Bitter Moon | |
---|---|
Directed by | Roman Polanski |
Screenplay by |
|
Based on | Lunes de fiel by Pascal Bruckner |
Produced by | Roman Polanski |
Starring | |
Cinematography | Tonino Delli Colli |
Edited by | Hervé de Luze |
Music by | Vangelis |
Production companies |
|
Distributed by |
|
Release dates |
|
Running time | 139 minutes [1] |
Countries |
|
Languages |
|
Box office | $1.9 million [2] |
Bitter Moon is a 1992 erotic romantic thriller film co-written and directed by Roman Polanski. It stars Peter Coyote, Emmanuelle Seigner, Hugh Grant and Kristin Scott Thomas. The film's French title, Lunes de fiel, is a pun on the French phrase "lune de miel", meaning "honeymoon". It is based on the novel Lunes de fiel by French author Pascal Bruckner, published in English as Evil Angels . The score was composed by Vangelis.
British couple Nigel and Fiona Dobson are on a Mediterranean cruise ship to Istanbul en route to India. They encounter a beautiful young French woman, Mimi, and that night, Nigel chats briefly with her in the ship's bar after seeing her dancing alone. Later, Nigel meets her much older and disabled American husband, Oscar Benton, who is a failed writer—acerbic, cynical and jaded.
Oscar invites Nigel to his cabin, where he tells Nigel in great detail how he and Mimi first met on a bus in Paris and fell passionately in love. Nigel relates all to Fiona. Both are appalled by Oscar's exhibitionism, but Nigel is also fascinated by Mimi, who provokes him. Oscar later narrates how they explored bondage, sadomasochism and voyeurism. As a contrast to their sexual adventurousness, Nigel and Fiona meet a distinguished Indian gentleman, Mr Singh, who is travelling with his little daughter Amrita.
Invited by Mimi, Nigel, escaping from a bridge game, goes to meet her in her cabin, only to find that she and Oscar have played a prank on him. Nigel wants to leave, but another session unfolds, with Oscar describing how their love–hate relationship developed. Bored, he tried to break up, but Mimi begged him to let her live with him under any conditions. He complied, but started to explore sadistic fantasies at her expense, humiliating her in public. When Mimi became pregnant, he made her have an abortion, saying that he would be a terrible father. When he visited her in hospital, he was shocked by her condition and almost relented in his attempts to drive her away. He promised her a holiday in the Caribbean, but he got off the plane just before takeoff. Mimi departed alone, crying.
Leaving Oscar's cabin, Nigel meets Mimi and they kiss. Afterwards, he finds Fiona in the bar flirting with a young man. She warns Nigel not to stray too far, and that anything he can do, she can do better. Nigel goes to Oscar, who continues his narration. After two years of parties and one-night stands, he drunkenly stepped in front of a vehicle by accident. To his surprise, Mimi came to visit him in the hospital where he was recovering from minor injuries and a fractured femur. Mimi shook hands with him, then pulled him out of his bed and left him hanging in his traction device, leaving him paraplegic. Oscar had no choice but to let Mimi move in with him again and take care of him. She revelled in dominating and humiliating him, seducing men in front of him. When Oscar was desperate and wanted to die, she gave him a gun as a birthday present. Having experienced highs and lows together, they realised they needed each other and actually got married.
Nigel clumsily tries to woo Mimi, encouraged and coached by Oscar. Things come to a head at the New Year's Eve party, when Fiona catches them dancing together. Fiona tells him that Oscar had convinced her to come to the party. She proceeds to dance seductively with Mimi, which culminates in a passionate kiss, cheered on by the other partygoers. A stormy sea interrupts the party and the two women leave together. Nigel goes outside clutching a bottle of liquor and screams his frustration into the wind and waves.
Nigel finds Fiona in Oscar's cabin, sleeping naked beside Mimi. Oscar claims the women have had sex together. Nigel grabs his throat, but Oscar points a gun at him and he backs off. Oscar shoots the sleeping Mimi twice, then kills himself. While the bodies of Oscar and Mimi are being stretchered off the ship, Nigel and Fiona, shaken, embrace each other. Mr Singh encourages his little girl to comfort them.
The film's score by Vangelis was never officially released for sale, although bootlegs of the music taken directly from the film itself have since been produced. [3]
On its release in Europe (in 1992) and North America (in 1994), Bitter Moon was a commercial failure and received mixed reviews from critics. Derek Elley of Variety commented that "Roman Polanski approaches rock bottom" and called the film "a phony slice of huis clos drama" with "a script that's all over the map and a tone that veers from outre comedy to erotic game-playing." [4] Janet Maslin wrote in The New York Times : "Whatever else Mr. Polanski may be – nasty, mocking, darkly subversive in his view of the world – he definitely isn't dull. Bitter Moon is the kind of world-class, defiantly bad film that has a life of its own." [5] A positive review came from Roger Ebert, who said "Polanski directs it without compromise or apology, and it's a funny thing how critics may condescend to it, but while they're watching it you could hear a pin drop." [6] Time Out commented that "Polanski treats this slightly protracted tale of erotic obsession partly as deeply ironic black comedy", "rich and darkly disturbing" and "also wickedly entertaining." [7] Reviewing the film in 2009, Scott Tobias wrote: "Bitter Moon is my favorite of the later-period Polanski films...nasty, potent, and psychologically knotty in a way that recalls the devil-may-care, enfant terrible Polanski of old." [8] According to journalist Matthew Tempest, he and film director Christopher Nolan shared "a soft spot" for Bitter Moon as students. [9]
On the review aggregator website Rotten Tomatoes , 63% of 35 critics' reviews are positive, with an average rating of 6.2/10. [10] Metacritic , which uses a weighted average , assigned the film a score of 62 out of 100, based on 28 critics, indicating "generally favorable" reviews. [11]
Nastassja Aglaia Kinski is a German actress and former model who has appeared in more than 60 films in Europe and the United States. Her worldwide breakthrough was with Stay as You Are (1978). She then came to global prominence with her Golden Globe Award-winning performance as the title character in the Roman Polanski-directed film Tess (1979). Other films in which she acted include the Francis Ford Coppola musical romance film One from the Heart (1982), erotic horror film Cat People (1982) from Paul Schrader, and the Wim Wenders drama films Paris, Texas (1984) and Faraway, So Close! (1993). She also appeared in the biographical drama film An American Rhapsody (2001). She is the daughter of German actor Klaus Kinski.
Raymond Roman Thierry Polański is a French and Polish film director, producer, screenwriter, and actor. He is the recipient of numerous accolades, including an Academy Award, two British Academy Film Awards, ten César Awards, two Golden Globe Awards, as well as the Golden Bear and a Palme d'Or.
The Ninth Gate is a 1999 neo-noir horror thriller film directed, produced, and co-written by Roman Polanski. An international co-production between the United States, Portugal, France, and Spain, the film is loosely based upon Arturo Pérez-Reverte's 1993 novel The Club Dumas. The film stars Johnny Depp as a dealer of rare books who is tasked with authenticating a 17th-century book that, if used correctly, can summon the Devil.
The Last Seduction is a 1994 American neo-noir erotic thriller film directed by John Dahl, featuring Linda Fiorentino, Peter Berg, and Bill Pullman. The film was produced by ITC Entertainment and distributed by October Films. Fiorentino's performance garnered widespread critical acclaim and generated talk of an Oscar nomination, but she was deemed ineligible because the film was shown on HBO before its theatrical release. October Films and ITC Entertainment sued the Academy, but were unable to make Fiorentino eligible for a nomination.
The Vanishing is a 1993 American psychological thriller film directed by George Sluizer and starring Jeff Bridges, Kiefer Sutherland, Nancy Travis, and Sandra Bullock. It is a remake of Sluizer's 1988 French-Dutch film of the same name.
The City is a 1990 album by the Greek artist Vangelis. Reportedly, it was produced entirely in a Rome hotel room, where Vangelis was staying to witness the filming of the Roman Polanski film Bitter Moon. It can be seen as a concept album, citing concepts from urban life and alluding to the big city atmosphere. The album peaked at #3 on the Billboard New Age Albums chart.
Frantic is a 1988 American-French neo-noir mystery thriller film directed by Roman Polanski and starring Harrison Ford and Emmanuelle Seigner. Ennio Morricone composed the film score. Although a commercial failure, the film was a critical success, and has since gone on to become somewhat of a cult classic, with Morricone's score being hailed as one of his best.
Jungle 2 Jungle is a 1997 comedy film directed by John Pasquin, produced by Walt Disney Pictures and TF1 Films Production, and starring Tim Allen, Martin Short, Lolita Davidovich, David Ogden Stiers and JoBeth Williams. A co-production between France and the United States, it is an English-language remake of the 1994 French film Un indien dans la ville. Its plot follows that of the original film fairly closely, with the biggest difference being the change in location from Paris to New York City. Like its original French film, it was a moderate box office success but was panned by critics.
Rent is a 2005 American musical drama film directed by Chris Columbus. It is an adaptation of Jonathan Larson's 1996 Broadway musical of the same name, in turn based on the 1896 opera La bohème by Giacomo Puccini, Luigi Illica and Giuseppe Giacosa, which is itself based on the 1851 novel Scenes of Bohemian Life by Henri Murger.
Mary Reilly is a 1996 American gothic horror film directed by Stephen Frears and starring Julia Roberts and John Malkovich. It was written by Christopher Hampton and adapted from the 1990 novel of the same name by Valerie Martin.
The Blue Kite is a 1993 drama film directed by Tian Zhuangzhuang. Though banned by the Chinese government upon its completion, the film soon found a receptive international audience. Along with Zhang Yimou's To Live and Chen Kaige's Farewell My Concubine, The Blue Kite serves as one of the quintessential examples of China's Fifth Generation filmmaking, and in particular reveals the impact the various political movements, including Anti-Rightist Movement and Cultural Revolution, had upon directors who grew up in the 1950s and 1960s.
Death and the Maiden is a 1994 mystery drama film directed by Roman Polanski and starring Sigourney Weaver, Ben Kingsley and Stuart Wilson. It was based on the 1990 play of the same name by Ariel Dorfman, who also co-wrote the screenplay with Rafael Yglesias.
Festival is a 1967 American documentary film about the Newport Folk Festivals of the mid-1960’s, and the burgeoning counterculture movement of the era, written, produced, and directed by Murray Lerner.
Reprise 1990–1999 is a compilation album by Greek composer Vangelis, released in 1999.
John Joseph Nicholson is an American retired actor and filmmaker. Nicholson is widely regarded as one of the greatest actors of the 20th century. Throughout his five-decade career he received numerous accolades, including three Academy Awards, three BAFTA Film Awards, six Golden Globe Awards, and a Grammy Award. He also received the American Film Institute's Life Achievement Award in 1994 and the Kennedy Center Honor in 2001. In many of his films, he played rebels against the social structure.
The Ghost Writer is a 2010 neo-noir political thriller film directed by Roman Polanski. The film is an adaptation of a 2007 Robert Harris novel, The Ghost, with the screenplay written by Polanski and Harris. It stars Ewan McGregor, Pierce Brosnan, Kim Cattrall and Olivia Williams.
Three Colours: Red is a 1994 drama film co-written, produced and directed by Polish filmmaker Krzysztof Kieślowski. It is the final installment of the Three Colours trilogy, which examines the French Revolutionary ideals; it is preceded by Blue and then by White. Kieślowski had announced that this would be his final film, planning to retire claiming to be through with filmmaking; he would die suddenly less than two years later. Red is about fraternity, which it examines by showing characters whose lives gradually become closely interconnected, with bonds forming between two characters who appear to have little in common.
Venus in Fur is a 2013 French-language erotic drama film directed by Roman Polanski, based on the play of the same name by American playwright David Ives, which itself was inspired by Leopold von Sacher-Masoch's novel Venus in Furs. It stars Emmanuelle Seigner and Mathieu Amalric, the only actors in the film.
Evil Angels is a 1981 novel by the French writer Pascal Bruckner. The French title is Lunes de fiel, which literally means "moons of bile", a pun on "lune de miel", "honeymoon". The story takes place on a passenger ship heading from Marseille to Istanbul, and focuses on a couple who meet a man determined to break them apart. The book was published by Éditions du Seuil. It was published in English in 1987, translated by William R. Beer.
Bulletproof Heart is a 1995 independent Canadian-American neo-noir film directed by Mark Malone. It stars Anthony LaPaglia and Mimi Rogers, alongside a supporting cast featuring Matt Craven, Peter Boyle, Monika Schnarre, Joseph Maher, and Mark Acheson.