Shelton Jackson "Spike" Lee is an American film director, producer, screenwriter, actor, and author. His work has continually explored race relations, issues within the black community, the role of media in contemporary life, urban crime and poverty, and other political issues. Lee has won numerous accolades for his work, including an Academy Award, two Primetime Emmy Awards, a BAFTA Award, and two Peabody Awards. He has also been honored with an Honorary BAFTA Award in 2002, an Honorary César in 2003, and the Academy Honorary Award in 2015.
Uncle Tom is the title character of Harriet Beecher Stowe's 1852 novel Uncle Tom's Cabin. The character was seen in the Victorian era as a ground-breaking literary attack against the dehumanization of slaves. Tom is a deeply religious Christian preacher to his fellow slaves who uses nonresistance, but who is willingly flogged to death rather than violate the plantation's code of silence by informing against the route being used by two women who have just escaped from slavery. However, the character also came to be criticized for allegedly being inexplicably kind to white slaveowners, especially based on his portrayal in pro-compassion dramatizations. This led to the use of Uncle Tom – sometimes shortened to just a Tom – as a derogatory epithet for an exceedingly subservient person or house negro, particularly one accepting and uncritical of their own lower-class status.
Blackface is the practice of performers using burnt cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a global perspective that includes European culture and Western colonialism. Scholars with this wider view may date the practice of blackface to as early as Medieval Europe's mystery plays when bitumen and coal were used to darken the skin of white performers portraying demons, devils, and damned souls. Still others date the practice to English Renaissance theatre, in works such as William Shakespeare's Othello.
The Black and White Minstrel Show is a British light entertainment show on BBC prime-time television that ran from 1958 to 1978. The weekly variety show presented traditional American minstrel and country songs, as well as show tunes and music hall numbers, lavishly costumed and often presented with cast members in blackface. A popular stage show, based on the TV show with the same title, ran from 1962 to 1972 at the Victoria Palace Theatre, London. This was followed by tours of UK seaside resorts until 1989, and tours in Australia and New Zealand. From early in its history, and increasingly throughout its run, the show received criticism for its racist premise and content.
The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of comically portraying racial stereotypes of African Americans. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows stereotyped blacks as dimwitted, lazy, buffoonish, cowardly, superstitious, and happy-go-lucky. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent.
Tiffany Lane, better known by her stage name Charli Baltimore, is an American rapper and television personality. Her stage name is taken from Geena Davis's character in the film The Long Kiss Goodnight.
Michael Ray Charles is an American painter born in Lafayette, Louisiana. He won the Rome Prize in 2018.
Michael Berrin, better known by his stage name MC Serch, is an American rapper and record executive. He gained fame as part of the hip hop group 3rd Bass, who were active in the late 1980s and early 1990s and released three studio albums.
Daniel Decatur Emmett was an American composer, entertainer, and founder of the first troupe of the blackface minstrel tradition, the Virginia Minstrels. He is most remembered as the composer of the song "Dixie".
Paul Gladney, better known by the stage name Paul Mooney, was an American comedian, writer, and actor. He collaborated with Redd Foxx, Eddie Murphy and Dave Chappelle, wrote for comedian Richard Pryor and the television series Sanford and Son, In Living Color and Chappelle's Show, as well as acting in The Buddy Holly Story (1978), the Spike Lee-directed satirical film Bamboozled (2000), and Chappelle's Show.
Mantan Moreland was an American actor and comedian most popular in the 1930s and 1940s. He starred in numerous films. His daughter Marcella Moreland appeared as a child actor in several films.
Mickey's Mellerdrammer is a 1933 American animated short film produced by Walt Disney Productions and released by United Artists. The title is a corruption of "melodrama", thought to harken back to the earliest minstrel shows, as a film short based on Harriet Beecher Stowe's 1852 anti-slavery novel Uncle Tom's Cabin and stars Mickey Mouse and his friends who stage their own production of the novel. It was the 54th Mickey Mouse short film, and the fourth of that year.
William Best, known professionally as Willie Best or Sleep 'n' Eat, was an American television and film actor.
The discography of Yasiin Bey, formerly known as Mos Def, an American rapper, consists of four solo albums, two compilation albums, and several singles. Bey began his hip hop career in 1994 in the underground rap group UTD alongside his sibling group members DCQ and Ces, after which he pursued a solo career. In 1998, he made his mainstream debut on Rawkus Records in the duo Black Star with rapper Talib Kweli. "Definition", the lead single from Black Star's self-titled debut album, reached No. 60 on the Billboard Hot 100 and No. 3 on the Hot Rap Singles chart.
Al Jolson was a Lithuanian-born American singer, actor, and vaudevillian.
William D. Foster, sometimes referred to as Bill Foster, was a pioneering African-American film producer who was an influential figure in the Black film industry in the early 20th century, along with others such as Oscar Micheaux. He was the first African American to found a film production company, establishing the Foster Photoplay Company in Chicago in 1910. Foster had a vision for the African-American community to portray themselves as they wanted to be seen, not as someone else depicted them. He was influenced by the black theater community and wanted to break the racial stereotyping of blacks in film. He was an actor and writer under the stage name Juli Jones, as well as an agent for numerous vaudeville stars. His film The Railroad Porter, released in 1912, is credited as being the world's first film with an entirely black cast and director. The film is also credited with being the first black newsreel, featuring images of a YMCA parade. Foster's company produced four films that were silent shorts.
Whiteface is a type of performance in which a dark person uses makeup in order to appear white-skinned, usually to portray a stereotype. The term is a reversal of the form of performance known as blackface, in which makeup was used by a performer to make themselves look like a black person, usually to portray a stereotype. Whiteface performances originated in the 19th century, and today still occasionally appear in films. Modern usages of whiteface can be contrasted with blackface in contemporary art.
The Jim Crow persona is a theater character developed by entertainer Thomas D. Rice (1808–1860) and popularized through his minstrel shows. The character is a stereotypical depiction of African-Americans and of their culture. Rice based the character on a folk trickster named Jim Crow that had long been popular among enslaved black people. Rice also adapted and popularized a traditional slave song called "Jump Jim Crow" (1828).
Samuel D. Pollard is an American film director, editor, producer, and screenwriter. His films have garnered numerous awards such as Peabodys, Emmys, and an Academy Award nomination. In 2020, the International Documentary Association gave him a career achievement award. Spike Lee, whose films Pollard has edited and produced, described him as being "a master filmmaker." Henry Louis Gates Jr. characterizes Pollard's work in this way: "When I think about his documentaries, they add up to a corpus — a way of telling African-American history in its various dimensions."
