Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means. Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar.
Evangelos Odysseas Papathanassiou, known professionally as Vangelis, was a Greek keyboardist, composer, and producer of electronic, progressive, ambient, and classical orchestral music. He was best known for his Academy Award-winning score to Chariots of Fire (1981), as well as for composing scores to the films Blade Runner (1982), Missing (1982), Antarctica (1983), The Bounty (1984), 1492: Conquest of Paradise (1992), and Alexander (2004), and for the use of his music in the 1980 PBS documentary series Cosmos: A Personal Voyage by Carl Sagan.
Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese the only constant member until his death in January 2015. The best-known lineup of the group was its mid-1970s trio of Froese, Christopher Franke, and Peter Baumann. In 1979, Johannes Schmoelling replaced Baumann until his own departure in 1985. This lineup was notable for composing many movie soundtracks. Since Froese's death in 2015, the group has been under the leadership of Thorsten Quaeschning. Quaeschning is Froese's chosen successor and is currently the longest-serving band member, having joined in 2005. Quaeschning is currently joined by violinist Hoshiko Yamane who joined in 2011 and Paul Frick who joined in 2020. Prior to this Quaeschning and Yamane performed with Ulrich Schnauss from 2014 to 2020. Schnauss only played two shows with Froese in November 2014 before Froese's passing.
Digital music technology encompasses digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.
Synth-pop is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.
Oxygène is the third studio album by French electronic musician and composer Jean-Michel Jarre. It was first released in France in December 1976 by Disques Motors, and distributed internationally in 1977 by Polydor Records. Jarre recorded the album in a makeshift studio that he set up in his apartment in Paris, using a variety of analog and digital synthesizers, and other electronic instruments and effects.
Isao Tomita, often known simply as Tomita, was a Japanese composer, regarded as one of the pioneers of electronic music and space music, and as one of the most famous producers of analog synthesizer arrangements. In addition to creating note-by-note realizations, Tomita made extensive use of the sound-design capabilities of his instrument, using synthesizers to create new sounds to accompany and enhance his electronic realizations of acoustic instruments. He also made effective use of analog music sequencers and the Mellotron, and featured futuristic science-fiction themes, while laying the foundations for synth-pop music and trance-like rhythms. Many of his albums are electronic versions and adaptations of familiar classical music pieces. He received four Grammy Award nominations for his 1974 album based on music by Claude Debussy, Snowflakes Are Dancing.
Albedo 0.39 is a studio album by the Greek electronic composer Vangelis, released in 1976. It was the second album produced by Vangelis in Nemo Studios, London, which was his creative base until the late 1980s. It contrasts with his previous album, Heaven and Hell, which was classically inspired and choral, while Albedo 0.39 has blues and jazz overtones. It was his first Top 20 UK album.
Heaven and Hell is a studio album by Greek electronic composer Vangelis, released in November 1975 on RCA Records. It is the first album recorded at his Nemo Studios in London that he used until 1987. It is a concept album based on duality.
Mask is an album by the Greek electronic music composer Vangelis released in March 1985. It was the last he produced for the Polydor label. It is dramatic work in six movements, with somewhat dark mood and classical style which branches into ethnic styles. The album reached #69 position in the UK album charts.
Beaubourg is a studio album by the Greek electronic composer Vangelis, released in July 1978. It was the fourth album produced by Vangelis in Nemo Studios, London, and his final album for RCA Records. It is an avant-garde-experimental album.
Blade Runner: Original Motion Picture Soundtrack is the soundtrack for Ridley Scott's 1982 science-fiction noir film Blade Runner, composed by Greek electronic musician Vangelis. It has received acclaim as an influential work in the history of electronic music and one of Vangelis's best works. It was nominated in 1983 for a BAFTA and Golden Globe for best original score. The score evokes the film's bleak futurism with an emotive synthesizer-based sound, drawing on the jazz scores of classic film noir as well as Middle Eastern texture and neo-classical elements.
Eloy Fernando Fritsch is an electronic musician, keyboard player and main composer of Brazilian progressive rock band Apocalypse. As a solo artist he creates cosmic new-age music.
Mythodea — Music for the NASA Mission: 2001 Mars Odyssey is a choral symphony by Greek electronic composer and artist Vangelis. It premiered as a single concert in Athens, Greece, in 1993 but a recording was only released in 2001 by Vangelis' then new record label Sony Classical, which also set up the NASA connection and promoted a new concert, this time with a worldwide audience.
Soil Festivities is a studio album by the Greek electronic composer Vangelis, released in October 1984.
Chariots of Fire is a 1981 musical score by Greek electronic composer Vangelis for the British film Chariots of Fire, which won four Academy Awards including Best Picture and Original Music Score.
The Korg PS-3300 is a polyphonic analog synthesizer, produced by Korg between 1977 and 1981.
The Yamaha DX21 is a digital controlled bi-timbral programmable digital FM synthesizer with a four operator synth voice generator which was released in 1985. It uses sine wave-based frequency modulation (FM) synthesis. It has two FM tone generators and a 32-voice random-access memory (RAM), 32 user voices and 128 read-only memory (ROM) factory preset sounds. As a programmable synth, it enables users to create their own unique synthesized tones and sound effects by using the algorithms and oscillators. The instrument weighs 8 kg (17.6 lbs). On its release, it sold for $795.
Score is the second studio album from the British keyboardist Duncan Mackay, which was released by EMI in 1977.
Markella Hatziano is an operatic mezzo-soprano born in Athens, Greece.
