Balboa (dance)

Last updated

Balboa being danced competitively at Lindy Focus 2023

The Balboa, also known as "Bal", is a swing dance that originated in Southern California during the 1920s and enjoyed huge popularity during the 1930s and 1940s.

Contents

Balboa is an 8-count dance that is done in closed position. The earliest form of the dance (often called "Pure Balboa") evolved in the mostly conservative dance halls of southern California where space was limited and strict codes of conduct were enforced. These dance halls usually prohibited the wild kicks of the Charleston and Lindy Hop. Pure Balboa is characterized by an upright posture with partners standing chest to chest. Step variations generally play with the rhythm or look and feel (style) from below the knee downwards and deal with changes in direction. Balboa is frequently danced to fast jazz (usually anything from 180 to 320 BPM), though many like a slower (170-190 BPM) tempo. While most dancers differentiate between pure Balboa and Bal-Swing, both are considered to be a part of the dance. Bal-Swing evolved from Balboa when original Balboa dancers experimented with fancier variations of the dance which forced the chest to chest connection to be broken. In this form of Balboa a variety of spins, turns, dips, tricks, and even air steps are introduced. [1]

History

Balboa came from Southern California during the 1920s. Balboa is named after the Balboa Peninsula in Newport Beach, California, where the dance was invented. [2] The Balboa Pavilion, and the Rendezvous Ballroom are credited as the birthplaces of Balboa when dance floors became so crowded that dancers invented a dance to swing music that could be danced in place. [3] [4] Balboa dancing continued in California throughout the twentieth century and spread around the world to the present day. [5] In 1978, two long-time Balboa dancers, Hal and Marge Takier, [6] started a twice-a-month Balboa dance at a Bobby McGee's [7] restaurant in Newport Beach. [8] Dancers who danced at the Bobby McGee's Balboa nights and video footage from there became highly influential in informing the Balboa dance as it is done today. Two styles of modern Balboa dance developed, "Pure Bal" is danced in close embrace, and "Bal Swing" is danced in a mix of close embrace and in open position. [9]

Alma Heaton included two pages on Balboa in his 1954 book "Ballroom Dance Rhythms", [10] and a page of instruction in "Techniques of Teaching Ballroom Dance". [11] Heaton described two Bal-Swing figures in 1967. [12]

See also

Related Research Articles

<span class="mw-page-title-main">Ballroom dance</span> Set of partner dances

Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television.

<span class="mw-page-title-main">East Coast Swing</span> Type of dance

East Coast Swing (ECS) is a form of social partner dance. It belongs to the group of swing dances. It is danced under fast swing music, including: big band, rock and roll, rockabilly, and boogie-woogie.

<span class="mw-page-title-main">Waltz</span> Ballroom and folk dance

The waltz, meaning "to roll or revolve") is a ballroom and folk dance, normally in triple, performed primarily in closed position.

<span class="mw-page-title-main">Savoy Ballroom</span> Historic Harlem music venue

The Savoy Ballroom was a large ballroom for music and public dancing located at 596 Lenox Avenue, between 140th and 141st Streets in the Harlem neighborhood of Manhattan, New York City. Lenox Avenue was the main thoroughfare through upper Harlem. Poet Langston Hughes calls it the "Heartbeat of Harlem" in Juke Box Love Song, and he set his work "Lenox Avenue: Midnight" on the legendary street. The Savoy was one of many Harlem hot spots along Lenox, but it was the one to be called the "World's Finest Ballroom". It was in operation from March 12, 1926, to July 10, 1958, and as Barbara Englebrecht writes in her article "Swinging at the Savoy", it was "a building, a geographic place, a ballroom, and the 'soul' of a neighborhood". It was opened and owned by white entrepreneur Jay Faggen and Jewish businessman Moe Gale. It was managed by African-American businessman and civic leader Charles Buchanan. Buchanan, who was born in the British West Indies, sought to run a "luxury ballroom to accommodate the many thousands who wished to dance in an atmosphere of tasteful refinement, rather than in the small stuffy halls and the foul smelling, smoke laden cellar nightclubs ..."

<span class="mw-page-title-main">West Coast Swing</span> Dance style

West Coast Swing is a partner dance with roots in Lindy Hop, characterized by an elastic look that results from its extension-compression technique of partner connection and is danced primarily in a slotted area on the dance floor. The dance allows for both partners to improvise steps while dancing together, putting West Coast Swing in a short list of dances that emphasize improvisation.

<span class="mw-page-title-main">Swing (dance)</span> Group of dances tied to jazz

Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Charleston, Balboa, Lindy Hop, and Collegiate Shag. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African-American communities as vernacular African-American dances, some influenced swing-era dances, like Balboa, developed outside of these communities.

Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era, when people were dancing the Lindy Hop. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Benny Carter, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Earl Hines, Bunny Berigan, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw, Jimmie Lunceford, and Django Reinhardt.

<span class="mw-page-title-main">Partner dance</span> Coordinated dancing of two partners

Partner dances are dances whose basic choreography involves coordinated dancing of two partners, as opposed to individuals dancing alone or individually in a non-coordinated manner, and as opposed to groups of people dancing simultaneously in a coordinated manner.

<span class="mw-page-title-main">Jitterbug</span> Dance style associated with swing dance

Jitterbug is a generalized term used to describe swing dancing. It is often synonymous with the lindy hop dance but might include elements of the jive, east coast swing, collegiate shag, charleston, balboa and other swing dances.

<span class="mw-page-title-main">Frankie Manning</span> American dancer and choreographer (1914–2009)

Frank Manning was an American dancer, instructor, and choreographer. Manning is considered one of the founders of Lindy Hop, an energetic form of the jazz dance style known as swing.

<span class="mw-page-title-main">Blues dance</span> Family of historical dances that developed alongside and were danced to blues music

Blues dancing is a family of historical dances that developed alongside and were danced to blues music, or the contemporary dances that are danced in that aesthetic. It has its roots in African-American dance, which itself is rooted in sub-Saharan African music traditions and the historical dances brought to the United States by European immigrants.

Dean Collins was an American dancer, instructor, choreographer, and innovator of swing dance. He is often credited with bringing the Lindy Hop from New York to southern California and influencing the development of West Coast Swing. Collins worked in over thirty films and performed live and on television.

Whitey's Lindy Hoppers was a professional performing group of exceptional swing dancers that was first organized in the late 1920s by Herbert "Whitey" White in the Savoy Ballroom and disbanded in 1942 after its male members were drafted into World War II. The group took on many different forms and had several different names and sub-groups, including Whitey's Hopping Maniacs, Harlem Congeroo Dancers, and The Hot Chocolates. In addition to touring nationally and internationally, the group appeared in several films and Broadway theatre productions. Dorothy Dandridge and Sammy Davis Jr. were among the group's celebrity regulars.

Al Minns, was a prominent American Lindy Hop and jazz dancer. Most famous for his film and stage performances in the 1930s and 1940s with the Harlem-based Whitey's Lindy Hoppers, Minns worked throughout his life to promote the dances that he and his cohorts helped to pioneer at New York's Savoy Ballroom. In 1938, Al Minns and Sandra Gibson won the Harvest Moon Ball.

Sylvia Sykes is an American swing dancer, instructor, judge, and choreographer. She is known for reviving the swing dance style balboa.

<span class="mw-page-title-main">History of Lindy Hop</span> History of dance genre

The history of Lindy Hop begins in the African American communities of Harlem, New York during the late 1920s in conjunction with swing jazz. Lindy Hop is closely related to earlier African American vernacular dances but quickly gained its own fame through dancers in films, performances, competitions, and professional dance troupes. It became especially popular in the 1930s with the upsurge of aerials. The popularity of Lindy Hop declined after World War II, and it converted to other forms of dancing, but it never disappeared during the decades between the 1940s and the 1980s until European and American dancers revived it starting from the beginning of the 1980s.

The Aragon Ballroom on Lick Pier in the Ocean Park district of Santa Monica, California was a social-dance venue opened under the Aragon name in March 1942 by dance promoter Harry Schooler (1918–2008).

<span class="mw-page-title-main">BYU Ballroom Dance Company</span> Dance Company at Brigham Young University

The BYU Ballroom Dance Company was originated from the college of Communication, Dance and Fine Arts Department at the Brigham Young University (BYU) in Provo, Utah. It has been competing and performing around the world as part of BYU for nearly 50 years now.

Skippy Blair was an American ballroom dancer credited with popularizing "West Coast Swing." Blair was a member of a group that successfully lobbied the State Legislature in 1988 to have West Coast Swing designated as the official State Dance of California. She was also the founder of the Golden State Dance Teachers Association and a co-founder of the World Swing Dance Council.

<span class="mw-page-title-main">Lindy Hop</span> American dance

The Lindy Hop is an American dance which was born in the African-American communities of Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy is a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz, tap, breakaway, and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family.

References

  1. "The Lindy Circle - Balboa History".
  2. "History". Balboapavilion.com. Archived from the original on February 2, 2011. Retrieved February 24, 2017.
  3. Stevens, Tamara; Stevens, Erin (April 7, 2011). Swing Dancing. ABC-CLIO. p. 105. ISBN   9780313375187 . Retrieved May 18, 2020.
  4. History: Over 100 years of history surrounds the pavilion., Balboa Manor, archived from the original on February 2, 2011, retrieved May 18, 2020
  5. Shine, Nicole (January 22, 2014), Balboa: Depression-era dance halls left a footloose legacy, The Orange County Register, retrieved May 19, 2020
  6. Stevens, Tamara (2011). Swing dancing. The American dance floor. Santa Barbara, Ca.: Greenwood. p. 118. ISBN   978-0-313-37517-0.
  7. Stevens, Tamara (2011). Swing dancing. The American dance floor. Santa Barbara, Ca.: Greenwood. p. 117. ISBN   978-0-313-37517-0.
  8. Dubin, Zan (September 7, 1995), "Doing the Balboa Puts a Little Swing in Brea", The Los Angeles Times, retrieved May 19, 2020
  9. Stevens, Tamara; Stevens, Erin (April 7, 2011). Swing Dancing. ABC-CLIO. p. 119,151–153. ISBN   9780313375187 . Retrieved May 18, 2020.
  10. Ballroom Dance Rhythms. Alma Heaton. 1954. Brigham Young University Press. pages 35, 36
  11. Techniques of Teaching Ballroom Dance. Alma Heaton. 1965. Brigham Young University Press. Third Edition. pages 161,162
  12. Ballroom Dance Rhythms. Alma Heaton. 1967. Brigham Young University Press. pages 75, 76