Dance in Venezuela

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Joropo performance at Warairarepano National Park. Girls dancing Joropo at the Warairarepano National Park.jpg
Joropo performance at Warairarepano National Park.
Venezuelan Guest Group dance performance at the 2023 Holiday Folk Fair International 2023 Holiday Folk Fair International 29 (All Nations Theater--Venezuelan Guest Group).jpg
Venezuelan Guest Group dance performance at the 2023 Holiday Folk Fair International

Most of Venezuela's dances originated in the Caribbean and integrated African and European styles into indigenous culture. They include the national dance joropo, Venezuelan salsa, Venezuelan merengue, and the Baile de San Juan, also called tambor. One of the pioneers of contemporary dance in Venezuela was choreographer Sonia Sanoja who received the National Dance Award  [ es ] in 1998 for her artistic career and contributions Venezuelan dance. [1] Other major figures include Irma Contreras, who founded the National Ballet of Venezuela with her sister Margot Contreras  [ es ]. [2] Other well known figures who have helped popularize Venezuelan dance include Yolanda Moreno  [ es ], who toured with her dancing troupe across the United States in 1962 and performed on the Ed Sullivan Show. [3] [4]

Contents

History

Pre-colonization period

Prior to Spanish colonization of the Americas, dance in what is now Venezuela was used predominantly in religious ceremonies. [5]

Colonial Venezuela

The Spanish fandango was danced widely in Venezuela during the colonial era. [6]

Independent Venezuela

After the Venezuelan independence in the early 19th century, dancing for entertainment became more common. These dances included the zarzuela, sainete, and musical comedies. [5]

20th century

In 1917, Anna Pavlova and her touring ballet company visited Venezuela; it was the first time ballet had been performed in the country. [5] Later, in 1930, Gally de Mamay began teaching ballet in private Venezuelan homes. [5] One of de Mamay's students, Nena Coronil founded the National School of Ballet in 1948. This was followed in 1957 by the founding of the National Ballet of Venezuela by Irma Contreras in 1957; the company disbanded in 1968. [5] One of the students of the National Ballet was Zhandra Rodríguez, who left the National Ballet to become the principal dancer of the American Ballet Theatre. [7] Other troupes, including Ballet Internacional de Caracas and Ballet Nuevo Mundo de Caracas, directed by Rodríguez, were successors to the original company. [8]

In the 1950s, singer Yolanda Moreno formed the group Danzas Venezolanas, which adapted traditional Venezuelan dances for the stage. [9] The troupe was known in English as the Venezuelan Folklore Ballet and toured across 18 American states in the early 1960s. [4]

Varieties

Baile de San Juan

Baile de San Juan, also known as tambor, is a dance of Afro-Venezuelan origins. [6]

Boleros

Joropo

Joropo is the national dance of Venezuela. [10] Danced in couples, it blends indigenous origins with African and Spanish influences, including the fandango. [6]

Venezuelan merengue

Venezuelan salsa

Venezuelan salsa was born in the barrios of Caracas, Venezuela by street musicians who gather to "rock" the slums. Venezuelan salsa has a unique style compared to other forms of salsa as it incorporates quick rhythmic changes on the bass (as compared to the clave of New York style salsa and the salsa of Puerto Rico, which arguably was influenced by New York City, and opposed to the slower sons of Cuba). Venezuelan couples dance salsa cheek to cheek.

Other folk dances

On the border of the states Lara and Falcón, a formation dance known as las turas is performed in late September as part of regional celebrations for the Virgin de Las Mercedes; however, it was originally an indigenous harvest dance. [6] It is performed in a circle and depicts the various types of agricultural work done during the harvest. [6]

See also

References

  1. ↑ Rivas, Jorge (2017-03-28). "Sonia Sanoja iluminó la danza con su movimiento y poesía" [Sonia Sanoja Illuminated Dance with Her Movement and Poetry] (in Spanish). Government of Venezuela YVKE Mundial Radio. Retrieved 2019-08-29.
  2. ↑ Ángel Ricardo Gómez (15 September 2006). "Irma Contreras brilla y baila entre la historia y la leyenda". El Universal. Archived from the original on 10 December 2019. Retrieved 5 December 2009.
  3. ↑ "Yolanda Moreno se despide de la danza nacionalista - Arte y Entreteni…". archive.ph. 2015-02-18. Retrieved 2025-01-15.
  4. 1 2 Venezuela Up-to-date. Embassy of Venezuela. 1962. p. 15.
  5. 1 2 3 4 5 Cohen, Selma Jeanne, ed. (1998-01-01). The International Encyclopedia of Dance (1 ed.). Oxford University Press. doi:10.1093/acref/9780195173697.001.0001. ISBN   978-0-19-517369-7.
  6. 1 2 3 4 5 Dinneen, Mark (2001-04-30). Culture and Customs of Venezuela. Bloomsbury Publishing USA. p. 139. ISBN   978-0-313-07400-4.
  7. ↑ Kriegsman, Alan (21 November 1978). "Ballet Caracas: Just Getting on Its Feets". The Washington Post . Retrieved 15 January 2025.
  8. ↑ Kisselgoff, Anna (1983-11-20). "BALLET: CARACAS TROUPE". The New York Times. ISSN   0362-4331 . Retrieved 2025-01-15.
  9. ↑ Guss, David M. (2001-01-02). The Festive State: Race, Ethnicity, and Nationalism as Cultural Performance. University of California Press. p. 180. ISBN   978-0-520-92486-4.
  10. ↑ Postlewate, Charles (2010). Contemporary Anthology of Solo Guitar Music. Mel Bay. p. 146. ISBN   978-1-60974-659-9. arpa tuyera (al estilo del joropo tuyero) [Tuyan harp (in the style of a Tuyan joropo)] […] a particular kind of joropo […] called golpe tuyero.


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