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Roman Polanski: Wanted and Desired | |
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Directed by | Marina Zenovich |
Written by | Marina Zenovich Joe Bini P. G. Morgan |
Produced by | Jeff Levy-Hinte Lila Yacoub Marina Zenovich P. G. Morgan Michelle Sullivan |
Starring | Samantha Geimer Roman Polanski David Wells Sharon Tate |
Cinematography | Tanja Koop |
Edited by | Joe Bini |
Music by | Mark Degli Antoni |
Distributed by | THINKFilm HBO Documentary Films (United States and Canada) The Weinstein Company [1] (International) |
Release dates |
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Running time | 99 minutes |
Countries | United States United Kingdom |
Languages | English French |
Box office | $100,500 [2] |
Roman Polanski: Wanted and Desired is a 2008 documentary film directed by Marina Zenovich. [3] It concerns film director Roman Polanski and his sexual abuse case. It examines the events that led to Polanski fleeing the United States after being embroiled in a controversial trial, and his unstable reunion with his adopted country. A follow-up to the film, also directed by Zenovich, titled Roman Polanski: Odd Man Out was released on 26 March 2013, detailing Polanski's successful legal battle to avoid extradition to the US, a battle that took place after Roman Polanski: Wanted and Desired came out. [4] [5] [6]
Metacritic rates Roman Polanski: Wanted and Desired a score of 78/100 based on 16 reviews ("generally favorable"). [7] Rotten Tomatoes scores the film at 85% positive reviews based on 48 reviews, with the website's critics consensus calling it "a courtroom drama and an exploration of celebrity and responsibility." [8]
Cathleen McGuigan, reviewing the film for Newsweek , referred to the film as "deft and subtle" and particularly noted "an enigmatic little scene near the end [where] [y]ou see a fierce old whale of a man in a chair, banging a drum while an elfin youth jumps and hops to the beats, like a puppet on a string. The hopping boy finally escapes his tormentor by scurrying and tumbling across a field, running toward the Eiffel Tower in the distance. The tyrannized, barefoot kid is Polanski himself, and the footage is from a 16-minute short called The Fat and the Lean that he made in 1961, on the brink of his fame as a brilliant new European director. The wordless scene may last less than a minute in Marina Zenovich's documentary, but it sticks with you, and it echoes another clip in her film. This one is from a television interview Polanski did decades later where he says he felt like 'a mouse with which an abominable cat was making sport.' The cat in question was Los Angeles Judge Laurence J. Rittenband, who'd presided over the director's 1977 criminal case for having sex with a 13-year-old girl". [9]
One negative review by Bill Wyman, writing for Salon , stated: "The film, which has inexplicably gotten all sorts of praise, whitewashes what Polanski did in blatant and subtle fashion[.] The tone is set early on, when a friend of Polanski's tells of being woken up and informed that the director had to call his attorney. The moment is actually played for laughs, with interspersed shots of a worried Mia Farrow using the phone in a scene from Rosemary's Baby — that, too, about a horrifically abused woman. But the scene isn't used to illustrate the victim's story -- it's about poor Roman. He's the person making the desperate phone call. It's an odd juxtaposition when you think about it." [10]
Nathan Southern of Allmovie writes that, "filmmaker Marina Zenovich revisits this difficult case via extensive interviews with Geimer [the underage victim], defense attorney Douglas Dalton, Assistant DA Roger Gunson, and others. In the process, she raises pivotal questions about the U.S. legal system and the fairness of the judge, Laurence J. Rittenband (who was reportedly extremely vocal about his desire to topple Polanski) and encounters many recollections of judicial malfeasance from those who were involved". [11]
Roman Polanski: Wanted and Desired was nominated for five Primetime Emmy Awards and won two: "Outstanding Directing For Nonfiction Programming" and "Outstanding Writing for Nonfiction Programming". [12] The National Board of Review of Motion Pictures awarded it the title of one of the top 5 documentaries of 2008. [13] It won the "Editing Award Documentary" at the Sundance Film Festival [14] It was also listed as one of ten films in the "Hall of Shame" of the 2008 Women Film Critics Circle Awards. [15]
After the arrest of Roman Polanski in Switzerland in 2009, David Wells, now a retired deputy district attorney, recanted the interview he gave the director about advising the judge in the case in ex parte communication. According to Marcia Clarke of The Daily Beast :
Zenovich responded, as reported by Peter Knegt at IndieWire :
Michael Ceply commented on the affair in the New York Times:
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Sharon Marie Tate Polanski was an American actress and model. During the 1960s, she appeared in advertisements and small television roles before appearing in films as well as working as a model. After receiving positive reviews for her comedic and dramatic acting performances, Tate was hailed as one of Hollywood's most promising newcomers, being compared favorably with the late Marilyn Monroe.
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The Fat and the Lean is a short silent, comic film written and directed by Roman Polanski in 1961. Polanski shot this short film just after graduating from The National Film School in Łódź in 1959; it was made in France and was Polanski's last film before the international breakthrough of his 1962 debut feature, Knife in the Water. The Fat and the Lean features the music of Krzysztof Komeda, who composed the scores for all but one of the director's films between Two Men and a Wardrobe (1958) and Rosemary's Baby (1968).
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