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Urban Bush Women (UBW) [1] , founded in 1984 by Jawole Willa Jo Zollar, is a Brooklyn, New York-based non-profit dance company and professional African-American women's dance company. The ensemble performs choreography by Zollar and several other choreographers, often with a focus on the experiences of women of African descent. [2]
Urban Bush Women aims to engage with artists, activists, audiences, and communities through performances, artist development, education, and community engagement. [3]
UBW has performed throughout the United States, as well as Asia, Australia, Canada, Germany, South America, Europe and Senegal (in collaboration with Germaine Acogny and her all-male Compagnie JANT-BI).
Performances in the USA include Jacob's Pillow, Spoleto USA, National Black Arts Festival, Dance Umbrella UK, and Lincoln Center. The company's repertory consists of 33 works choreographed by Zollar including ambitious collaborations with jazz artist David Murray; poets Laurie Carlos and Carl Hancock Rux; directors Steve Kent and Elizabeth Herron; and the National Song and Dance Company of Mozambique (supported by The Ford Foundation's Africa Exchange Program).
Programs run by the centre include the Summer Leadership Institute (SLI), BOLD (Builders, Organizers & Leaders through Dance) and the Choreographic Center Initiative. UBW affects the overall ecology of the arts by promoting artistic legacies; projecting the voices of the under-heard and people of color; bringing attention to and addressing issues of equity in the dance field and throughout the United States; and by providing platforms and serving as a conduit for experimental art makers.
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The company has been commissioned by presenters nationwide, and includes among its honors a New York Dance and Performance Award (“Bessie”); the Capezio Award for Outstanding Achievement in Dance; and two 2004 Doris Duke Awards for New Work from the American Dance Festival. In March 2010, UBW toured South America as part of DanceMotion USA, a cultural diplomacy initiative spearheaded by the U.S. Department of State's Bureau of Educational and Cultural Affairs and the Brooklyn Academy of Music. [4]
In 2016, the company was awarded the Dance/USA Honor Award. [5] The company received the Bessie Lifetime Achievement in Dance Award in 2017. [6]
Susan Marshall is an American choreographer and the Artistic Director of Susan Marshall & Company. She has held the position of Director of the Program in Dance at Princeton University since 2009.
The New York Dance and Performance Awards, also known as the Bessie Awards, are awarded annually for exceptional achievement by independent dance artists presenting their work in New York City. The broad categories of the awards are: choreography, performance, music composition and visual design. The Bessie Awards were established in 1983.
DanceAfrica is a heritage and community celebration equable on the manifold dance forms of the African Diaspora held annually in New York City, Washington, DC, and Chicago. Included are indoor and outdoor performance including live music, a film series, master classes, education programs, and an outdoor bazaar. Its current artistic director is Abdel R. Salaam.
Bebe Miller is an American choreographer, dancer, and director.
Jawole Willa Jo Zollar is an American dancer, teacher and choreographer of modern dance. She is the founder of the Urban Bush Women dance company.
Jonah Bokaer is an American choreographer and media artist. He works on live performances in the United States and elsewhere, including choreography, digital media, cross-disciplinary collaborations, and social enterprise.
Jeraldyne Blunden (1940–1999) was the founder and artistic director of the Dayton Contemporary Dance Company.
Camille A. Brown is a dancer, choreographer, director and dance educator. She is the Founder & Artistic Director of Camille A. Brown & Dancers, and has congruently choreographed commissioned pieces for dance companies, Broadway shows, and universities. Brown started her career as a dancer in Ronald K. Brown’s Evidence, A Dance Company, and was a guest artist with Rennie Harris Puremovement, and Alvin Ailey American Dance Theater. Brown has choreographed major Broadway shows such as Choir Boy, Once on This Island and Jesus Christ Superstar Live in Concert! that aired on NBC. Brown also teaches dance and gives lectures to audiences at various universities such as Long Island University, Barnard College and ACDFA, among others.
Lorenzo Harris is a dancer, choreographer, artistic director and professor of hip-hop dance. Harris formed the first and longest running hip-hop dance touring company, Rennie Harris Puremovement in 1992. In 2007, he conceived another touring company, RHAW or Rennie Harris Awe-Inspiring Works.
Reggie Wilson/Fist and Heel Performance Group is a Brooklyn-based dance performance group created by Reggie Wilson in 1989. The group blends contemporary dance with African traditions in what the founder and choreographer terms “Post-African Neo Hoodoo Modern dance.”
Dayton Contemporary Dance Company, which was founded in 1968 by Dayton, Ohio native, Jeraldyne Blunden, is the oldest modern dance company in Ohio, and one of the largest companies of its kind between Chicago and New York City.
Big Dance Theater is a New York City-based dance theater company. It is led by Artistic Director Annie-B Parson, who founded Big Dance Theater in 1991 with Molly Hickok and Paul Lazar. Big Dance Theater has created over 20 dance/theater works and won 18 awards over the years. They have been commissioned by the Brooklyn Academy of Music, The National Theater of Paris, The Japan Society, and The Walker Art Center, and have performed in venues such as the Brooklyn Academy of Music, Dance Theater Workshop, The Kitchen, Classic Stage Company, Japan Society, Jacob's Pillow Dance Festival, the Chocolate Factory, the Museum of Contemporary Art in Chicago, Walker Art Center, Yerba Buena, On the Boards, New York Live Arts, UCLA Live, The Spoleto Festival USA, and at festivals in Europe and Brazil.
Ishmael Houston-Jones is a choreographer, author, performer, teacher, curator, and arts advocate known for his improvisational dance and language work. His work has been performed in New York City, across the United States, in Europe, Canada, Australia and Latin America. Houston-Jones and Fred Holland shared a 1984 New York Dance and Performance Bessie Award for their work Cowboys, Dreams and Ladders performed at The Kitchen and he shared another Bessie Award in 2011 with writer Dennis Cooper and composer Chris Cochrane for the 2010 revival of their 1985 collaboration, THEM. THEM was performed at Performance Space 122, the American Realness Festival, Springdance in Utrecht, Tanz im August in Berlin, REDCAT in Los Angeles, Centre Pompidou in Paris, and at TAP, Theatre and Auditorium of Poitiers, France. The 1985 premier performance of THEM at PS122 was part of New York's first AIDS benefit.
Dianne McIntyre is an American dancer, choreographer, and teacher. Her notable works include Their Eyes Were Watching God: A Dance Adventure in Southern Blues , an adaptation of Zora Neal Hurston's novel Their Eyes Were Watching God, as well as productions of why i had to dance,spell #7, and for colored girls who have considered suicide when the rainbow is enuf, with text by Ntozake Shange. She has won numerous honors for her work including an Emmy nomination, three Bessie Awards, and a Helen Hayes Award. She is a member of the Stage Directors and Choreographers Society, the American Society of Composers, Authors and Publishers, and the Dramatists Guild of America.
Amara Tabor-Smith is a San Francisco Bay Area-based choreographer and performer noted for significant contributions to dance that draw on, celebrate, and reconfigure African-American and women's history.
Michelle Dorrance is an American tap dancer, performer, choreographer, teacher and director. Awarded a MacArthur "Genius Grant", she is the Founder and artistic director of Dorrance Dance. Dorrance is known for her creative ensemble choreography, rhythm tap style and ambitious collaborative projects with fellow tap dance choreographers and musicians. She is currently a 2017 Choreographic Fellow at New York City Center and an Artist in Residence at the American Tap Dance Foundation. Dorrance lives in Brooklyn, New York.
Blondell Cummings was an American modern dancer and choreographer. She is known for her experimental choreography and was a fixture in the New York and Harlem dance scene for decades.
Nadine George-Graves is an academic who works at the intersection of African American studies, gender studies, and dance and theater history. She holds the Naomi Willie Pollard Endowed Chair at Northwestern University with appointments in the Department of Performance Studies and Department of Theatre. She is also the executive co-editor of Dance Research Journal. She has a PhD in Theater and Drama from Northwestern University, and a BA in Philosophy and Theater Studies from Yale University.
Abdel R. Salaam was born in Harlem, New York City. He is a choreographer, director, producer, mentor, and educator. He has been active in the arts since 1955. He is the co-founder and director of Forces of Nature Dance Theatre located in New York City. He is also the artistic director of DanceAfrica. DanceAfrica was founded by Chuck Davis (dancer). DanceAfrica festival has become one of the largest African American dance, music, and art festival in the United States of America. Thousands of people attend the yearly festival which takes place at the Brooklyn Academy of Music during the Memorial Day holiday. The festival includes an outdoor bazaar, films, music, and workshops. It is one of Brooklyn Academy of Music's longest running festival.
Hope Boykin is an American dancer, choreographer, educator, director, writer, and speaker who is a former member of the Alvin Ailey American Dance Theater. Her mission is to create and share "within an environment of acceptance, brings new levels of awareness. Exploring, developing, and teaching a sound and healthy approach to movement and expression, promotes growth. Lifting and leading young and aspiring artists to a secure foundation and a concrete understanding evolves a confidence and an assurance which will be unmatched. There are no limits." She has inspired many with her journey to sharing her continued explorations with others on her path to search for hope. She continues to exhibit that her voice is indeed relevant and continues to remain significant within the dance community and world today.
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