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A square dance is a dance for four couples (eight dancers in total) arranged in a square, with one couple on each side, facing the middle of the square. Square dances were first documented in 16th-century England but were also quite common in France and throughout Europe. They came to North America with the European settlers and have undergone considerable development there. In some countries and regions, through preservation and repetition, square dances have attained the status of a folk dance. The Western American square dance may be the most widely known form worldwide, possibly due to its association in the 20th century with the romanticized image of the American cowboy. Square dancing is, therefore, strongly associated with the United States. Nineteen U.S. states have designated it as their official state dance.
The various square dance movements are based on the steps and figures used in traditional folk dances and social dances from many countries. Some of these traditional dances include English country dance, Caledonians and the quadrille.
In most American forms of square dance, the dancers are prompted or cued through a sequence of steps (square dance choreography) by a caller to the beat (and, in some traditions, the phrasing) of music. In some forms of traditional square dancing, the caller may be one of the dancers or musicians, but in modern Western square dancing the caller will be on stage, giving full attention to directing the dancers. Modern Western square dances are not learned as complete routines; the dancers learn basic movements, each with its own distinctive call, but do not know in what order they will be called.
The American folk music revival in New York City in the 1950s was rooted in the resurgent interest in square dancing and folk dancing there in the 1940s, which gave musicians such as Pete Seeger popular exposure.
Terminology: In the United States, in general, people go to square dances and call it square dancing. In England, Ireland and Scotland, people go to all sorts of dances at which some of the dances will be square dances, but they don't say that they are "square dancing". The majority of dances at such events will be in the form of longways sets, sets of four (two couples with the men diagonally opposite each other, like the side couples in a square), three-couple or four-couple sets or circassian circles.
Conversely, people not familiar with the various different forms of dance may ask for an evening of square dance meaning simply a barn dance where many different formations of dance are used. It is possible to go to one of these "square dances" and not do a single actual square dance all evening.
Square Dance: In Britain Square Dancing is formally organised by clubs affiliated to the British Association of American Square Dance Clubs, who also organise the teaching of Modern Western square dance to Callerlab definitions. Unless otherwise stated, a square dance is run according to the Callerlab syllabus by a caller who is either a member of Callerlab or of the Square Dance Caller's Club of Great Britain. The level of dancing is indicated on the publicity material, e.g. 'Mainstream' or 'Mainstream with Pre-Announced Plus'. This is fully described in the main Modern Western square dance entry. It is increasingly common to see Céilidh and Barn dance events advertised as being a Square Dance which can be misleading.
Many traditions know square dances; they are usually not called, rather the sequence of figures is fixed, and known by the dancers. Examples include the German Bekedorfer, French Carré de Campagne, and Mie Katoen from the Low Countries. Variations include double squares, with two couples on each side, like the Danish Sonderborger Doppelkadril or the Dutch Vleegerd. Some are composed of multiple figures, indicating descent from the high-society quadrille.
Modern Western square dance is practiced in many countries throughout the world.
Couple numbering in a square dance set usually begins with the couple nearest the head of the hall (the side of the room containing the musicians and caller, or in the pre-caller era, the royal presence or other hosts or important guests). This couple is the "first" or "number one" couple.
If most of the figures are danced between facing couples across the set, as in the 19th century quadrille and dances derived from it, the couple opposite the first is the "second couple". The first and second couples constitute the "head" or "top" couples (or the "head and foot" couples); the third and fourth couples are the "side" couples. In the 19th century quadrille, the third couple is to the first couple's right. In Irish set dances, the third couple (sometimes termed the "first side couple") is to the left of the "first top couple" (the couples facing the first top and first side are the "second top couple" and the "second side couple" respectively).
If most figures are danced around the set, with one or more couples visiting the others in turn, the couples are likewise numbered around the set. In 17th century England they were numbered clockwise, with the second couple to the first couple's left. In most present-day American square dance traditions, the couples are numbered counterclockwise: the second couple is to the first couple's right, the third couple is across from the first, and the fourth couple is to the left of the first. The first and third are "head couples" or "heads" (or, in older parlance, the "first four"); the second and fourth are "side couples" or "sides" (formerly "side four" or "second four").
In this context a "call" refers to the name of a specific dance movement. It may alternatively refer to the phrase used by a caller to cue the dancers so they dance the specified movement, or to the dance movement itself. It mirrors the ambiguity of the word "dance", which may mean a dance event, the dancing of an individual to the playing of one piece of music, or dancing in general.
In many communities, especially in Scotland and Ireland, the dancers are expected to know the dance and there is no caller.
A square dance call may take a very short time or a very long time to execute. Most calls require between 4 and 32 "counts" (where a count is roughly one step). In traditional square dancing the timing of a call is dictated by tradition; in some regional styles, particularly that of New England, the dance movements are closely fitted to the phrases of the music. In modern Western square dancing many calls have been given formally specified durations, based partly on direct observation of how long it takes an average dancer to execute them.
Traditional and modern Western square dancing have a number of calls in common, but there are usually small differences in the way they are performed. For example, the "Allemande Left" is traditionally performed by grasping left hands with the other dancer, pulling away from each other slightly, and walking halfway around a central axis then stepping through. In modern Western dance the grip is modified so that each dancer grips the forearm of the other, and there is no pulling (that is, each dancer supports his or her own weight). These modifications make it easier to enter and exit the movement, and thus easier to incorporate it into a long sequence of calls.
Traditional square dance uses a comparatively small number of calls—between about ten and thirty, depending on the region and the individual caller. (Many traditional square dance calls are similar or identical to contra dance calls, which are described at contra dance choreography.) New dance moves are explained by the caller.
In Modern Western square dance the participants are expected to have learned and become proficient in a particular program , a defined set of calls. Dancing Modern Western square dance is constantly challenging and surprising due to the unknown or unexpected choreography of the caller (that is, the way the caller ties together the "calls" and the formations which result)—unlike traditional square dance, very rarely are two modern Western dances ever alike. Like traditional square dancing, recovering from occasional mistakes is often part of the fun. Dancers are encouraged to dance only those programs at which they are reasonably proficient, the default level of achievement being the Mainstream program. All programs are set by Callerlab, the callers' international association, which also governs the training of callers.
Irish and Scottish dances are normally done to traditional tunes. English dances may be done to traditional tunes, though, especially at ceilidhs, there is experimentation with many different musical styles.
The two types of American square dance are accompanied by different types of music.
Traditional square dance is almost always danced to live music. Since the 19th century, much of the square dance repertoire has been derived from jigs and reels from Scotland and Ireland, sometimes in relatively unaltered form, sometimes as played in the old time music tradition or as adapted by other cultures such as that of Quebec. This sort of music is played on acoustic instruments, such as the fiddle, banjo, guitar and double bass; certain instruments, including the piano, accordion, concertina and hammered dulcimer, are popular in specific regions. In some communities where square dancing has survived, the prevailing form of music has become popular songs from the 1930s, 1940s and 1950s, played on instruments such as saxophones, drums, and electric guitars. Tempos can vary from around 108 to more than 150 bpm, depending on the regional style.
Modern Western square dance is danced to a variety of music types, everything from pop to traditional country to Broadway musical to contemporary country music—even rock, Motown, techno and hip-hop. The music is usually played from recordings; the tempo is also more uniform than in traditional dancing, as the "perfect" modern Western square dance tempo is 120–128 bpm. At this speed dancers take one step per beat of the music.
Modern Western square dance is organized by square dance clubs. The clubs offer classes, social and dance evenings, as well as arrange for larger dances which are usually open to the general square dancing public (i.e. non-club members). Larger dances sometimes request a strict western-style dress code, which originated in the late '50s and early '60s and is known as "traditional square dance attire", although it was not traditional before that time. Clubs may choose to advertise their dances as requiring less strict dress codes known as "proper" or "casual" (no dress code). Modern Western square dance events in Britain are increasingly seen as having a relaxed dress code, although many dancers do like to wear "traditional square dance attire".
In the United States dance groups often have no particular dress code and lines between the forms of square dancing have become blurred in recent years. Traditional-revival groups typically adopt very casual dress and traditional-revival choreographers have begun to use basic movements that were invented for Modern Western square dance forms and a few modern Western callers incorporate older dances from various traditions, such as New England or Appalachian, into their programs.
Where traditional square dancing exists as a community social dance (sometimes in the form of a Barn dance or a Ceilidh) people often dress up a bit, though their clothing is not square-dance-specific.
While the standard formation for a square dance is four couples in a square, there are many variations on the theme. Here are some examples:
Modern choreography also includes dances which morph from one form to another. There are contra dances and four couple longways sets which turn into a square dance part of the way through the dance and then back to the original formation.
Grid Squares are dances where the squares are arranged in a grid, sets carefully aligned across the room and up and down the room. The calls move dancers from one square to another in intricate patterns.
Contra dance is a folk dance made up of long lines of couples. It has mixed origins from English country dance, Scottish country dance, and French dance styles in the 17th century. Sometimes described as New England folk dance or Appalachian folk dance, contra dances can be found around the world, but are most common in the United States, Canada, and other Anglophone countries.
The waltz is a ballroom and folk dance, normally in
A country dance is any of a very large number of social dances of a type that originated in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets. The figures involve interaction with your partner and/or with other dancers, usually with a progression so that you dance with everyone in your set. It is common in modern times to have a "caller" who teaches the dance and then calls the figures as you dance.
dance is a group of traditional dance forms originating from Ireland, encompassing dancing both solo and in groups, and dancing for social, competitive, and performance purposes. Irish dance in its current form developed from various influences such as Native Irish dance French quadrilles and English country dancing. Dance was taught by "travelling dance masters" across Ireland in the 17th-18th century, and separate dance forms developed according to regional practice and differing purposes. Irish dance became a significant part of Irish culture, particularly for Irish nationalist movements. From the early 20th century, a number of organisations promoted and codified the various forms of dance, creating competitive structures and standardised styles.
Scottish country dance (SCD) is the distinctively Scottish form of country dance, itself a form of social dance involving groups of couples of dancers tracing progressive patterns. A dance consists of a sequence of figures. These dances are set to musical forms which come from the Gaelic tradition of Highland Scotland, as do the steps used in performing the dances. Traditionally a figure corresponds to an eight-bar phrase of music.
Gay square dance is square dance as it is generally danced in the Gay and Lesbian community. The first gay and lesbian square dance clubs formed in the mid-to-late 1970s in the USA. There are currently about eighty gay square dance clubs worldwide.
Modern western square dance is one of two American types of square dancing, along with traditional square dance. As a dance form, modern western square dance grew out of traditional square dance in the American West. The term western square dance, for some, is synonymous with "cowboy dance" or traditional western square dance. Therefore, this article uses the term "modern western square dance" to describe the contemporary non-historical dance which grew out of the traditional dance.
Square dance clubs are the primary form for organization within the recreational activity of square dancing, and more specifically modern Western square dance. This article's focus is the modern Western square dance club, and it is understood in the context of this article that when the terms "square dance club" or "square dance" are used it refers to the form of square dance called "modern Western square dance".
A cèilidh or céilí is a traditional Scottish or Irish social gathering. In its most basic form, it simply means a social visit. In contemporary usage, it usually involves dancing and playing Gaelic folk music, either at a house party or a larger concert at a social hall or other community gathering place.
Irish set dance, sometimes called "country sets", is a popular form of folk dancing in Ireland.
This is an alphabetical index of articles related to dance.
A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare.
A barn dance is any kind of dance involving traditional or folk music with traditional dancing, occasionally held in a barn, but, these days, much more likely to be in any suitable building.
Do-si-do, dosado, or dos-à-dos is a basic dance step in such dance styles as square dance, contra dance, polka, various historical dances, and some reels.
Promenade is a basic dance move in a number of dances such as English Country Dance, contra dance, and square dance. The name comes from the French word for “walk”, and is a good basic description of the dance action.
Tech Squares is a square and round dance club at the Massachusetts Institute of Technology. It was founded in 1967 and is still holding dances today. Tech Squares dances high-energy modern Western squares in an "all position" style, with no dress code or couples requirement. It has many student members. The club dances the Plus program, but many members also dance advanced and challenge levels.
A square dance program or square dance list is a set of defined square dance calls or dance steps which are associated with a level of difficulty. Programs and program lists are managed and universally recognized in modern Western square dance.
Traditional square dance is a generic American term for any style of American square dance other than modern Western. The term can mean (1) any of the American regional styles that existed before around 1950, when modern Western style began to develop out of a blend of those regional styles, or (2) any style that has survived, or been revived, since around 1950.
Ted Sannella was a professional square dance, contra dance and international folk dance caller and choreographer who was active in the region surrounding Boston, Massachusetts, in the United States.
Bush dance is a style of dance from Australia, particularly where the music is provided by a bush band. The dances are mainly based on the traditional folk dances of the UK, Ireland and central Europe.
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