The cham dance (Tibetan : འཆམ་, Wylie : 'cham) [2] [3] is a lively masked and costumed dance associated with some sects of Tibetan Buddhism and Buddhist festivals. The dance is accompanied by music played by monks using traditional Tibetan musical instruments. The dances often offer moral instruction relating to karuṇā (compassion) for sentient beings and are held to bring merit to all who perceive them. [1] [4]
Chams are considered a form of meditation and an offering to the gods. [5] The leader of the cham is typically a musician, keeping time with a percussion instrument like cymbals, the one exception being Dramyin Cham, where time is kept using dramyin.
The term "devil dance" was an early 20th century description of the performance, derived from Western perceptions of the costumes worn by performers. [5]
Chams often depict incidents from the life of Padmasambhava, the 9th century Nyingmapa teacher, and other saints. [6]
The great debate of the Council of Lhasa between the two principal debators or dialecticians, Moheyan and Kamalaśīla is narrated and depicted in a specific cham dance held annually at Kumbum Monastery in Qinghai. [7] One iteration of this dance is performed on the eve of Losar, the Tibetan new year, to commemorate the assassination of the cruel Tibetan king, Langdarma in 841 CE by a monk called Lhalung Pelgyi Dorje. The monk, dressed in a black robe and a black hat, danced outside the palace until he was allowed to perform in front of the emperor, then assassinated him. [8] It is a dance symbolising the victory of good over evil. [9]
The Black Hat dance is a Vajrakilaya dance and is the dance most frequently depicted in paintings. [10] The dance is performed by Buddhist monks and operates in two levels, to achieve enlightenment and to destroy evil forces. The dancers often hold a skull and scarf tied together and then attached to the hilt of a purba. [8]
In Bhutan, the dances are performed during the annual religious festivals or tshechu, held in the dzong in each district. The Cham is performed by monks, sometimes nuns and villagers. The Royal Academy of Performing Arts is the main body which promotes the preservation of the culture of Cham. This honors Guru Rinpoche (Padmasambhava) and celebrates his deeds through the performance of sacred dances. Since Guru Rinpoche was a fully enlightened being, he is extremely important in Bhutan and it is through his teachings that Bhutanese devotees are shown the true and fast path to enlightenment. These dances assist in cultivating faith and understanding of the Guru deeds, and as such both honor and educate the attendees.
Dances are performed during cultural and religious festivals in:
Tsam (Mongolian: Цам) dance was not introduced to Mongolia until the early 19th century, however it rapidly gained popularity and visibility with celebrations such as the Tsam festival and the opera Tale of the Moon Cuckoo . [11] [12] Tsam came to incorporate both tantric and older, shamanistic elements of dance. It became a significant part of Buddhism in Mongolia before it was banned under communist rule in 1924. The Stalinist purges in Mongolia destroyed over 700 monasteries, killed tens of thousands of Mongolian monks and lamas, and forcibly laicized thousands more monks. The mass murder of so much of Mongolia's monastic culture seriously threatened the tsam dance with extinction, as few practitioners survived the purges. With the dissolution of the Soviet Union in 1991 and the introduction of a new constitution permitting religious practices, the practice and performance of tsam dancing has grown enormously. Many of the costumes and masks used for tsam dances survived Soviet purges of monasteries and temples by being buried, hidden, or stored in museums such as the Choijin Lama Temple Museum.
Tibetans usually perform chams to large audiences during the Monlam Prayer Festival. [13]
Padmasambhāva, also known as Guru Rinpoche and the Lotus from Oḍḍiyāna, was a tantric Buddhist Vajra master from medieval India who taught Vajrayana in Tibet. According to some early Tibetan sources like the Testament of Ba, he came to Tibet in the 8th century and helped construct Samye Monastery, the first Buddhist monastery in Tibet. However, little is known about the actual historical figure other than his ties to Vajrayana and Indian Buddhism.
The music of Bhutan is an integral part of its culture and plays a leading role in transmitting social values. Traditional Bhutanese music includes a spectrum of subgenres, ranging from folk to religious song and music. Some genres of traditional Bhutanese music intertwine vocals, instrumentation, and theatre and dance, while others are mainly vocal or instrumental. The much older traditional genres are distinguished from modern popular music such as rigsar.
Samye, full name Samye Mighur Lhundrub Tsula Khang and Shrine of Unchanging Spontaneous Presence is the first Tibetan Buddhist and Nyingma monastery built in Tibet, during the reign of King Trisong Deutsen. Shantarakshita began construction around 763, and Tibetan Vajrayana founder Guru Padmasambhava tamed the local spirits for its completion in 779. The first Tibetan monks were ordained there. Samye was destroyed during the Cultural Revolution then rebuilt after 1988.
Nyingma, often referred to as Ngangyur, is the oldest of the four major schools of Tibetan Buddhism. The Nyingma school is founded on the first lineages and translations of Buddhist scriptures from Sanskrit into Tibetan in the eighth century, during the reign of King Trisong Detsen.
Articles related to Bhutan include:
Monlam, also known as The Great Prayer Festival, falls on the 4th to 11th day of the 1st Tibetan month in Tibetan Buddhism.
A tshechu is any of the annual religious Bhutanese festivals held in each district or dzongkhag of Bhutan on the tenth day of a month of the lunar Tibetan calendar. The month depends on the place. Tshechus are religious festivals of the Drukpa Lineage of the Kagyu school of Tibetan Buddhism.
Hemis Monastery is a Himalayan Buddhist monastery (gompa) of the Drukpa Lineage, in Hemis 9n the bank of Indus river, Ladakh, India. Situated 45 km from Leh, it was re-established in 1672 by the Ladakhi king Sengge Namgyal. The annual Hemis festival honouring Padmasambhava is held there in early June.
The dramyin or dranyen is a traditional Himalayan folk music lute with six strings, used primarily as an accompaniment to singing in the Drukpa Buddhist culture and society in Bhutan, as well as in Tibet, Ladakh, Sikkim and Himalayan West Bengal. It is often used in religious festivals of Tibetan Buddhism. The instrument is played by strumming, fingerpicking or plucking. The dramyen, chiwang (fiddle), and lingm (flute) comprise the basic instrumental inventory for traditional Bhutanese folk music.
Dramyin Cham is a form of Cham dance, a masked and costumed dance performed in Tibetan Buddhism ceremonies in Bhutan, Sikkim, Himalayan West Bengal and Tibet. They are a focal point of the Bhutanese festivals of Tsechu. The Dramyin Cham is notable among Cham dances as the lead dancer keeps time with a dramyin - a Himalayan folk music lute, and not a traditional percussion instrument like the cymbals. This is among the few instances of monastic music in the Himalayas where the use of a stringed instrument has been observed.
Rinpung Dzong, sometimes referred to as Paro Dzong, is a large dzong - Buddhist monastery and fortress - of the Drukpa Lineage of the Kagyu school in Paro District, Bhutan. It houses the district Monastic Body as well as government administrative offices of Paro Dzongkhag. It is listed as a tentative site in Bhutan's Tentative List for UNESCO inclusion.
Paro Taktsang, is a sacred Vajrayana Himalayan Buddhist site located in the cliffside of the upper Paro valley in Bhutan. It is one of thirteen Tiger's Nest caves in historical Tibet in which Padmasambhava practiced and taught Vajrayana.
Phuktal Monastery or Phuktal Gompa is a Buddhist monastery located in the remote Lungnak Valley in south-eastern Zanskar, in the Himalayan region of Ladakh, in Northern India. It is 52 km southeast of Padum on Nimmu–Padum–Darcha road (NPDR). Solar power was installed at the Phugtal monastery in 2016.
Sani Monastery, Sa-ni-[tshog], is located next to the village of Sani where the Stod Valley broadens into the central plain of Zanskar in Ladakh, northern India. It is about 6 km to the northwest of the regional centre of Padum, a gentle two-hour walk. Like Dzongkhul Monastery, it belongs to the Drukpa Kargyu school of Tibetan Buddhism, and is the only one of this order in Zanskar which has nuns. It is thought to be the oldest religious site in the whole region of Ladakh and Zanskar.
The Pemayangtse Monastery is a Buddhist monastery in Pemayangtse, near Pelling in the northeastern Indian state of Sikkim, located 110 km west of Gangtok. Planned, designed and founded by Lama Lhatsun Chempo in 1647, it is one of the oldest and premier monasteries of Sikkim, also the most famous in Sikkim. Originally started as a small Lhakhang, it was subsequently enlarged during the reign of the third Chogyal Chakdor Namgyal and Khenchen Rolpai Dorjee in the year 1705 and consecrated by the third Lhatsun Chenpo Dzogchen Jigme Pawo in the year 1710 C.E. The monastery follows the Nyingma Order of Tibetan Buddhism and controls all other monasteries of that Order in Sikkim. The monks of this monastery are normally chosen from the Bhutias of Sikkim.
Tashiding Monastery is a Buddhist monastery of the Nyingma sect of Tibetan Buddhism in Western Sikkim, northeastern India, which is the most sacred and holiest monasteries in Sikkim. It is described as the "Heart of Sikkim/Denzong", citing to its importance of religious sacredness. It is located on top of the hill rising between the Rathong chu and the Rangeet River, 40 kilometres (25 mi) from Gyalshing and 19 kilometres (12 mi) to the south east of Yuksam. The annual festival of Bumchu, meaning ~Holy water~ takes place on the 14th and 15th of the 1st month of Tibetan lunar calendar, often around the months of February and March. The festival is believed to predict the upcoming forecasts and events for Sikkim in the coming year. Undoubtedly, one of the most important and holiest festivals for all the Buddhists in Sikkim and around, it also provides for a perfect platform for all those Non-Buddhists who seek a deeper insight into Buddhism and its religious customs, beliefs and rituals. History of the Festival- Somewhere between 755 and 804 CE in Tibet under the reign of King Trisong Deutsen. It was under his rule that Guru Padmasambhava when invited to Tibet performed a holy sadhana and consecrated the land with water from his SACRED VASE, which was then later concealed as a hidden treasure in his most blessed place, the Tashiding Monastery in Sikkim. Somewhere around 17th century, the vase was again discovered by one of the reincarnations of Padmasambhava and it is since that time, this festival again resumed with all its glory and splendour in the hidden and blessed land of Sikkim/Beyul Demozong. Tashiding is the nearest town to the Tashiding Monastery (Gompa)
Buddhism in the Himachal Pradesh state of India of has been a long-recorded practice. The spread of Buddhism in the region has occurred intermediately throughout its history. Starting in the 3rd century BCE, Buddhism was propagated by the Maurya Empire under the reign of Ashoka. The region would remain an important center for Buddhism under the Kushan Empire and its vassals. Over the centuries the following of Buddhism has greatly fluctuated. Yet by experiencing revivals and migrations, Buddhism continued to be rooted in the region, particularly in the Lahaul, Spiti and Kinnaur valleys.
Gompa Drophan Ling of the Polish Buddhist Khordong Association in Darnków in the Table Mountains, is the Buddhist centre of Bhutanese and Tibetan traditions in Poland. This gompa built and decorated according to traditional Bhutanese patterns, is the only building of that kind in Poland, and one of few such buildings in Europe.
Buddhism had spread to the Himalayan region before CE. It is evident from the fact that during 3rd century BC, Emperor Ashoka visited Nepal. ] Vajrayana Buddhism spread to Tibet during the reign of Songtsen Gampo.