑ "James Cotton". Sundayblues.org. Retrieved November 3, 2010.
- ↑ "Lottie Kimbrough: Songs". Allmusic.com.
- ↑ "Lottie Kimbrough, Lottie Kimbrough & Winston Holmes (1928–1929): Overview". Allmusic.com.
- ↑ "Kansas City Blues 1924–1929 (Document, 1993)". Record-fiend.blogspot.com. Retrieved November 3, 2010.
