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Dayton Contemporary Dance Company | |
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General information | |
Name | Dayton Contemporary Dance Company |
Year founded | 1968 |
Founding artistic director | Jeraldyne Blunden |
Website | dcdc |
Senior staff | |
Executive Director | Ro Nita Hawes-Saunders |
Artistic staff | |
Artistic Director | Debbie Blunden-Diggs |
Other | |
Official school | Jeraldyne's School of Dance |
Dayton Contemporary Dance Company, which was founded in 1968 by Dayton, Ohio native, Jeraldyne Blunden, is the oldest modern dance company in Ohio, and one of the largest companies of its kind between Chicago and New York City. [1]
The Dayton Contemporary Dance Company was founded in 1968 by Jeraldyne Blunden as a performance outlet for students at Jeraldyne's School of Dance. Blunden picked students from her school for the dance company, acquiring twelve female dancers by 1972. One of these original dancers was Blunden's daughter, Debbie Blunden-Diggs, who would later become artistic director of the company.
In 1973, the company performed Blunden's ballet, Flite, earning the honor of being the first African-American group to gain membership to the Northeast Regional Ballet Association Festival. The company soon produced its first large scale performance in 1976, also marking the first time the dancers were paid for a performance. They performed Black Snow, a collaboration with acclaimed composer Roy Meriwether at Dayton's Memorial Hall in front of a sold-out audience.
Blunden shaped the Dayton Contemporary Dance Company as a repertory company through her continuous invitations for renowned guest artists to create pieces for her dancers. Young, budding choreographers, including Ulysses Dove, contributed to the growing company's repertory.
DCDC's outstanding repertoire includes works by world class master choreographers such as Eleo Pomare, Alvin Ailey, Ulysses Dove, Merce Cunningham, Donald McKayle, Rennie Harris, and Talley Beatty. Today, DCDC continues to acquire new works by contemporary choreographers including Bebe Miller, Warren Spears, Dianne McIntyre, Shapiro and Smith, and Ronald K. Brown. To further expand its repertoire, DCDC commissioned works inviting Bill T. Jones, Garth Fagan, Dwight Rhoden and Doug Varone to participate in DCDC's What Dreams We have and How They Fly. This four-piece program premiered in 2003 to celebrate Dayton's native sons, the Wright Brothers’ first flight 100 years ago and will artistically explore what the invention of flight means to our contemporary world. 2013-14, as part of DCDC's 45th Anniversary, 10 new works were commissioned for DCDC by choreographers' Kiesha Lalama, Ronen Koresh, Ray Mercer, Donald Byrd, Alvin Rangel, Rodney A. Brown and more.
The company's apprenticeship dance corps, DCDC2, was established as the pre-professional wing of the rising touring company under the leadership of Kevin Ward. In 1990, Blunden fell ill and Kevin Ward became the new artistic director of the company. Blunden's daughter, Debbie Blunden-Diggs, became the new director of DCDC2. Since, former DCDC dancer Shonna Hickman-Matlock has become director of DCDC2.
Kevin Ward retired on July 1, 2007, and Debbie Blunden-Diggs became the company's new artistic director.
The company has toured internationally to other countries including Bermuda, Canada, Chile, France, Germany, Poland, Russia, and South Korea
DCDC is one of three dance companies across the United States tapped to tour internationally through the seventh season of DanceMotion USA, a dynamic cultural diplomacy program run through the U.S. Department of State and Brooklyn Academy of Music. [2]
The company performed in China to celebrate the grand opening of the University of Dayton's China Institute in Suzhou Industrial Park. [5]
The company performed in Chile alongside Hubbard Street Dance Chicago, Cirque Eloize, and Chile's Jose Luis Vidal at the Las Condes Municipal Theatre. [6]
The company reprised its most popular dance offering ever, In the Spirit of..., held at the Dayton Masonic Temple. In the Spirit of... paid tribute to African-American liturgical worship, complete with a 100-voice choir assembled from local churches, instrumentalists, dancers from both the company and DCDC2, and nationally renowned jazz and blues saxophonist Kirk Whalum and equally renowned gospel and R&B singer Shirley Murdock.
The company commissioned new dance works inspired by the powerful paintings of Jacob Lawrence from choreographers Donald Byrd, Rennie Harris, Kevin Ward, and Reggie Wilson. This became the company's second largest touring project.
The company commissioned Dianne McIntyre to choreograph a piece celebrating the life and poetry of Paul Laurence Dunbar.
The company united choreographer Ronald K. Brown with noted jazz pianist Mulgrew Miller in an innovative jazz/dance collaboration.
In celebration of Dayton's native Wright Brothers’ 100th Anniversary of flight, the company invited Bill T. Jones, Bebe Miller, Jawole Willa Jo Zollar, Dwight Rhoden, and Doug Varone to create new works that artistically explore what the invention of flight means to our contemporary world. This five-piece program was the first and largest touring project the company has had in its history.
DCDC premiered Children of the Passage by Donald McKayle and Ronald K. Brown. This work was commissioned by the National Afro-American Museum and Cultural Center as part of a major project,
The company offers lecture demonstrations, workshops, school field trips, and residency programs adaptable for all ages. These educational offerings are available both in Dayton and while the company is on tour. The company aims to use dance as an experiential tool to facilitate learning in all subjects, supporting student success as determined by the state of Ohio Academic Content Standards.
Walter Nicks was an African-American modern dancer, choreographer, and teacher of jazz and modern dance. He was a certified master teacher of Katherine Dunham technique. He was professionally active for nearly 60 years.
Ulysses Dove was one of the most innovative contemporary choreographers of the past half-century.
Donald McKayle was an American modern dancer, choreographer, teacher, director and writer best known for creating socially conscious concert works during the 1950s and '60s that focus on expressing the human condition and, more specifically, the black experience in America. He was "among the first black men to break the racial barrier by means of modern dance." His work for the concert stage, especially Games (1951) and Rainbow Round My Shoulder (1959), has been the subject of widespread acclaim and critical attention. In addition, McKayle was the first black man to both direct and choreograph major Broadway musicals, including the Tony Award-winners Raisin (1973) and Sophisticated Ladies (1981), and he worked extensively in television and film. As a young man he appeared with some of the twentieth century's most important choreographers, including Martha Graham, Anna Sokolow, and Merce Cunningham, and in some of Broadway's landmark productions, including House of Flowers (1958) and West Side Story (1957), where he served for a time as the production's dance captain. A Tony Award and Emmy Award nominee, McKayle held an endowed chair for the last decades of his life in the Dance Department at UC Irvine, where he was the Claire Trevor Professor of Dance. He previously served on the faculties of Connecticut College, Sarah Lawrence College, and Bennington College.
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