Twerking ( /ˈtwɜːrkɪŋ/ ; possibly from 'to work') is a type of dance to popular music in a sexually provocative manner involving throwing or thrusting the hips back or shaking the buttocks, often in a low squatting stance. [1] It is individually performed chiefly but not exclusively by women. [2] [3]
Twerking is part of a larger set of characteristic moves unique to the New Orleans style of hip-hop known as "bounce". [4] Moves include "mixing", "exercising", the "bend over", the "shoulder hustle", "clapping", "booty clapping", "booty poppin", "the sleeper" and "the wild wood"—all recognized as booty shaking or bounce. [5] [6] Twerking is one among other types of choreographic gestures within bounce.
Twerking emerged from the bounce music scene of New Orleans in 1990. [7] It has a broader origin among other types of dancing found among the African diaspora that derives from Bantu-speaking Africans of Central Africa. [8]
As a tradition shaped by local aid and pleasure clubs, block parties and second lines, [9] the dance was central to "a historical situating of sissy bounce—bounce music as performed by artists from the New Orleans African-American community that [led to] a meteoric rise in popularity post-[ Hurricane Katrina after 2005]." [10] In the 1990s, twerking had widespread appeal in black party culture throughout the hip-hop/rap region known as The Dirty South, including New Orleans, Houston, Memphis, Virginia Beach, Miami, Atlanta, and Houston. [9] [10] In 2013, it became the top "what is" search on the Google search engine [11] following pop artist Miley Cyrus performing the dance at the MTV Video Music Awards. [12]
A 2013 Oxford Dictionaries blog post states, "the most likely theory is that it is an alteration of work, because that word has a history of being used in similar ways, with dancers being encouraged to "work it". [13] Local bounce practitioners attribute the term to a contraction of "to work" ("t'work"; or, spelled as it's pronounced, "twerk"). [14] [15]
The Oxford English Dictionary defines an early 19th-century use of the word as a blend of "twist" (or "twitch") and "jerk", which was reported by the BBC in conjunction with the black cultural context. [16] The word is said to have originated from the inner-city of New Orleans and was used frequently in New Orleans bounce music by rappers and DJ hosting block parties in the housing projects. [7] On record, the 1993 song "Do the Jubilee All" by DJ Jubilee - which contains the lyrics "Twerk baby, twerk baby, twerk, twerk, twerk" - has been cited as its earliest use. [17] [18] [19]
The word became popular in the 2000s, when it was used by Atlanta rapper Lil Jon and The East Side Boyz. [20] A Google Trends search reveals that interest in the word "twerk" arose in November 2011. [21]
The Oxford English Dictionary defines twerking as dancing "in a sexually provocative manner, using thrusting movements of the bottom and hips while in a low, squatting stance". [22] Merriam-Webster gives the definition as a "sexually suggestive dancing characterized by rapid, repeated hip thrusts and shaking of the buttocks especially while squatting". [23]
The Oxford English Dictionary's definition of the term may fuel the stigma [24] around twerking as a sexual and provocative dance. [25]
Elizabeth Pérez (2015) states in the African and Black Diaspora: An International Journal : [8]
Booty dances have threatened the status quo by emphasizing group membership, the free movement of forceful Black bodies, and Afro-Diasporic counter-narratives. The Colombian mapalé, or baile negro, is a case in point. Mapalé recalls the fish tail dances of the North American plantation; Davila writes that ‘the fish’s movements after they are captured resemble [the dance’s] pelvic and midriff contractions to the beat of the drum’ (Davila 2009, 120). ‘The only dance that was permitted during times of Spanish rule’, mapalé became associated with rebellion through its liberatory insistence on the body’s value as a vector for the transmission of ancestral knowledge (Davila 2009, 120). [8]
‘Where dance on a social level was criminalized, in Mapalé, it continues to be an indestructible force of Afro-Colombian identity within the fabric of the Atlantic Coast’ (Davila 2009, 134). The batuque, with its ‘artificial rotations and contortions of the hip’ was officially suppressed, as were candombe and the bongo (quoted in Röhrig Assunção 2003, 167). The consensus is that such dances cognate to twerk – as indicated by their names and presence among Bantu-language-speaking slaves – are Central African in origin. A number of scholars well versed in the matter have arrived at Kubik’s conclusion: ‘motional emphasis on the pelvis, buttocks, etc., especially pelvis thrusts or circular pelvis movements described in United States jazz dance history as “Congo grind” are always suspect of a Congo/Angola background’ (Kubik 1979, 20). [8]
Pérez (2015) states: [8]
The historically proximate precursors to twerk are as seldom cited as its analogues. Twerk emerged from earlier movement styles, like ‘the up-and-back hip-swinging bowed-legged movements of a dance called the Tootsie Roll’ and p[ussy]-popping (Gaunt 2006, 285). As Miller notes, ‘it is likely that P-Popping constitutes an expression of what Chadwick Hansen identified in the late 1960s as “a long tradition of erotic shaking dances in America”, which “have clearly been continuous within the Negro community”’ (Miller 2012, 98). Some of the earliest footage of such moves may be seen in clips of the legendary Joséphine Baker. Picart writes, ‘[Baker biographer Phyllis] Rose conjectures that Baker’s frenzied improvisational “stomach dance” was probably derived from moves related to the belly dance: the Shake, the Shimmy, the Mess Around – all of which were popular with New York Black jazz dancers in 1920s’ (Picart 2013, 58). [8]
Other ‘serpentine’ dances that presaged twerk are the Georgia crawl and ‘the sensuous grind’ called ballin’ the jack, both with their heyday in the nineteen-teens (Gaunt 2012, 108; George-Graves 2009, 59; Oliver 1999, 107–108). In the same period, ‘From Florida came the Swamp Shimmy, in which vigorous undulations of body, hips, and limbs made up for lack of forward movement’ (Oliver 1960, 149). The historical record indicates that dances like twerk date to the antebellum period in the American South. Enslaved people performed sinuous snake hip and fish tail dances on plantations during festivals and special gatherings, such as celebratory dinners. Perhaps tellingly, like the snake hip movement, twerk can serve as an ‘embellishment’ or ‘an independent dance in its own right’ (Hazzard-Gordon 1990, 123). [8]
In 1990, the introduction of bounce music into the New Orleans music scene brought along the dance of twerking. [7] In 1992, Panamanian singer Renato recorded the videoclip "El más sensual" (the most sexy), a reggae song with the twerking dance. [26]
The diffusion of the dance phenomenon began earlier via local parties and eventually strip clubs often associated with mainstream rap music and video production aired by video cable television shows that featured rap music and R&B music. Popular video-sharing platforms such as YouTube amplified interest since the advent of digital social media. [27]
Twerking first received national recognition in the United States in the early 2000s, when the song "Whistle While You Twurk" (2000), by Southern hip hop duo Ying Yang Twins, peaked at number 17 on the Billboard Hot R&B/Hip-Hop Songs component chart. It was later referenced in their later track "Say I Yi Yi" (2002), in which the lyrics "she got her hands up on her knees and her elbows on her thighs / she like to twerk and that's for certain I can tell that she fly" are heard. The chorus of Silkk the Shocker's 2001 song "That's Cool" features the line "Somebody that's off the chain / who could twerk that thang.”
R&B and pop girl group Destiny's Child was the first mainstream American girl group to use the word in a song in their song "Jumpin' Jumpin'". Beyoncé made use of the word and dance in her 2005 song and corresponding music video "Check on It". [28]
In 2013, the dance became a viral sensation beyond African-American popular culture, when pop singer Miley Cyrus used the dance in a video that was uploaded first on Facebook and then on YouTube in March which then later became a viral meme throughout social media outlets. [29] Though twerking began trending as a web search in November 2011, and despite its origins in the bounce culture of New Orleans in the late 1980s, the word twerk would be added to the Oxford Dictionary Online [30] and attributed to Cyrus following her appearance at the MTV VMA Awards in August 2013. It became the number one "what is" Google search that year [31] as those outside the culture questioned the popularity of the dance. The word was a runner-up to "selfie" in the Oxford Dictionaries Word of the Year 2013. [32]
In 2006, the hit single "SexyBack", by American pop singer Justin Timberlake, featuring Timbaland, from the former's second studio album Futuresex/Lovesounds , featured Timbaland rapping the lyrics "Let me see what you're twerking with / Go ahead, be gone with it, Look at those hips". In 2007, the song "Pop, Lock & Drop It", by American rapper Huey, reached number six on the US Billboard Hot 100.
The 2012 single "Bandz a Make Her Dance" by Juicy J contains the lyric "Start twerking when she hear her song", [33] while French Montana questions the ability of a girl to twerk by asking "What you twerkin' with?" in his 2012 single "Pop That" featuring fellow rappers Drake, Lil Wayne and Rick Ross. [34] The aforementioned songs, along with "Express Yourself" by Nicky Da B and Diplo, "made twerking the most popular dance move since the Dougie". [35] In 2014, the song "Anaconda" by Nicki Minaj peaked at number 2 on the Billboard Hot 100, makes numerous allusions to twerking.
In November 2018, the City Girls released a song called "Twerk" featuring rapper Cardi B which peaked on the US Billboard Hot 100 at number 29. The lyrics to the song ("Twerk-twerk-twerk-twerk-twerk-twerk with her") is self-explanatory as to how the City Girls wanted to grab the attention of their female audience. [36] The music video has over 200 million views on YouTube as of June 2022. [37]
In 2011, the Twerk Team, a group of female dancers from Atlanta who have posted several videos of themselves twerking on YouTube, were mentioned during the song "Round of Applause" by Waka Flocka Flame featuring Drake, in the line "Bounce that ass, shake that ass like the Twerk Team". [38] Australian rapper Iggy Azalea has incorporated twerking into her live shows since 2011. [39] [40] In July 2012, during the Workaholics episode "The Lord's Force", Anders Holm says "Let's just, uh, put on some twerk videos or something, right?". [41]
In March 2013, American pop singer Miley Cyrus posted a video on Facebook which featured her performing a twerking routine while wearing a unicorn suit, to the 2011 single "Wop" by J. Dash. The popularity of the video, along with parodies and responses made by fans, influenced the song's re-emergence on the Billboard Hot 100. [42] Miley Cyrus's "Wop" video would go to become viral. By April 9, 2013, copies of the video had amassed over 4 million views on YouTube. Also in March 2013, Mollie King, an English singer-songwriter and lead vocalist of British-Irish girl group The Saturdays, was seen twerking when her bandmate Rochelle Humes uploaded the footage on YouTube. [43]
American actress and singer Vanessa Hudgens was seen twerking in March 2013 on American late-night talk show The Tonight Show with Jay Leno . [44] In September 2013, Hudgens was later seen twerking, this time to the song "Bubble Butt", during her performance at Bootsy Bellows in West Hollywood, with her girl group YLA. [45] [46] Hudgens was again seen twerking in a video for Shade 45's radio show Sway in the Morning. [47] [48] American actress and singer Ashley Tisdale can also be seen twerking in a video for Shade 45's radio show Sway in the Morning. [49] [50]
On July 9, 2013, a video was posted on the Twitter-owned video sharing service Vine entitled "Twerk Team", which featured a group of five women provocatively twerking to "Don't Drop That Thun Thun". The clip was shared by users over 100,000 times, becoming a trend for the community and users created their own responses and parodies featuring the song, collected under the hashtags "#dontdropthat" and "#thunthun". The viral popularity of the Vine clips led to an unexpected increase in sales for the song; prior to the posting of the "Twerk Team" clip, only 4,000 copies of the song had been sold; in the following weeks, sales went up to 34,000, then to over 72,000. By late July, "Don't Drop That Thun Thun" had reached #5 on Billboard's R&B/Hip-Hop Digital Songs chart, and it eventually peaked at #35 on the Billboard Hot 100 chart. [51]
Both "Wop" and "Don't Drop That Thun Thun" have been cited as examples of how viral and user-created videos can bring renewed interest to songs; Spin writer Jordan Sargent considered "Wop" to be rap music's "Harlem Shake moment", but not a meme to the same extent as it. [51] [52] In April 2013, American rapper Danny Brown released the song "Express Yourself", inspired by music producer Diplo's song of the same name. The song, produced by Trampy, features a fast-paced electronic beat and is a composition about the popular dance craze twerking. [53] Brown dedicated the song "to all the ladies that like to turn up and have fun," in which he raps "Toes on the wall and her ass in the air / And she twerk that thing like she ain't have a care". [54] [55]
In the music video for Barbadian singer Rihanna's single "Pour It Up", which was released in May 2013, the singer can be seen twerking. [56] In June 2013, American rapper Busta Rhymes released a Jamaican dancehall-inspired single titled "Twerk It", featuring Nicki Minaj, who has been featured on several other "twerking songs", including "Shakin' It 4 Daddy" by Robin Thicke, "Dance (A$$)" by Big Sean and "Clappers" by Wale. Minaj can be seen twerking in all four of the aforementioned songs' respective music videos. Minaj can also be seen twerking in the music videos for American rapper Nelly's single "Get Like Me" and American singer Ciara's single "I'm Out". [57] [58] In August 2013, the song "Twerk", by Lil Twist, featuring pop singers Miley Cyrus and Justin Bieber, was leaked online. [59]
On July 14, 2013, Showtime broadcast Season 1 Episode 3 of the series Ray Donovan, entitled "Twerk", in which actor Jon Voight's character enters a college library and pays a student to give up his computer terminal so that he can watch online videos of women twerking. [60] A YouTube video of the scene has more than 38,000views. [61]
In August 2013, Juicy J announced via Twitter that he would give out a $50,000 scholarship for the girl who can twerk the best. The competition is inspired by the track "Scholarship" on his third album Stay Trippy , which contains the lyric "Keep twerking baby, might earn you a scholarship." [62] In early September 2013, a video titled "Worst Twerk Fail EVER - Girl Catches Fire!", began circulating around online; the video went on to become viral with over 9 million views, and received media coverage. The following week, American comedian and television host Jimmy Kimmel revealed the video was a hoax that he and his team had devised, on Jimmy Kimmel Live! . [63] [64] [65] In April 2014, the video won the Webby Award for best viral clip of the year. [66]
Also in September, "Twerk" from the MTV VMA show was named the Top Television Word of the Year (Teleword) of the 2012–2013 TV season by the Global Language Monitor. In October 2013, American actress Beth Behrs, of American television sitcom 2 Broke Girls , was seen twerking on The Ellen DeGeneres Show . [67] [68] Behrs was later seen twerking to the 1992 hit "Baby Got Back", in January 2014, during the 40th annual awards ceremony of the People's Choice Awards , which she hosted alongside her co-star Kat Dennings. [69] [70]
The fifth episode of the fifth season of the American musical television series Glee , which aired November 13, 2013 and was titled "The End of Twerk", revolved around the twerking phenomenon. [71] The seventh episode of the second season of the American reality television series Bad Girls All-Star Battle , which aired February 25, 2014 and was titled "Twerk It Out", featured the contestants twerking as fast as possible with pedometers on their back. [72]
In August 2013, American recording artist Miley Cyrus, generated controversy following a sexually provocative performance during the 2013 MTV Video Music Awards, in which Cyrus twerked during a medley of her track "We Can't Stop", "Blurred Lines" and "Give It 2 U" by Robin Thicke. [12] Cyrus also received criticism for "stealing" African American culture, also known as cultural appropriation. [73]
In October 2013, Valerie Dixon who was 27 years old, was arrested in Lake County, Florida, because she was twerking and speaking foul language in front of a school bus. Other arrests in Florida for electric twerking in public include the video blogger Carmel Kitten and two unnamed Canadian tourists. [74]
In August 2014, American recording artist Taylor Swift, featured twerking in the music video to her single "Shake It Off". [75] This caused some controversy with American rapper Earl Sweatshirt saying that the video was "perpetuating stereotypes". [76]
In January 2024, the Guinness world record for the longest duration twerking, was set by Babajide Isreal Adebanjo, in Lagos Nigeria. [77] He twerked for 3 hours, 30 minutes. [77]
Bounce music is a style of New Orleans hip hop music that is said to have originated as early as the late 1980s in the city's housing projects. Popular bounce artists have included DJ Jubilee, Partners-N-Crime, Magnolia Shorty and Big Freedia.
"Back That Azz Up", also known as "Back That Thang Up" for a radio edit, is a song recorded by American rapper Juvenile featuring fellow American rappers Mannie Fresh and Lil Wayne. Produced by Fresh, it was released on June 11, 1999, as the second single from Juvenile's 1998 album 400 Degreez. The song was Juvenile's biggest hit single at the time until the chart-topping "Slow Motion" in 2004, surpassing "Back That Azz Up" which peaked at number 19 on the Billboard Hot 100.
Take Fo' Records is an independent record label from New Orleans and the first to specialize in bounce music. The label is a subsidiary of Positive Black Talk, Inc., was founded in 1992 and operated by creative duo Earl J. Mackie and Henry F. Holden, until 2005. Prior to creating the record label, the duo teamed up to produce a cable access television program called Positive Black Talk, aiming at positive African American leadership in the New Orleans community. The television show changed its name to PBT and was later hosted by Mackie's younger cousin, Anthony Mackie, who was a student at NOCCA at the time. "It was just a 15-year-old black dude acting a fool," Anthony says of the early endeavor. After holding a fundraising concert for the program, Earl Mackie and Holden became intrigued by the music industry, so they decided to put together a girl group called Da' Sha Ra'. The newly formed group appeared frequently on the television program.
Miley Ray Cyrus is an American singer, songwriter, and actress. Regarded as a pop icon, Cyrus has been recognized for her evolving artistry and image reinventions. She is a daughter of singer Billy Ray Cyrus, and deemed one of the few examples of a child star with a successful musical career as an adult. Cyrus emerged as a teen idol as the lead character in the Disney Channel television series Hannah Montana (2006–2011). As Hannah Montana, she achieved success on the Billboard charts with two number-one soundtracks.
"Party in the U.S.A." is a song by American singer Miley Cyrus from her debut extended play (EP), The Time of Our Lives (2009). It was released on August 4, 2009, by Hollywood Records as the lead single from the project. The song was written and produced by Dr. Luke, with additional songwriting provided by Jessie J and Claude Kelly. It is a pop song, with lyrics reflecting her relocating from Nashville, Tennessee, to Hollywood, California. This is one of four collaborations between Cyrus and Dr. Luke, with the EP title track "The Time of Our Lives", will.i.am's "Fall Down" and "Wrecking Ball" following in 2013.
Rock Mafia is an American record production team, consisting of Tim James and Antonina Armato who have been active since the early 2000s. They have written and produced 38 top ten singles, and have sold over 50 million records worldwide. They have worked with artists such as JoJo Siwa, Brit Smith, Eminem, Marshmello, Quavo, Diplo, Illenium, Zedd, Gwen Stefani, Young Thug, Tiesto, No Doubt, Wyclef Jean, Green Day, Mariah Carey, Justin Bieber, Hoku, Flo Rida, Ellie Goulding, Aura Dione, Tokio Hotel, Bebe Rexha, and Armin van Buuren. In the 2000s, they worked extensively with Disney stars signed to Hollywood Records, mainly Miley Cyrus, Vanessa Hudgens, Demi Lovato, and Selena Gomez.
Freddie Ross Jr., better known by his stage name Big Freedia, is an American rapper and performer known for his work in the New Orleans genre of hip hop called bounce music. Freedia has been credited with helping popularize the genre, which had been largely underground since developing in the early 1990s.
"Fall Down" is a song by American recording artist will.i.am featuring Miley Cyrus from his fourth studio album, #willpower (2013). It was released on April 16, 2013, by Interscope Records as the fifth single from the album. The song was written and produced by will.i.am, Dr. Luke, Benny Blanco, and Cirkut. "Fall Down" is an electropop and hip hop song; it strays from the electronic dance elements displayed in will.i.am's earlier singles "Scream & Shout" and "#thatPower", and instead leans towards an urban contemporary style.
"Bubble Butt" is a song by American electronic dance music trio Major Lazer featuring American singer-songwriter Bruno Mars and American rappers Tyga and Mystic from the trio's second studio album, Free the Universe (2013). It was written by Major Lazer members Diplo and Switch alongside the featured artists. The production was handled by Major Lazer and Valentino Khan. The remix was released as the album's fourth single on May 24, 2013, for digital download and appears on the album's extended version. The remix version also features verses from American rapper 2 Chainz. Musically, it is an electronic dance, hip hop, and dancehall track with lyrics implying that girls twerk and show off their giant buttocks.
"Twerk It" is a song by American rapper Busta Rhymes featuring Nicki Minaj. Written by both performers alongside its producer Pharrell Williams, the song was intended to serve as the lead single for Busta Rhymes' tenth studio album, E.L.E.2 , which was delayed from 2014 to 2020; the final album did not feature this song. "Twerk It" has been said to be Jamaican-inspired and is influenced by dancehall music. A music video for the song was shot in Flatbush, New York on June 3, 2013.
"Give It 2 U" is a song by American singer-songwriter Robin Thicke from his sixth studio album, Blurred Lines (2013). It was written and produced by Dr. Luke and Cirkut, with additional writing by Thicke, the featured artist Kendrick Lamar, and will.i.am. Originally titled "Give It to Me", a demo version of the song premiered on the radio show Sway in the Morning on May 2, 2013. Featuring guest vocals from Lamar, it was released as the third single from the album on August 27, 2013. "Give It 2 U" is an uptempo hip hop and electropop song with elements of dubstep. Lyrically, Thicke sings about sexually pleasing a partner.
"Fire" is a song by American recording artist Big Sean from his second studio album Hall of Fame (2013). It was released on August 20, 2013 by GOOD Music and Def Jam Recordings as the fourth single from the record. It was written and produced by Darhyl Camper Jr. and Rob Kinelski, with additional songwriting provided by Big Sean and Alexander Izquierdo of The Monsters and the Strangerz. "Fire" is a hip hop song that lyrically describes the perseverance to overcome personal difficulties.
"23" is a song by American record producer Mike Will Made It, featuring American singer Miley Cyrus and American rappers Wiz Khalifa and Juicy J, released as the former's debut single on September 10, 2013, by Interscope Records. Written by the artists alongside R. City and fellow producer Pierre "P-Nasty" Slaughter, it is set to a midtempo beat and lyrically references Air Jordan sneakers and recreational drug use.
American singer, songwriter, and actress Miley Cyrus has appeared in music videos, films, television series and video games. From 2006 to 2011, Cyrus starred in the television series Hannah Montana as Miley Stewart and her alter ego, Hannah Montana. In 2009, Cyrus starred in the feature film Hannah Montana: The Movie, whose soundtrack included her lead single "The Climb". Her other films included voicing the role of Penny in the animated film Bolt in 2008, The Last Song with Liam Hemsworth in 2010, and LOL with Demi Moore in 2012. Her song "When I Look at You" was part of The Last Song soundtrack with the music video directed by the film's producer, Adam Shankman. She has released 39 music videos and appeared on 12 music videos.
"Don't Drop That Thun Thun" is a song by The Finatticz. First released in April 2012 as the group's debut single, the song was a minor success locally. "Don't Drop That Thun Thun" experienced a burst in mainstream popularity in July 2013, after its use in a viral video uploaded to Vine which featured a group of women twerking to the song. As a result of the meme which developed around the song on Vine, sales of the "Don't Drop That Thun Thun" single dramatically increased; the song would peak at number 10 on Billboard's Hot R&B/Hip-Hop Songs chart, and reach number 35 on the Billboard Hot 100.
"Wop" is a song by rapper J. Dash featuring rapper Flo Rida. First recorded in 2007, it was released in 2011 to serve as the lead single for J. Dash's album Tabloid Truth, released in 2012.
"Booty" is a song recorded by American singer Jennifer Lopez for her eighth studio album, A.K.A. (2014). It was written and produced by Cory Rooney, Lopez, and Benny Medina, with additional writing from Chris Brown, Pitbull, Diplo, and others. "Booty" samples "Dat a Freak", a song by Diplo and Swick. Initially entitled "Big Booty", the song was first rejected by Lopez who did not like the idea of having a song with a title like that. However, after playing the demo for her kids and seeing that they enjoyed the track, Lopez was convinced to record it.
"Twerk It Like Miley" is a song by American singer Brandon Beal featuring Danish singer Christopher. The song produced by Danish DJ Hedegaard was released on May 5, 2014 on Universal Music Denmark and Then We Take the World, reaching number one on Tracklisten, the official Danish Singles Chart on its first week of release staying there for just one week. The music video directed by Morten Winther also became popular with many references to Miley Cyrus.
Raunch aesthetics is a term in feminist theory which describes the ways in which women in hip hop express their sexuality through the performance of lyrics, choreography, and staging. These aesthetics are performed by artists such as Rihanna, Beyoncé, Cardi B, Ciara, Nicki Minaj, Megan Thee Stallion and Miley Cyrus with the intention to embrace and take control over their own bodies and sexual identities through verbal and physical expression.
"Twerk" is a song by American hip hop duo City Girls featuring American rapper Cardi B, from the duo's debut album Girl Code (2018). It was released to US rhythmic contemporary radio on January 8, 2019, as the album's lead single. Filmed in Miami, the song's music video was released the same month. "Twerk" is a New Orleans bounce-inspired song, which heavily samples Choppa's "Choppa Style". It also samples the popular Triggerman beat, which is prominent among the New Orleans bounce scene. It peaked at number 29 on the US Billboard Hot 100 chart and was certified Platinum by the Recording Industry Association of America (RIAA).