Danish folk dance is characterized by being easy going, gentle, and relatively easy to learn. Danish folk dance is mainly a social dance involving groups or groups of couples of dancers, often designed for large gatherings. The dances were supposed to be simple enough for everyone to join in. [2] Danish folk dances are made for social and educational purposes, generally speaking not for exhibitional purposes. [3]
The canonized history of Danish folk dance highlights a performance by Philochoros in Copenhagen in 1899 with some Danish students in the audience as a triggering factor. The students were immediately so inspired that they started a folk dance club. In 1901, some of the same students who were now students of gymnastics founded a formal organization, the Danish Association for the Promotion of Folk-Dancing (Foreningen til Folkedansens Fremme). [4]
The number of folk dance organizations and societies continued to grow throughout Denmark for the following two decades. [5] Danish Folk-Dancers was established in 1929, and is an organization that still arranges courses for folk dancers, and every year folk dance festivals are organized.
The effect of all of this had led to a certain uniformity in the performance of the Danish folk dances, thus reducing regional differences between local dances and traditions within Denmark. [6] These societies and organizations also contributed to help preserve the Danish traditional costume as well as the folk dance. [7] These groups produce journals, books, photographs, recipes, costumes, props, and other cultural artifacts as well. They organized demonstrations, theatrical exhibitions, festivals, open houses for dancing, and other social events. [8]
Contra dance is a form of folk dancing made up of long lines of couples. It has mixed origins from English country dance, Scottish country dance, and French dance styles in the 17th century. Sometimes described as New England folk dance or Appalachian folk dance, contra dances can be found around the world, but are most common in the United States, Canada, and other Anglophone countries.
Costume is the distinctive style of dress or cosmetic of an individual or group that reflects class, gender, profession, ethnicity, nationality, activity or epoch. In short costume is a cultural visual of the people.
Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, ranging from traditional building styles common to the group. Folklore also includes customary lore, taking actions for folk beliefs, the forms and rituals of celebrations such as Christmas and weddings, folk dances and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact or traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain in a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another either through verbal instruction or demonstration. The academic study of folklore is called folklore studies or folkloristics, and it can be explored at undergraduate, graduate and Ph.D. levels.
A party is a gathering of people who have been invited by a host for the purposes of socializing, conversation, recreation, or as part of a festival or other commemoration or celebration of a special occasion. A party will often feature food and beverages, and often conversation, music, dancing, or other forms of entertainment.
The gumboot dance is a South African dance that is performed by dancers wearing wellington boots. In South Africa these are more commonly called gumboots.
A mòd is an Eisteddfod-inspired festival of Scottish Gaelic song, arts and culture. Historically, the Gaelic word mòd, which came from Old Norse mót, refers to a Viking Age Thing or a similar kind of assembly. There are both local mòds, and an annual national mòd, the Royal National Mòd. Mòds are run under the auspices of An Comunn Gàidhealach. The term comes from a Gaelic word for a parliament or congress in common use during the Lordship of the Isles.
The music of Saint Lucia is home to many vibrant oral and folk traditions and is based on elements derived from the music of Africa, especially rhythmically, and Western Europe, dances like the quadrille, polka and waltz. The banjo and cuatro are iconic Lucian folk instruments, especially a four-stringed banjo called the bwa poye. Celebratory songs called jwé show lyricism, and rhythmic complexity. The most important of the Afro-Lucian Creole folk dances is the kwadril. Music is an integral part of Lucian folk holidays and celebrations, as well as the good-natured rivalry between the La Rose and La Marguerite societies. There is little Western classical music on Saint Lucia, and the country's popular music industry is only nascent. There are few recording opportunities, though live music and radio remain a vital part of Lucian culture. Popular music from abroad, especially Trinidadian styles like calypso and soca, is widespread.
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made.
Russian folk music specifically deals with the folk music traditions of the ethnic Russian people.
Dance in India comprises numerous styles of dances, generally classified as classical or folk. As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
The International Vegetarian Union (IVU) is an international non-profit organization whose purpose is to promote vegetarianism. The IVU was founded in 1908 in Dresden, Germany.
Budapest has long been an important part of the music of Hungary. Its music history has included the composers Franz Liszt, Ernő Dohnányi, Zoltán Kodály and Béla Bartók and the opera composer Ferenc Erkel.
Ukrainian dance mostly refers to the traditional folk dances of the Ukrainians as an ethnic group, but may also refer dance of the other ethnic groups within Ukraine. This stylized art form has so permeated the culture of Ukraine, that very few purely traditional forms of Ukrainian dance remain today. Ukrainian folk dances are largely influenced by all neighbouring countries as Ukraine and its various parts were the integral parts of several neighbouring countries.
A tshechu is any of the annual religious Bhutanese festivals held in each district or dzongkhag of Bhutan on the tenth day of a month of the lunar Tibetan calendar. The month depends on the place. Tshechus are religious festivals of the Drukpa Lineage of the Kagyu school of Tibetan Buddhism.
Kobzarskyi Tsekh, literally "Kobzar guild", is an organization of kobzars, which have existed since the 17th century in Ukraine.
The Asian American Arts Centre (AAAC) is a non-profit organization located in Chinatown in New York City. Founded in 1974, it is one of the earliest Asian American community organizations in the United States. The Arts Centre presents the ongoing developments between contemporary Asian & Asian American art forms and Western art forms through the presentation of performance, exhibitions, and public education. AAAC's permanent collection, which it has accumulated since 1989, contains hundreds of contemporary Asian American art works and traditional/folk art pieces. The organization also has an Artists Archive which documents, preserves, and promotes the presence of Asian American visual culture in the United States since 1945. This includes the East Coast, especially the greater New York area; the West Coast; and some artists in Canada, Hawaii, and overseas. The artists include Asian Americans producing art, Asian artists who are active in the United States, and other Americans who are significantly influenced by Asia. Pan-Asian in outlook, the Arts Centre's understanding of ‘Asia’ encompasses traditions and influences with sources ranging from Afghanistan to Hawaii.
The Brigham Young University International Folk Dance Ensemble is a Brigham Young University (BYU) performing group that performs folk dances from many parts of the world. They were established as a small performing group in 1959 by Mary Bee Jensen and have grown to include around 180 participants. However, about 30 of the dancers participate in the touring ensemble which has performed in many locations around the world including at the cultural festival held in connection with the 1988 Olympics in Seoul, Korea and at the opening ceremonies in the 2002 Winter Olympics in Salt Lake City.
The Bizu festival is celebrated by the Chakma people in Bangladesh and India, as the traditional New Year's Day which falls on 13 or 14 April.
Danebod is a historic district at the south edge of the railway town of Tyler in southwestern Minnesota. Founded in 1885 by Danish Evangelical Lutherans led by Rev. Hans Jørgen Pedersen (1851–1905), the district comprises a group of buildings dating back to 1888 from Minnesota's oldest Danish immigrant settlement. Danebod remains until this day a predominantly Danish Lutheran, close-knit religious community. An annual celebration named Æbleskiver Days, held on the fourth weekend of July, celebrates Danish heritage and culture and includes a parade that goes down the town's main street with floats that are made by the various Danebod neighborhoods.
The Estia Pieridon Mouson is one of the oldest and most important cultural associations of the prefecture Pieria with seat in Katerini.