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The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood. They were commissioned by religious establishments or by pious individuals for use within the practice of Tibetan Buddhism and were manufactured in large workshops by monks and lay artists, who are mostly unknown. Various types of religious objects, such as the phurba or ritual dagger, are finely made and lavishly decorated. Secular objects, in particular jewellery and textiles, were also made, with Chinese influences strong in the latter.
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References
- ↑ "Online Resources". Rubin Museum of Art. Archived from the original on July 22, 2014.
- ↑ "Who hijacked Himalayan art? Or any art, for that matter?". Tricycle, Aug 06, 2010
- ↑ "Oglethorpe to Award Two Honorary Degrees During Saturday's Commencement for 2013 Grads". Oglethorpe University. Retrieved February 6, 2016.
- ↑ "Rubin Foundation awards $777,000 in grants to organizations aligned with art and social justice". Lion's Roar, by Lilly Greenblatt| February 6, 2018
- ↑ "Himalayan Buddhism". Tribune India, May 8, 2016,
- ↑ "Collecting Guide: Buddhist sculpture". Christie's, access date December 3, 2016.
- ↑ Selva J. Raj (2013). South Asian Religions: Tradition and Today. Routledge. pp. 16–. ISBN 978-0-415-44851-2.
- ↑ Stefan Larsson. Crazy for Wisdom: The Making of a Mad Yogin in Fifteenth-Century Tibet . BRILL; 14 September 2012. ISBN 978-90-04-23287-7. p. 293–.
- ↑ "On Bells, Whistles, Hats, and Number Sets: An Interview with Jeff Watt on Buddhist Iconography and Himalayan Art". By Anne Wisman, Buddhistdoor Global, 2018-03-23
- ↑ Melissa R. Kerin (September 2009). Artful Beneficence: Selections from the David R. Nalin Himalayan Art Collection. Rubin Museum of Art. p. 10. ISBN 978-0-9772131-5-3.
- ↑ Asian Studies Newsletter. Vol. 52. Association for Asian Studies. 2007. p. 27.