A step on the spot, with twisting foot and the weight on the heel, like this.
Ball change is a movement where the dancer shifts the weight from the ball of one foot to the other and back. [1] This is mostly used in jazz and jive.
A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [ broken anchor ]s and dance positions [ broken anchor ] to enjoy it socially.
In this the dancer moves the body like a wave in standing position from head to legs, like this.
The box step is a dance figure named so because the steps rest in the four corners of a square. It is used, e.g., in American Style ballroom dances: rumba, waltz, bronze-level foxtrot. The leader begins with the left foot and proceeds as follows. [2]
Every step is with full weight transfer. During the second and fourth step it is advised the foot to travel along two sides of the box, rather than along its diagonal. [2]
Rhythm varies, e.g., it is "1-2-3,4-5-6" in Waltz and "slow quick quick, slow quick quick" in Rumba.
French for "chain", a series of quick turns starting from second position going to first position alternating on either flat feet or on relevé with progression along a straight line or circle.
Chassé (French, "to chase") is a dance step with a triple step pattern used in many forms of dance. [1] It is a gliding, flowing[ citation needed ] step with the feet essentially following a step–together–step pattern. Timing and length of steps vary from dance to dance.
Closed change is a basic step in the waltz. The leader steps forward on either foot whilst the follower steps backward on the opposing foot (e.g.: the leader steps forward on their right foot whilst the follower steps back on their left). Both partners will then step to the side on the other foot, and conclude the figure by closing the first foot beside the second (hence the name "closed" of the step). Each step takes up a full beat of the music. [3]
Cross-body lead is a common and useful move in Latin dances such as salsa, mambo, rumba and cha-cha-cha. Basically, the leader, on counts 2 and 3 of their basic step (assuming dancing on 1), does a quarter-left turn (90° counter-clockwise) while still holding on to the follower. On counts 4 and 5, the follower is led forward across the leader, i.e., firmly led with the leader's right hand on their back, so that the follower travels across to turn and face the opposite direction they were originally facing. At the same time, the leader does another quarter-left turn as necessary in order to follow the follower and face them. At the end of the move, the dancers have their positions exchanged.
The cross-body lead can be done with single-hand or double hand hold, with or without a follower's underarm turn, or leading the follower to do a free spin.
Dosado is a circular movement where two people, who are initially facing each other, walk around each other without or almost without turning, i.e., facing in the same direction (same wall) all the time.
The double reverse spin is a full left (counter-clockwise) turn in one measure of music. It is danced in waltz, quickstep and tango. [4]
This is a dance movement common in salsa, where the two dance partners facing each other change positions. The dance partners keep contact with one or two hands while stepping to rotate concentrically over 180 degrees around the same point in opposite directions.
The feather step is a basic figure in International Style foxtrot, in which the leader makes three or four steps forward, with the third one (right foot) done outside the follower. [5]
In lead and follow dance, a dance turn performed without partner contact.
"Gancho" means "hook" in Spanish and describes certain "hooking actions" in some dances of Latin American heritage, in Argentine tango (leg action) [1] and salsa (arm action and foot action) in particular.
The grapevine or vine starts with a side step, then the working leg goes behind, then stepping to the side, then join. [1]
A variant of the heel turn, in which the feet are kept apart. [3]
A ballroom dance move, which is the turn on the heel of the support foot while the other foot is held close and parallel to the support one. At the end of the turn the weight is transferred from one foot to the other. [3]
The impetus is a kind of leader's heel turn used in Standard dances. In case of the open impetus, it brings the couple from a closed position into promenade position. [6]
A step taken forward into the space occupied by the partner, while the partner steps backwards. During this step feet tracks of both partners overlap. See also outside partner step.
The term is applied to an individual turn of a partner in the couple. Basically, it denotes a turn where the arm of the partner doing the turn begins by moving towards the "inside" of the couple (the line running from the center of one partner to the center of the other). The meaning is intuitively clear, but it may be performed in numerous ways and in different handholds, so that even accomplished dancers are confused. In dances such as swing and salsa, inside and outside turns most commonly refer to underarm turns done by the follower. Since in these dances the follower's right arm is normally used to lead a turn (most commonly by the leader's left arm, but sometimes by the leader's right arm when a cross-hand or "handshake" position is used), an inside turn is normally a left (counter-clockwise) turn, while an outside turn is a right (clockwise) turn. However, if the follower's left arm is used to initiate the turn, the intended direction of turning may be opposite. (Alternatively, the non-ambiguous terms "left turn" and "right turn" may be used.)
See Direction of movement for more detail.
Moving the knee upwards and then quickly kicking downwards with the foot. The ankle is stretched, that is, the toes are pointing down. [1]
A lock step is an alternative variation of a chassé action which occurs when the moving foot swings to a stop across the track of the standing foot rather than closing next to it. In the Latin dances the combination of the crossed position and the turnout of the feet means that the rear toe will be pointed at the heel of the other foot, while in the Standard dances the lack of turnout means the feet will be parallel. In Standard the basic locking action is usually preceded and followed by a left side lead. The Latin lock step is often featured when cha-cha is danced in open position with a one-hand hold.
The moonwalk is a dance technique that presents the illusion of the dancer being pulled backwards while attempting to walk forward, like this
Natural turns and some other figures are those in which the dance couple rotates to the right (clockwise). [7]
A ballroom dance figure in which during the last step the moving foot passes the support foot, rather than closes to it. [3]
A step taken with the partner beside the moving foot (e.g., to the left of the left moving foot). During this step feet tracks of both partners do not overlap. See also inside partner step.
Cf. Inside turn.
The term is applied to an individual turn of a partner in the couple. Basically, it denotes the lead/follow connection directed "outside" of the center of the spinning individual. Inside and outside terminology can not be determined by relativity to partnership as such position alternates every 180 degrees of rotation. Connection points and application of active side are consistent only with regard to the axis of rotation and direction of spin.
See Direction of movement for more detail.
A pirouette usually means turning or spinning on one foot while touching the standing leg with the opposite leg in a bent position.
Reverse turns and some other figures are those in which the dance couple rotates to the left (counter-clockwise). [8]
See Ballet glossary#Rond de jambe . A toe of the straight leg draws a semicircle on the floor. In ballroom dances the direction is usually from the front to back.
The Running man is a dance move in which the person stays in the same place and creates an illusion like a running man by dragging his feet.
A forward walk with twisted knees originally performed by George Snowden.
The natural spin turn is a common right-turning move in international standard waltz and quickstep. It can be used, for example, to navigate a corner of the ballroom. [9]
The sprinkler is a dance move that simulates the motion of a garden irrigation sprinkler.
Suzie Q or Suzy Q is a step where the feet perform alternating cross steps and side steps with swivel action.
The thunder clap is a form of dance that incorporates clapping in the air with a sliding motion.[ citation needed ] To perform this dance one must raise one hand and then with the second hand meet the first one half way making a clapping sound; that hand must then fully extend. This motion is repeated to the beat of the music.
The walk is probably the most basic dance move. It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.)
In dance descriptions the term walk is usually applied when two or more steps are taken in the same direction. A single step, e.g., forward, is called just thus: "step forward".
Walks can be done in various dance positions: in closed position, promenade position, shadow position, sweetheart position, etc.
Curved walks are done along a curve, rather than along a straight line.
The various kinds of whisk are dance moves in International Standard and American Smooth dances. They are characterised by the partners crossing their outside legs behind their inside legs, arriving in promenade position. [10]
The wing is a move in waltz and other Standard dances. Both partners take a step forward, and then the lady walks in a half-circle in front of the man from his right to his left side. [11]
The Worm is a move in which the person makes rhythmic wave like movements lying on the ground.
Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television.
In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated.
Salsa is a Latin American dance, associated with salsa music. It originated in the late Eastern Cuba and gained popularity in New York in 1960.
A redowa is a dance of Czech origin with turning, leaping waltz steps that was popular in European ballrooms.
Soviet ballroom dance was a category of ballroom dance competitions in the former Soviet Union. Competitions in Ballroom dancing in the USSR were held in three dance categories: Standard dances, Latin dances, and Soviet dances.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
In ballroom dancing, directions of progressive movement, in particular directions of steps, can be indicated either in relation to the room or in relation to the body position. Directions of turns, although there are only two of them, may also be indicated in several ways.
Merengue is a style of Dominican music and dance. Merengue is the national dance of the Dominican Republic and is also important to national identity in the country. It is a type of danced walk and is accessible to a large variety of people with or without dance experience. The music of merengue draws influence from European and Afro-Cuban styles and mainly uses instruments like guitars, drums, and a charrasca or metal scraper. The dance originated as a rural dance and later became a ballroom dance. Merengue has three distinct sections: the paseo, the merengue proper, and the closing jaleo which includes improvisation.
Box step is a basic dance step named after the pattern it creates on the floor, which is that of a square or box. It is used in a number of American Style ballroom dances: rumba, waltz, bronze-level foxtrot. While it can be performed individually, it is usually done with a partner. This is the most common dance step in the waltz. In international standard dance competition, there is a similar step called closed change.
The closed change is a Pre-Bronze, or newcomer waltz figure, performed in closed position. Changes may start of the right foot or left foot, moving forward or backward. This makes four different types of closed changes. Combining two changes results in a box step. In right changes the man starts from the right foot, while in left ones the man starts from the left foot.
The basic step, basic figure, basic movement, basic pattern, or simply basic is the dance move that defines the character of a particular dance. It sets the rhythm of the dance; it is the default move to which a dancer returns, when not performing any other moves. More formally, it can be defined as a "rhythmic step pattern" in the form of a "consistent and recurring grouping of weight changes" between the feet which is rhythmic and repeated for the length of a song. For some dances it is sufficient to know the basic step performed in different handholds and dance positions to enjoy it socially.
The cha-cha-cha, is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps that characterize the dance.
The country/western two-step, often called the Texas two-step or simply the two-step, is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found in country music]. One-two, one-two, slide-shuffle. The two-step is related to the polka, the Texas waltz, and the jitterbug.
The Texas two-step is the same step known to ballroom dancers as the international fox-trot. Except for the one-step, which is just that, most Texas dances are variations of a two-step, also called a half-step, which is simply a step-close-step. The Texas two-step is generally done with two long steps and a step-close-step to two-four time. Speeded up, it's a shuffle or double shuffle, but still a two-step.
Contra body movement is used in ballroom dances, such as waltz, foxtrot, tango, and quickstep. It comprises turning the body against the movement of the legs: either moving forward with the right foot and the left hip and shoulder, or vice versa.
The counter promenade position is a dance position in ballroom and other dances. It is described differently in various dance categories, but essentially it is the opposite of the promenade position.
British Ice Skating is the national governing body of ice skating within the United Kingdom. Formed in 1879, it is responsible for overseeing all disciplines of ice skating: figure skating ; synchronised skating; and speed skating.
Bachata is a style of social dance from the Dominican Republic which is now danced all over the world. It is connected with bachata music.
In dance and gymnastics, a turn is a rotation of the body about the vertical axis. It is usually a complete rotation of the body, although quarter (90°) and half (180°) turns are possible for some types of turns. Multiple, consecutive turns are typically named according to the number of 360° rotations.
The whisk is a ballroom dance step used in the waltz and American style Viennese waltz. It is one of several ways to get into promenade position and is used to turn dancers around corners or change their direction on the dance floor. It can be performed after a reverse turn.
Figures of Argentine tango are elements of Argentine tango.