A square dance is a dance for four couples, or eight dancers in total, arranged in a square, with one couple on each side, facing the middle of the square. Square dances are part of a broad spectrum of dances known by various names: country dances, traditional dances, folk dances, barn dances, ceilidh dances, contra dances, Playford dances, etc. These dances appear in over 100 different formations, of which the Square and the Longways Set are by far the most popular formations.
In partner dancing, closed position is a category of positions in which partners hold each other while facing at least approximately toward each other.
Partner dances are dances whose basic choreography involves coordinated dancing of two partners, as opposed to individuals dancing alone or individually in a non-coordinated manner, and as opposed to groups of people dancing simultaneously in a coordinated manner.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
Professional wrestling holds include a number of set moves and pins used by performers to immobilize their opponents or lead to a submission. This article covers the various pins, stretches and transition holds used in the ring. Some wrestlers use these holds as their finishing maneuvers, often nicknaming them to reflect their character or persona. Moves are listed under general categories whenever possible.
A suplex is an offensive move used in sport wrestling, and brazilian jiu jitsu (bjj) as well as amateur wrestling and professional wrestling. It is a throw that involves lifting the opponents and bridging or rolling to slam them on their backs.
A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare.
Bulgarian folk dances are intimately related to the music of Bulgaria. This distinctive feature of Balkan folk music is the asymmetrical meter, built up around various combinations of 'quick' and 'slow' beats. The music, in Western musical notation, is often described using compound meter notation, where the notational meter accents, i.e., the heard beats, can be of different lengths, usually 1, 2, 3, or 4. Many Bulgarian dances are line dances, in which the dancers dance in a straight or curved line, holding hands.
The Virginia reel is a folk dance that dates from the 17th century. Though the reel may have its origins in Scottish country dance and the Highland reel, and perhaps have an even earlier origin from an Irish dance called the Rinnce Fada, it is generally considered to be an English country dance. The dance was most popular in America from 1830–1890.
Do-si-do is a dance move in squaredancing where two partner, standing next to each other and both facing opposite directions, clasp arms together and go in a circle.
Right and left grand, also known as grand right and left, is a square dance move in which all eight dancers in the set, moving in a circular fashion, execute a series of four alternating hand pull-bys. Men travel counter-clockwise around the ring, and ladies travel clockwise. The result is that all dancers end up half way across the set facing the same person they started with.
The Clare Lancers Set is one of the most popular dances in the Irish Set Dancing repertoire. As the name suggests it hails from the Clare area on the mid-west coast of the Republic of Ireland. Other published instructions for this dance include Larry Lynch's Set Dances of Ireland, Terry Moylan's Irish Dances, Pat Murphy's Toss the Feathers and Tom Quinn's Irish Dancing. Joe O'Hara and the Newcastle Irish Set Dancers have versions this set online.
The country/western two-step, often called the Texas two-step or simply the two-step, is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found in country music]. One-two, one-two, slide-shuffle. The two-step is related to the polka, the Texas waltz, and the jitterbug.
The Texas two-step is the same step known to ballroom dancers as the international fox-trot. Except for the one-step, which is just that, most Texas dances are variations of a two-step, also called a half-step, which is simply a step-close-step. The Texas two-step is generally done with two long steps and a step-close-step to two-four time. Speeded up, it's a shuffle or double shuffle, but still a two-step.
Contra dance choreography specifies the dance formation, the figures, and the sequence of those figures in a contra dance. The figures repeat, ideally, in a graceful flowing pattern, aligned with the phrasing of the music. Contra dance figures do not have defined footwork; within the limits of the music and the comfort of their fellow dancers, individuals move to the beat and embellish according to their own taste. Much of the dance is done as a walking movement, one step for each count of the music, while the arms and hands do most of the changing, most of these involving connecting with others' hands.
A handhold is a manner in which the dancers hold each other's hands during the dance. A hold is the way one partner holds another one with hands. Hold and handhold are important components of connection in dance.
CALLERLAB is the international association of square dance callers, and is the largest square dance association in the United States. CALLERLAB provides guidance and education, certifying caller coaches, maintaining standardized lists of calls and definitions, and generally promoting the square dance activity. After some initial work started in 1971, it was officially established in 1974 by several members of the Square Dance Hall of Fame. Callerlab makes it so people can dance anywhere in the world with uniform dance calls.
The promenade position is a dance position in ballroom and other dances. It is described differently in various dance categories.
The Values of Civilization sculpture group is public art by American artist Alexander Doyle. The allegorical sculpture group is located on the third floor in the rotunda of the Indiana State House, which is in Indianapolis, Indiana, United States. The heroic-sized sculptures, representing Agriculture, Art, Commerce, History, Justice, Law, Liberty, and Oratory, were carved from Carrara marble in Italy in the late 1880s.
Eshkaft-e Salman is an archaeological site in the Khuzestan province of Iran.