Dance in China is a highly varied art form, consisting of many modern and traditional dance genres. The dances cover a wide range, from folk dances to performances in opera and ballet, and may be used in public celebrations, rituals, and ceremonies. There are also 56 officially recognized ethnic groups in China, and each ethnic minority group in China also has its own folk dances. Outside of China, the best-known Chinese dances today are the dragon dance and the lion dance.
There is a long recorded history of various forms of dance in China. The earliest Chinese character for "dance" (舞), 
, written in the oracle bones, is itself a representation of a dancer holding oxtails in each hand. [1] Some Chinese dances today, such as dancing with long sleeves, have been recorded since the very early periods, dating from at least as early as the Zhou dynasty. The most important dances of the early period were the ritual and ceremonial music and dances called yayue , and these dances were performed at the imperial court until the Qing dynasty, but only survive today as performances in Confucian ceremonies.
The imperial court from the Qin dynasty onward established various departments responsible for the collection of music and dances, training of performers as well as their performances at the court, such as the Music Bureau and Royal Academy. [2] During the Six Dynasties era (220 - 589 CE), there were strong influences from Central Asia in music and dance. The art of dance reached a peak in the Tang dynasty, and the dances of the period were highly diverse and cosmopolitan, dances from Central Asia, in particular, were popular. A great number of dances were recorded in the Tang dynasty. For example, there are over 60 Grand Compositions alone, which are large-scale performances from the Tang court, and there were tens of thousands of musicians and dancers at the Imperial palaces. [3]
Dance as an independent art form, however, declined after the Tang dynasty. Dance began to be absorbed into Chinese opera that started to take shape in the Song and Yuan dynasties, replacing the song and dance of Sui and Tang. [4] Furthermore, from the Song dynasty onwards, the practice of footbinding, which may have first arisen from dancers themselves, became increasingly popular, which limited the movements of women when the binding became tighter, and famous female dancers became increasingly rare after the Song dynasty. [5] Greater social restriction placed on women may have also led to the virtual elimination of female dancers by the Qing dynasty. [6] [7] Dance as a separate performance art largely survived in folk traditions. In more recent times, the art of dance in China has enjoyed a resurgence, and modern developments in Chinese dances are continuing apace.
Many of the traditional Chinese dances have a long history. These may be folk dances, or dances that were once performed as rituals or as an entertainment spectacle, and some may have been performed in the imperial court. Among the best-known of the Chinese traditional dances are the dragon dance and lion dance, and both dances were known in earlier dynasties in various forms. A form of lion dance similar to today's lion dance was described as early as the Tang dynasty, the modern form of the dragon dance, however, may be a more recent development.
In some of the earliest dances recorded in China, dancers may have dressed as animal and mythical beasts, and during the Han dynasty, some forms of the dragon dance were mentioned. The dragon dances of the Han dynasty, however, do not resemble the modern form of the dance. Dragon dances mentioned include a dance performed during a ritual to appeal for rain at a time of drought as the Chinese dragon was associated with rain, [8] [9] acts in the baixi variety shows where performers dressed up as a green dragon playing a flute, and acts where fish turned into a dragon. [10] [11] Modern dragon dance uses a light-weight structure manipulated by a dozen or so men using poles at regular intervals along the length of the dragon, and some forms of the dragon can be very long and involve hundreds of performers. There are more than 700 different dragon dances in China. [12]
The lion dance has been suggested to have been introduced from outside China as the lion is not native to China. [13] Suggested origins of the dance include India and Persia, although some have also proposed a native Chinese origin. [14] [15] [16] A detailed description of a lion dance appeared during the Tang dynasty and it was then recognized as a foreign import, but the dance may have existed in China as early as the third century AD. [17] During the Northern and Southern dynasties, it had association with Buddhism. A version of lion dance resembling the modern lion dance was described by Tang poet Bai Juyi in his poem "Western Liang Arts" (西凉伎), where the dancers wear a lion costume made of a wooden head, a silk tail and furry body, with eyes gilded with gold and teeth plated with silver, and ears that move. [18] There are two main forms of Chinese Lion Dance: the Northern Lion and Southern Lion. A form of the Lion Dance is also found in Tibet, where it is called the Snow Lion Dance. [19]
Folk dances are important historically in the development of dance in China. Some of the earliest dances in court rituals and ceremonies may have evolved from folk dances. Rulers from various dynasties collected folk dances, many of which eventually became court dances. However, at various times, there had also been antipathy towards some folk dances and some emperors attempted to ban them.
Many of the folk dances are related to harvest and hunting and the ancient gods associated with them. For example, the Constellation Dance was performed to procure as much seed grain as there are stars in the sky, while the Harpoon Dance was associated with Fuxi who, according to the mythology, gave the Han people fish net, and the Plough Dance was connected to Shennong, the god of agriculture. [12]
Some examples of Chinese folk dances:
There are 56 ethnic groups in China, and each ethnic group has its own dance with ethnic characteristics, thus interpreting their local culture, lifestyle, and ethnic customs in the dance. In addition to daily life, every ethnic group likes to express their inner feeling the most by dancing. Every time there is a festival, people will gather together to deduce the joy in everyone's heart in the form of dance. Therefore, dance can perfectly convey the inner emotions of every nation and the people. [20]
A few examples of their dances:
In the entertainment centres, called wazi during the Song dynasty, various theatrical forms flourished and Chinese opera began to take shape, and dance started to become merged into opera. Dances such as "Dance Judgement" (舞判, also called the Dance of Zhong Kui, 跳鐘馗) became opera pieces in the Ming dynasty, as well as dances of the Song dynasty such as Flapping the Flag (撲旗子). Other dances found in opera include the Sword Dance. Chinese opera became very popular by the Yuan dynasty, and dances became absorbed into opera over the following centuries.
Most early records of dances in China were ritual or ceremonial dances, and these dances formed the yayue, which were considered to be of great importance in the court. These dances have largely disappeared from modern Han Chinese culture, although ritual dances are still found in some folk traditions and the cultures of ethnic minorities in China.
According to Lüshi Chunqiu , during the time of Emperor Yao, a dance was created as an exercise for the people to keep healthy after a prolonged spell of wet weather. [27] Traditionally, some Chinese dances may also have a connection with the martial arts that were used to train fighting skills as well as for fitness, and some martial art exercises such as Tai chi or Qigong are similar to a choreographed dance. [28] In modern China, it is common to find people using dance as a form of exercise in parks.
The first ballet school in China, Beijing Dance School, was established in 1954 with Dai Ailian as the principal and was staffed by some outstanding Russian teachers, including Pyotr Gusev, who instituted the Russian training system. [29] In the following years, ballets such as Swan Lake and Romeo and Juliet were performed. [30] The National Ballet of China was founded on the last day of 1959 as the Experimental Ballet Company of the Beijing Dance School. [29] During the Cultural Revolution under the control of Madame Mao, Revolutionary Model dramas came to the fore, and the repertory was eventually reduced to two ideological ballets – The Red Detachment of Women and The White Haired Girl . After the fall of the Gang of Four, the ballet company began to reform and change direction with the classical Western ballets resurrected, and also broadened its range to include more modern ballets from around the world. [29]
Other ballet companies in China:
Most professional folk and classical dance forms in China are inspired by tradition but are actually modern interpretations. Many dances presented as traditional in theaters and television are modern imaginations of ancient dances using modern choreography, for example, the famous Rainbow-Feathered Dress Dance of the Tang dynasty.
Social dances
Western ballroom dancing (Chinese :交谊舞) became popular in the 20th century. Previously, it would not have been permissible for men and women from respectable families to dance together. [31] It was popular in the 1940s Shanghai nightclubs, and early Communists leaders such as Mao Zedong and Zhou Enlai were also avid Soviet-style ballroom dancers. Ballroom dancing, however, later disappeared after the Cultural Revolution, to be replaced by massive group dances such as the yangge dance. Ballroom dances, however, reappeared after the liberalization of China later in the century, and it is now commonly found performed by many people in public parks in the morning as exercise. [32]
Chinese culture is one of the world's oldest cultures, originating thousands of years ago. The culture prevails across a large geographical region in East Asia with Sinosphere in whole and is extremely diverse, with customs and traditions varying greatly between counties, provinces, cities, towns. The terms 'China' and the geographical landmass of 'China' have shifted across the centuries, before the name 'China' became commonplace in modernity.
The music of China consists of many distinct traditions, often specifically originating with one of the country's various ethnic groups. It is produced within and without the country, involving either people of Chinese origin, the use of traditional Chinese instruments, Chinese music theory, or the languages of China. It includes traditional classical forms and indigenous folk music, as well as recorded popular music and forms inspired by Western culture.
Traditional Chinese opera, or Xiqu, is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century, during the Song dynasty (960–1279). Early forms of Chinese theater are simple; however, over time, various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms were incorporated to form traditional Chinese opera. Performers had to practice for many years to gain an understanding of the roles. Exaggerated features and colors made it easier for the audience to identify the roles portrayed.
Chinese variety art refers to a wide range of acrobatic acts, balancing acts and other demonstrations of physical skill traditionally performed by a troupe in China. Many of these acts have a long history in China and are still performed today.
Korea has produced music from thousands of years, until the modern day. After the division of Korea in 1945, both North and South Korea have produced their own styles of music.
Religion in China is diverse and most Chinese people are either non-religious or practice a combination of Buddhism and Taoism with a Confucian worldview, which is collectively termed as Chinese folk religion.
The history of dance is difficult to access because dance does not often leave behind clearly identifiable physical artifacts that last over millennia, such as stone tools, hunting implements or cave paintings. It is not possible to identify with exact precision when dance becomes part of human culture. Dance is filled with aesthetic values, making it distinct from one society to another and is shrouded in symbolism that expounds on the cultural heritage of a community accordingly being unique from one society to another. Dance can help tell a story, convey feelings and emotions, and connect with others and ourselves.
Korean court music comprises three main musical genres: aak, an imported form of Chinese ritual music; a pure Korean form called hyangak; and a combination of Chinese and Korean styles called dangak.
Lion dance is a form of traditional dance in Chinese culture and other Asian countries in which performers mimic a lion's movements in a lion costume to bring good luck and fortune. The lion dance is usually performed during the Chinese New Year and other traditional, cultural and religious festivals. It may also be performed at important occasions such as business opening events, special celebrations or wedding ceremonies, or may be used to honour special guests by the Chinese communities.
Dragon dance is a form of traditional dance and performance in Chinese culture. Like the lion dance, it is most often seen during festive celebrations. The dance is performed by a team of experienced dancers who manipulate a long flexible giant puppet of a dragon using poles positioned at regular intervals along the length of the dragon. The dance team simulates the imagined movements of this river spirit in a sinuous, undulating manner.
Yangge is a form of Chinese folk dance developed from a dance known in the Song dynasty as Village Music (村田樂). It is very popular in northern China and is one of the most representative form of folk arts. It is popular in both the countryside and cities in northern China. It is especially popular among older people. Crowds of people will go out into the street in the evening and dance together in a line or a circle formation.
Theatre of China has a long and complex history. Traditional Chinese theatre, generally in the form of Chinese opera, is musical in nature. Chinese theatre can trace its origin back a few millennia to ancient China, but the Chinese opera started to develop in the 12th century. Western forms like the spoken drama, western-style opera, and ballet did not arrive in China until the 20th century.
Yayue was a form of classical music and dance performed at the royal court and temples in ancient China. The basic conventions of yayue were established in the Western Zhou. Together with law and rites, it formed the formal representation of aristocratic political power.
The arts of China have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers, religious figures and even political leaders. The arrival of Buddhism and modern Western influence produced especially large changes. Chinese art encompasses fine arts, folk arts and performance arts.
Nuo opera or Nuo drama is one of China's most popular folk operas. Characterized by its special features such as ferocious masks, unique dresses and adornments, the strange language used in performance, and mysterious scenes, Nuo opera has been selected as one of the non-material cultural legacies of China. The opera is a religious performance intrinsic to the culture of Nuoism, a type of Chinese folk religion. The purpose of Nuo opera is to drive away devils, disease and evil influences, and also to petition for blessings from the gods. Singing and dancing are included in Nuo opera and performers wear costumes and masks.
The National Ballet of China (NBC), known in China as the Central Ballet Troupe was founded on 31 December 1959. It is the national ballet company of the People's Republic of China.
Dai Ailian was a Chinese dancer and an important figure in the modern history of dance in China. She was born in 1916 into an overseas Chinese family living in Trinidad. Her years as a dance teacher and educator helped China build a generation of dancers, choreographers, and educators. She is known in China as the "Mother of Chinese Modern Dance" for her contributions to the field of dance in China, including her early articulation of three core commitments that shaped dance in China during the second half of the twentieth century.
Hanfu are the traditional styles of clothing worn by the Han Chinese. There are several representative styles of hanfu, such as the ruqun, the aoqun, the beizi and the shenyi, and the shanku.
Dance in China has a long recorded history. Depictions of dancing in China appeared over 4,000 years ago. The early dances may be folk dances or ritual dances, some of which developed into court dances. The most important of the early dances served important ritual and ceremonial roles and are known as yayue which continued to be performed at the imperial court until the Qing dynasty. A profusion of dances in popular and court entertainment as well as folk dances have been recorded in ancient texts. The art of dance in China reached a peak during the Tang dynasty when numerous dances were recorded. Dancing as an individual art form declined in the later eras when dances become incorporated into operas and female dancing also declined when footbinding became more prevalent. In more recent times dance has enjoyed a resurgence, and it is widely performed by the public and professionals alike.
The Chinese ritual and music system is a social system that originated in the Zhou dynasty to maintain the social order. Together with the patriarchal system, it constituted the social system of the entire ancient China and had a great influence on the politics, culture, art and thought of later generations. The feudal system and the Well-field system were two other institutions that developed at that time. According to legend it was founded by the Duke of Zhou and King Wu of Zhou.
During the Persian New Year of Newruz, a lion dance used to be performed by young boys, some of the naked it seems, who were sprinkled with cold water. They were thus supposed to drive out evil forces and the cold of the winter.
西凉伎，假面胡人假狮子。刻木为头丝作尾，金镀眼睛银贴齿。奋迅毛衣摆双耳，如从流沙来万里。紫髯深目两胡儿，鼓舞跳粱前致辞。
