 |
In partner dancing, closed position [1] is a category of positions in which partners hold each other while facing at least approximately toward each other.
Closed positions employ either body contact or body support, that is, holding each other is not limited to handhold. If the partners are comfortable with each other and the dance style allows it, body contact increases the connection between the partners. Some dances, such as Balboa and Collegiate Shag are only done in body contact.
The most commonly used kind of closed position comes from the waltz, and is very commonly used in ballroom dance. The leader's right hand is on the follower's back (or, rarely, on the left upper arm near the shoulder); its exact placement on the back ranges from the waist to the left shoulder blade. The follower's left hand is on the leader's right shoulder, or the upper arm near the shoulder. The other two hands are clasped together at or near chest or shoulder height.
Unlike the ballroom style, in social fast turning (or Viennese-style tempos) waltz, the follower's left hand usually is completely around the leader's right shoulder in a firm mutually supporting close or contact embrace. Each partner alternately but smoothly assists in the half turn with body leads while continuously right turning in line of direction in a "V" position. A similar close embrace position but with both hands around each other can be seen in smooth turning polka and other folk dances.
Some specific varieties of this kind of closed position are used in specific categories of ballroom dance. For instance, in the American tradition and the older European traditions, the joined hands are usually held lower than the shoulder, with the elbows low and often sharply bent. In the international standard ballroom dances the joined hands are held at or just above shoulder height, with the arms outstretched and the elbows bent at obtuse angles. In the latter style the leader's right hand stays on the left side of the follower's back and (except in the tango) is placed on the shoulder blade, while the follower's left hand is placed on the leader's right upper arm (or, in the tango, underneath the upper arm).
Many other kinds of closed positions are used in folk dance. In closed shoulder-waist position the leader holds the follower's waist with both hands, while the follower places both hands on the leader's shoulders. In Scandinavian folk dance (e.g. the polska, pols, and hambo) there are variations on shoulder-waist position in which the leader's left hand is on the follower's shoulder, upper arm, or elbow, and in the latter case the follower's right arm is outstretched with the hand just above the leader's sharply bent elbow.
The lavolta, one of the more famous Renaissance dances, used a distinctive kind of closed position in which the follower faced to one side from the leader and put the near hand on top of the leader's shoulder, while the leader used both hands to hold the follower under the busk.
In partner dancing, connection is a term that refers to physical, non-verbal communication between dancers to facilitate synchronized or coordinated dance movements. Some forms of connection involve "lead/follow" in which one dancer directs the movements of the other dancer by means of non-verbal directions conveyed through a physical connection between the dancers. In other forms, connection involves multiple dancers without a distinct leader or follower. Connection refers to a host of different techniques in many types of partner dancing, especially those that feature significant physical contact between the dancers, including the Argentine Tango, Lindy Hop, Balboa, East Coast Swing, West Coast Swing, Salsa, and other ballroom dances.
In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated.
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 28 October 1923, through 28 June 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927.
Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Lindy Hop, Balboa, Collegiate Shag, and Charleston. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African-American communities as vernacular African-American dances, some influenced swing-era dances, like Balboa, developed outside of these communities.
Viennese waltz is a genre of ballroom dance. At least four different meanings are recognized. In the historically first sense, the name may refer to several versions of the waltz, including the earliest waltzes done in ballroom dancing, danced to the music of Viennese waltz.
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries from a combination of Uruguayan Candombe celebrations, Spanish-Cuban Habanera, and Rioplatense Milonga. It was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. It then spread to the rest of the world. Many variations of this dance currently exist around the world.
The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina, Finland ("jenkka"), France, Italy, Norway ("reinlender"), Portugal and Brazil, Spain (chotis), Sweden, Denmark ("schottis"), Mexico, and the United States, among other nations. The schottische is considered by The Oxford Companion to Music to be a kind of slower polka, with continental-European origin.
Glima is the name that covers several types of Nordic folk wrestling practiced as sport and combat. In one common form of glima, players grip their opponent by the waist and attempt to throw them to the ground using technique rather than force. Other variants allow for more aggression.
Partner dances are dances whose basic choreography involves coordinated dancing of two partners, as opposed to individuals dancing alone or individually in a non-coordinated manner, and as opposed to groups of people dancing simultaneously in a coordinated manner.
Competitions in Ballroom dancing in the former Soviet Union were held in three dance categories:
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
In ballroom dancing, directions of progressive movement, in particular directions of steps, can be indicated either in relation to the room or in relation to the body position. Directions of turns, although there are only two of them, may also be indicated in several ways.
Chicken walks is a dance move that is most frequently used in swing dances, such as East Coast Swing, West Coast Swing and jive. Sometimes they can be seen incorporated in samba.
Merengue is a style of Dominican music and dance. Merengue is the national dance of the Dominican Republic and is also important to national identity in the country. It is a type of danced walk and is accessible to a large variety of people with or without dance experience. The music of merengue draws influence from European and Afro-Cuban styles and mainly uses instruments like guitars, drums, and a charrasca or metal scraper. The dance originated as a rural dance and later became a ballroom dance. Merengue has three distinct sections: the paseo, the merengue proper, and the closing jaleo which includes improvisation.
Promenade is a basic dance move in a number of dances such as English Country Dance, contra dance, and square dance. The name comes from the French word for "walk", and is a good basic description of the dance action.
The country/western two-step, often called the Texas two-step or simply the two-step, is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found in country music]. One-two, one-two, slide-shuffle. The two-step is related to the polka, the Texas waltz, and the jitterbug.
The Texas two-step is the same step known to ballroom dancers as the international fox-trot. Except for the one-step, which is just that, most Texas dances are variations of a two-step, also called a half-step, which is simply a step-close-step. The Texas two-step is generally done with two long steps and a step-close-step to two-four time. Speeded up, it's a shuffle or double shuffle, but still a two-step.
A handhold is a manner in which the dancers hold each other's hands during the dance. A hold is the way one partner holds another one with hands. Hold and handhold are important components of connection in dance.
The promenade position is a dance position in ballroom and other dances. It is described differently in various dance categories.
Figures of Argentine tango are elements of Argentine tango.